Guest guest Posted October 1, 2002 Report Share Posted October 1, 2002 ONE, OM and the Prime-Ordial. Hi everyone, Again, I hope that Mazie and Robert do not mind, that I forward this advaitic play on the ONE OM to 's with my comments: In AdyashantiSatsang Mazie quoted Lalla: "One in whom the syllable OM rises steadily upward from the sex through the navel, and only OM, forms a bridge to God. That one has no interest in different kinds of magic. That one is a spell." - Lalla Dearest Wimji, We do not mind in the least as we find it very beautiful this exchange with You and this discussion of Om and 1. Whenever i write about Aum (OM) i always have you in mind Dearest Wim. i was blessed with hearing the Om spontaneously after years of Kriya Yoga and Om meditations. For example in the grocery store while shopping i would suddenly be consumed and taken in the Mighty Om and all stops and there is only Om and nothing else, no time, no space, nothing but that Bliss filling the Being, the Heart with the most exquisite roar as an oceanic waterfall. i used to hear this as a child and had no name for it. Then Mazie wrote: >>> Just finished a conversation on the telephone with Robert who's on the road today, and as soon as i hung up i turned and looked at the clock. It read - 1111. This is a recurring number always coming before us in myriad presentations. It came up a day or so ago after a connection with Wimji and i was made aware of it. Always these numbers present - 1111. For Robert it has long been happening, and now of course, it happens in my everyday experiences. "Thou and i are 1." <<< --------------- Hi Mazie and Robert, It is all so seriously playful... Here is to the 1: (( Again DearHeart, this 1111 combination comes up all the time for us. 1, 11, 111, 1111 and it is always a fine experience of (1)ness with Robert and i and everything everywhere. i so love what you say here about numbers and being so seriously playful concerning them. This piece is so fine and so original in context Dearest Wimji. i imbibe this what you say here below and it enthralls the Heart with wonderfulness and happiness for no reason i can discern. >11111111111111111111111111111111 11 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 PPP P P P P P P P P P This is really the sieve of Eratosthenos. (Don't worry it will all fall in line...) The Digital Prime-Ordial (P is prime, Wim's version.) Some 18 years ago I made a simple computer program in Basic to produce prime numbers for one of the first and smallest hand held computers, a small Tandy Radio Shack, the one that even came with a hand sized thermal printer and ran on batteries. I took it along on my travels (I taught the Montessori method in the Pacific North-West) and plugged into any socket I could find, in my hosts' school, home or hotel room, to recharge the batteries as it had to keep running to print out prime numbers. While doing that I remembered an old inkling of mine from about 33 years ago, about primes, prime-ordial sound, a weather forecasting system, number theory and astrology and... a hunch that it was all related. On one of my teaching trips I decided, that it would be wonderful if I could get children to find out about prime numbers, prime-ordial sound and factoring (yes, the math stuff) without getting into number theory or any theory at all. This inveterate Montessori school teacher that I was (and still am)... So when back in Victoria, some 20 years ago, I made the following composition which I ended up naming "AUM" and I had my class of children (5-7 years old) perform it. It was actually very simple, a round really, but the most simple round you can think of... But the implications!!! On this one particular day, which was to be very special (I primed the children ahead of time a wee bit) and in an atmosphere of mysterious silence (very early on Montessori children get to introduced to and experience such silence) every child was invited to choose an implement that could produce a sound (not necessarily a musical instrument). For now though, they were not to make any sound yet on their instruments but only to imagine the sound inside their head. They would convene quietly on the carpet in the middle of the room. (My Montessori classrooms were always laid out with a carpet in the center that way, with the children's individual tables organized in an hexagonal shape around it.) After a few minutes of quiet and mysterious shuffling, they were all sitting in a circle on the carpet. I had positioned a large round electric clock on its back in the center of the carpet, one of those typical school clocks with a large "seconds hand". I whispered the following set of instructions... After I would give a very special sign we would do something that no one had ever done before. Also, I told them that I myself did not even know the sign yet. It would also be a sign, I assured them, they had never seen or heard before, but they would surely recognize it. After that mysterious sign to come, the first child to my left - she had selected two wooden blocks - was to clap her two blocks together ever single second, and I pointed to the clock, moving my hand with the rhythm of the seconds hand. The second child, with a triangle, was to ring his triangle every second second. The third child, with with a small gong, was to strike it every third second. The fourth child, with a whistle, was to blow it "diminuendo" every fourth second. (All according to the diagram above, which when it was all over, I showed to them.) I did not have to explain more... they got the idea, I could see it in their eyes. We would first practice in silence though, altogether, but inside our heads, two, maybe three times... I promised them, that when I felt that they all "got it" that we would start for real... they would know exactly when... "Just wait and watch and listen..." With the sound of "no hands clapping" I started them off with the silent practice... After three turns of silent practice - ah... just to see the movements of their heads, their eyes, their inner seeing, their inner listening - when the right moment came, I hummed "AUM" and then I closed my eyes and bowed my head to the first child, indicating her to begin. It started all so quietly, and as more instruments joined in, there was this interesting staccatoed crescendo but at some very special moments one would only hear the two wooden blocks but... accompanied with an inner vibrato inside of us... AUM maybe? At some points in time, all the instruments were sounding at once, at some points there was only the sound of the blocks, just the one sound... Ah such constancy in this... Was there rhythm to it? Was there structure? Was this random or not random at all? The result was for sure a total surprise... I indicated to go louder, then softer. We even sped up the pace after I put a silk cloth on the clock, and later we slowed down until we all knew that it was time to stop, knowing that it would actually never.... In Montessori, children play with numbers a lot, not knowing that they do. They get an uncanny sense of structure, relationships, factors, gradations, common factors, the lowest common denominator, the highest... etc. They get to discover that it is in their system, and as you see, it is just based on the play of the one... Six billion people all a variation on the theme of one... Darling Wimji, friend in the Heart, thank you for all this fine walk into the numbers play and wisdom of 1. "Sic billion people on the theme of one..." Marvelous DearHeart. Simply wonderful. LoveAlways, Mazie Quote Link to comment Share on other sites More sharing options...
Guest guest Posted October 1, 2002 Report Share Posted October 1, 2002 , "mazie_l" <sraddha54@h...> wrote: >i used to hear this as a child and had no name for it. I am beginning to appreciate what the knife edge feels as it slices through the air in the hand of God. This exhilaration is not some ecstasy the body can know, not some Toshiro Mifune matinee mystery, except in the Heartmind of God, slicing through Itself, piercing into the heart of Itself, making that sound it makes when it finds its mark, the finality of that sound stopping mind, the way we played once, boys with pocket knives, new shiny toys we fondled, flipped, and threw to bullseye in trees, that twang- sound when they did, somehow the surest thing we would ever hear, until this moment, as I look into your eyes, then down at the hilt of knife you've buried in my chest, this unconditional wound, this Love born of a wordless piercing angels envy, even as they make that sound themselves, these angel sounds that slice the air -- Knives with destinations. LoveAlways, b Quote Link to comment Share on other sites More sharing options...
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