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Thank you Sir Gregory. The painting in the attachment needs to be observed

to be real.

The only thing paintings are good for is to be looked at.

Love

Bobby G.

 

 

NondualitySalon, Gregory Goode <goode@D...> wrote:

> I like what you say, Bobby G. I have a 6-month advaita vedanta class that

> I teach in Soho, Manhattan. I have a standing offer to the students: I'll

> gladly pay $10,000 to anyone who can establish the existence of anything at

> all outside of an observer, awareness, etc. I could have upped the offer

> to a million. But I wanted them to take it more seriously. But it's a

> safe bet, and though they have tried, no one has yet cashed in!

>

> --Greg

>

> At 10:30 PM 11/25/01 -0000, Michael Read wrote:

> >Like you say, it is magic! :-)

> >

> >loveya - michael

> >

> >> If an objective universe can be proved without an observer I would

> >> pay to see it.

> >>

> >> Be good

> >> Bobby G.

> >>

Attachment: (image/jpeg) SUNTHR~1.JPG [not stored]

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Bobby,

 

If I may most respectfully add to your observation: paintings are good

for a lot more than just looking, but these can only begin with

looking. Like you, I am way more visual than verbal, it's my

preferred language, so to speak. When we went to a used book sale

recently, my foraging resulted in a couple boxes. The big score was a

set of a dozen portfolios by the Metropolitan with many loose art

prints in each book for $10 the set. A book of mostly photos from

1900-1910. Garden books with photos, of course. It didn't quite dawn

on me how visual most were till looking them over at home.

I think anyone can learn to 'see like an artist', tho it comes

naturally to some. Kinda like how when we enter a forest, we notice

a vague foresty smell, but to a wolf there is the rich complexity of

thousands of distinguishable odors. Smell is his language, so there's

more to enjoy with his awareness. Your paintings show us a richer

seeing.

 

Love,

Glo

--------Thank you Sir Gregory. The painting in the attachment needs

to be observed to be real.The only thing paintings are good for is to

be looked at.Love Bobby G.

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Thanks Gloria, that's a really nice message

Love

Bobby G.

 

 

, "Gloria Lee" <glee@c...> wrote:

> Bobby,

>

> If I may most respectfully add to your observation: paintings are

good for a lot more than just looking, but these can only begin with

looking. Like you, I am way more visual than verbal, it's my

preferred language, so to speak. When we went to a used book sale

recently, my foraging resulted in a couple boxes. The big score was a

set of a dozen portfolios by the Metropolitan with many loose art

prints in each book for $10 the set. A book of mostly photos from

1900-1910. Garden books with photos, of course. It didn't quite dawn

on me how visual most were till looking them over at home.

>

> I think anyone can learn to 'see like an artist', tho it comes

naturally to some. Kinda like how when we enter a forest, we notice

a vague foresty smell, but to a wolf there is the rich complexity of

thousands of distinguishable odors. Smell is his language, so there's

more to enjoy with his awareness. Your paintings show us a richer

seeing.

>

> Love,

> Glo

> --------

>

> Thank you Sir Gregory. The painting in the attachment needs to be

observed

> to be real.

> The only thing paintings are good for is to be looked at.

> Love

> Bobby G.

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