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8 counts to revelation Prelude and Cadence.

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, ErcAshfrd@a... wrote:

> We have no song to sing that is ours alone. Yet there is no

> music without us. The dancer on this stage is but the dance.

> Inspiration arrives dressed in the color we are able to

> receive it in, dancing in the rainbow self, to remind us of

> this, its invisible entrance. A ballet that turns us inwards to

> its source.

 

:) Eric.

 

"The dancer on this stage is but the dance. A ballet that turns us

inwards to its source."

 

These are "danceforms" that I have been working with, "researching",

one might say... the basis of choreography.

 

Last night's class was taught by the students, the phrase brought

over from last week improvised upon. 8 counts of the "known" thrown

out to pairs to improvise 8 counts upon.

 

The "creations" were as varied as the pairs. Where were these

movements "plucked" from? From something a student has "learned" from

a teacher? Or from something internal to the form of the body, the

allowable range, the momentum of movement, the potential for change?

 

"What do I want to emulate?" vs. "What naturally comes next?"

 

The truest, smoothest choreography seems to naturally come next. :)

> Windfall, flux and flotsam.

> The ecstatic and towering,

> the flecks of mud upon your shoes.

> All twinkle in loves eye.

> Rub your eyes and stamp your feet

> this is Holy ground.

> Everything is expressing your perfection.

 

Exactly...

 

 

warmly,

Nina

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