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Dear Friends,

 

I am at present reading a book called "The Death of al-Hallaj," by

Herbert Mason. This book is done in dramatic narrative, a recital of

the thought and spiritual way of al-Hallaj. Al-Hallaj Mansur, born as

Husayn ibn Mansur, was know as hallaj al-asrar (the carder of

consciences or the reader of hearts.) He talks in this narrative with

his beloved disciple Ibn Ata. This form of presentation is that of

sama or 'hearing' of spiritual teacher's words on God, life, and the

world. Part of the narrative is done as 'shath' or conversation with

God. "It is part of his impudent character that he does not keep this

conversation to himself." He is beyond fear and therefore strange and

frightening to those around him in the tenth century amidst

fundamentalist Islamic fervor. Al-Hallaj is a lover of God and of

humanity who simply cannot measure out his love in moderation. He was

so over-flowing with God's love, he HAD to say it. He could not

contain It within himself, it had to come out for all near him to

witness God's Abundance. He is imprisoned, but free. Al-Hallaj was

martyred and executed in 922 for saying "I am the Truth." And he

wouldn't stop saying it. Here is some of the great dialogue in this

superb book, this part taking place while he is imprisoned and his

death is within a couple of days. His attitude and his beauty are so

evident in his ecstatic communion with God:

 

IBN ATA:

No, master, I cannot let you stop.

There isn't time.

 

HALLAJ:

Yes, I know.

Time becomes precious at a certain age.

We lose our sense of being wholly lost

Only to find our next dilemma, time.

We see but have too little time to change.

The world we seek is all too evident.

We even have the power of words and faith

To make it almost be. Our Truth is there,

Hovering to take us out of time.

And now, when time's irrelevant at last,

We need it as we languish here in jail

Between the visits of our sons and friends.

We have too little time with them.

We know the way to read the hearts we love.

Like branches that have lost their leaves,

Captive in the cold we cry for clothes

Paraded in our old humiliation

On the esplanade. The wind grieves loud for us

As we stand numb, the stranger no one knows.

I have looked through hearts,

Through tiny vein-like branches into skies

With only face-like vapors passing through.

Do you think I'm mad?

 

IBN ATA:

You are not afraid of death.

That is strange. Perhaps you are.

I think I'm afraid of you.

 

HALLAJ:

That is why He maddens us to death,

To free the others of their fear of it,

Through the love of the mad one who must die.

We do not really die when we are desperate...

When we are carried beyond loss...

Beyond grief.

We do not go mad or die, we dance...

We dance we dance we dance...

 

HAMD (Hallaj's son, narrating):

My father danced alone. Ibn Ata stared,

Frightened at first. He then was drawn to his fet

And followed him around the cell until

He too had entered his master's dance,

Beyond his fear, beyond his sense of coming loss.

Each danced in union, without words.

 

Later on when they describe al-Hallaj just prior to his torture and

beheading, he said and did things that are so similar to what Jesus

said and did. I don't wonder why, with both being fully God-

conscious. I'll include part of it in a later post.

 

Love, Peace,

Mazie

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Thanks Mazie for sharing the story. Please tell more. I remember Swami

Sivananda writing about it. It always brings tears to my eyes.

 

Love

Harsha

 

 

sraddha54 [sraddha54]

Thursday, October 25, 2001 10:20 AM

About al-Hallaj Mansur

 

 

Dear Friends,

 

I am at present reading a book called "The Death of al-Hallaj," by

Herbert Mason. This book is done in dramatic narrative, a recital of

the thought and spiritual way of al-Hallaj. Al-Hallaj Mansur, born as

Husayn ibn Mansur, was know as hallaj al-asrar (the carder of

consciences or the reader of hearts.) He talks in this narrative with

his beloved disciple Ibn Ata. This form of presentation is that of

sama or 'hearing' of spiritual teacher's words on God, life, and the

world. Part of the narrative is done as 'shath' or conversation with

God. "It is part of his impudent character that he does not keep this

conversation to himself." He is beyond fear and therefore strange and

frightening to those around him in the tenth century amidst

fundamentalist Islamic fervor. Al-Hallaj is a lover of God and of

humanity who simply cannot measure out his love in moderation. He was

so over-flowing with God's love, he HAD to say it. He could not

contain It within himself, it had to come out for all near him to

witness God's Abundance. He is imprisoned, but free. Al-Hallaj was

martyred and executed in 922 for saying "I am the Truth." And he

wouldn't stop saying it. Here is some of the great dialogue in this

superb book, this part taking place while he is imprisoned and his

death is within a couple of days. His attitude and his beauty are so

evident in his ecstatic communion with God:

 

IBN ATA:

No, master, I cannot let you stop.

There isn't time.

 

HALLAJ:

Yes, I know.

Time becomes precious at a certain age.

We lose our sense of being wholly lost

Only to find our next dilemma, time.

We see but have too little time to change.

The world we seek is all too evident.

We even have the power of words and faith

To make it almost be. Our Truth is there,

Hovering to take us out of time.

And now, when time's irrelevant at last,

We need it as we languish here in jail

Between the visits of our sons and friends.

We have too little time with them.

We know the way to read the hearts we love.

Like branches that have lost their leaves,

Captive in the cold we cry for clothes

Paraded in our old humiliation

On the esplanade. The wind grieves loud for us

As we stand numb, the stranger no one knows.

I have looked through hearts,

Through tiny vein-like branches into skies

With only face-like vapors passing through.

Do you think I'm mad?

 

IBN ATA:

You are not afraid of death.

That is strange. Perhaps you are.

I think I'm afraid of you.

 

HALLAJ:

That is why He maddens us to death,

To free the others of their fear of it,

Through the love of the mad one who must die.

We do not really die when we are desperate...

When we are carried beyond loss...

Beyond grief.

We do not go mad or die, we dance...

We dance we dance we dance...

 

HAMD (Hallaj's son, narrating):

My father danced alone. Ibn Ata stared,

Frightened at first. He then was drawn to his fet

And followed him around the cell until

He too had entered his master's dance,

Beyond his fear, beyond his sense of coming loss.

Each danced in union, without words.

 

Later on when they describe al-Hallaj just prior to his torture and

beheading, he said and did things that are so similar to what Jesus

said and did. I don't wonder why, with both being fully God-

conscious. I'll include part of it in a later post.

 

Love, Peace,

Mazie

 

 

 

 

/join

 

 

 

 

All paths go somewhere. No path goes nowhere. Paths, places, sights,

perceptions, and indeed all experiences arise from and exist in and subside

back into the Space of Awareness. Like waves rising are not different than

the ocean, all things arising from Awareness are of the nature of Awareness.

Awareness does not come and go but is always Present. It is Home. Home is

where the Heart Is. Jnanis know the Heart to be the Finality of Eternal

Being. A true devotee relishes in the Truth of Self-Knowledge, spontaneously

arising from within into It Self. Welcome all to a.

 

 

 

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, "Harsha" <harsha-hkl@h...> wrote:

> Thanks Mazie for sharing the story. Please tell more. I remember

Swami

> Sivananda writing about it. It always brings tears to my eyes.

>

> Love

> Harsha

 

Dearest Harshaji,

 

It was our beloved Whitewolfe who first told me about al-Hallaj

Mansur. It instantly piqued up some great yearning to learn about

him. I only knew one thing about him, that he had said "I am the

Truth," and been martyred for it. There is supposed to be a very good

book about al-Hallaj Mansur by Massignion. Here is the last part of

the book, the tale of the execution. I cannot read this without

crying my eyes out.

 

HAMD narrating: ( Al-Hallaj's son)

 

On the morning of the execution

He was taken from his prison,

Put on one of the pack mules,

Led away, jostled by grooms

Who ran alongside him

Shouting at the crowd which formed

A mob. The commissioner,

Afraid himself of being killed

Or of someone killing his prisoner,

Said: "This is not Hallaj,

Hallaj is in the palace of Vizirs."

While Hamid's mounted guard

Escorted him, the commissioner,

To the esplanade, near Khurasani

Gate, on the west bank of the Tigris

Where the gibbet was set up.

Everyone who lived in Baghdad

And hundreds of foreign visitors

To the City of Peace were there.

Never had such a crowd formed

To witness an execution.

The guards lifted him from the mule

And he began dancing in his chains.

The guards were shocked, the people

Who could see burst into nervous laughter,

And then they led him to the gibbet.

They tore the clothes from his back

And began the ordered flagellation.

"Now Constantinople is taken!" he shouted,

At the five hundreth lash. He fainted

And the commissioner ordered

The flagellation stopped

Lest he die without suffering

The full prescribed punishment.

The guards had been ordered to close their ears

Lest they be seduced to show him mercy.

Once the lashes had been stopped

The executioner cut off one of his hands

And then a foot, and then the other hand

Followed as prescribed by the other foot.

He then was hoisted on the gibbet in display.

The air was filled with screams.

The commissioner ordered the decapitation

Postponed until morning

So the vizir, Hamid, could be present.

That night his friends and enemies

Came to him, challenging him

To answer for himself. Looters

Roamed the city, setting fire to shops.

Baghdad was convulsed with rioting.

He cried out to God: "O my Friend, my Friend..."

His disciples came. . . and said

To the gibbet: "Have we not forbidden you

To receive a guest, neither angel nor man!"

One threw a rose at my father,

Who raised his bloody stump

And wiped his cheek

Where it had struck him.

Life ebbed from him

And he could barely speak.

In the morning Hamid came.

He had ordered the official witnesses

At the trial scattered through the crowd

To cry out: "This is for the salvation

Of Islam. Let his blood fall on our necks!"

Advancing toward the gibbet Hamid drew

>From his sleeve a scroll which he handed

To the commissioner to unroll.

The latter handed it back to him. It had

The names of eighty-four learned men on it,

The legal scholars and Koran reciters,

Attesting to his heresy. A placard

Was raised that later would be pinned

To his head, saying "This is the head

Of the blasphemous conniver and deceiver

Husayn Ibn al-Hallaj,

One whom God has put to death

At the hands of Caliph al-Muqtadir

After proof was given showing that he claimed

The sovereignty of God himself.

Glory be to God, Who causes his blood

To be shed and led him to be cursed."

The crowd shouted: God is great!

Hamid then called for the witnesses

To reenact the trial, as was prescribed,

Arguing the pros and cons and finally

Concurring with the statemnet read.

Hamid then asked: "The Caliph is innocent

Of his blood?" They shouted "Yes!"

"The commissioner is innocent of his blood?"

"Yes. Let his blood fall on our necks!"

Then Hamid returned the scroll to his sleeve

And lowered his right hand. The executioner

Stepped forward and the guards took

My father down. As he was being lowered

He cried out "the ecstatic

Wants only to be alone with his Only One."

 

The executioner beheaded him.

 

 

mazie

 

>

>

> sraddha54@h... [sraddha54@h...]

> Thursday, October 25, 2001 10:20 AM

>

> About al-Hallaj Mansur

>

>

> Dear Friends,

>

> I am at present reading a book called "The Death of al-Hallaj," by

> Herbert Mason. This book is done in dramatic narrative, a recital of

> the thought and spiritual way of al-Hallaj. Al-Hallaj Mansur, born

as

> Husayn ibn Mansur, was know as hallaj al-asrar (the carder of

> consciences or the reader of hearts.) He talks in this narrative

with

> his beloved disciple Ibn Ata. This form of presentation is that of

> sama or 'hearing' of spiritual teacher's words on God, life, and the

> world. Part of the narrative is done as 'shath' or conversation with

> God. "It is part of his impudent character that he does not keep

this

> conversation to himself." He is beyond fear and therefore strange

and

> frightening to those around him in the tenth century amidst

> fundamentalist Islamic fervor. Al-Hallaj is a lover of God and of

> humanity who simply cannot measure out his love in moderation. He

was

> so over-flowing with God's love, he HAD to say it. He could not

> contain It within himself, it had to come out for all near him to

> witness God's Abundance. He is imprisoned, but free. Al-Hallaj was

> martyred and executed in 922 for saying "I am the Truth." And he

> wouldn't stop saying it. Here is some of the great dialogue in this

> superb book, this part taking place while he is imprisoned and his

> death is within a couple of days. His attitude and his beauty are so

> evident in his ecstatic communion with God:

>

> IBN ATA:

> No, master, I cannot let you stop.

> There isn't time.

>

> HALLAJ:

> Yes, I know.

> Time becomes precious at a certain age.

> We lose our sense of being wholly lost

> Only to find our next dilemma, time.

> We see but have too little time to change.

> The world we seek is all too evident.

> We even have the power of words and faith

> To make it almost be. Our Truth is there,

> Hovering to take us out of time.

> And now, when time's irrelevant at last,

> We need it as we languish here in jail

> Between the visits of our sons and friends.

> We have too little time with them.

> We know the way to read the hearts we love.

> Like branches that have lost their leaves,

> Captive in the cold we cry for clothes

> Paraded in our old humiliation

> On the esplanade. The wind grieves loud for us

> As we stand numb, the stranger no one knows.

> I have looked through hearts,

> Through tiny vein-like branches into skies

> With only face-like vapors passing through.

> Do you think I'm mad?

>

> IBN ATA:

> You are not afraid of death.

> That is strange. Perhaps you are.

> I think I'm afraid of you.

>

> HALLAJ:

> That is why He maddens us to death,

> To free the others of their fear of it,

> Through the love of the mad one who must die.

> We do not really die when we are desperate...

> When we are carried beyond loss...

> Beyond grief.

> We do not go mad or die, we dance...

> We dance we dance we dance...

>

> HAMD (Hallaj's son, narrating):

> My father danced alone. Ibn Ata stared,

> Frightened at first. He then was drawn to his fet

> And followed him around the cell until

> He too had entered his master's dance,

> Beyond his fear, beyond his sense of coming loss.

> Each danced in union, without words.

>

> Later on when they describe al-Hallaj just prior to his torture and

> beheading, he said and did things that are so similar to what Jesus

> said and did. I don't wonder why, with both being fully God-

> conscious. I'll include part of it in a later post.

>

> Love, Peace,

> Mazie

>

>

>

>

> /join

>

>

>

>

>

> All paths go somewhere. No path goes nowhere. Paths, places, sights,

> perceptions, and indeed all experiences arise from and exist in and

subside

> back into the Space of Awareness. Like waves rising are not

different than

> the ocean, all things arising from Awareness are of the nature of

Awareness.

> Awareness does not come and go but is always Present. It is Home.

Home is

> where the Heart Is. Jnanis know the Heart to be the Finality of

Eternal

> Being. A true devotee relishes in the Truth of Self-Knowledge,

spontaneously

> arising from within into It Self. Welcome all to a.

>

>

>

> Your use of is subject to

 

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