Guest guest Posted July 5, 2002 Report Share Posted July 5, 2002 Dear ones, Following is the "Dhyan mantram" for mata Jagaddhatri(one who holds the universe) ******************************************************************** Om simhasthaa shhashhiahhekhraa marakataprekshaa chaturvirbhujai- Shhankhan chakrah dhanuh shharaangshhcha dadhatiim netraistrivi shhovitaa.. AamuktaangadahaarkankanarwaNatkaanchiikwaNanNupuuraa. Durga durgatihaariNi bhavatu no ratnollasatkundalaa.. ********************************************************************** I meditate goddess Jagaddhatri ( Durga ) who sits on a Lion and is as glamourous and gorgeous as the gem of Rubi; who holds conchshell,discuss,bow and arrow in her four hands and who is bedecked with precious jewlleries. We pray to her with a view to having a peaceful world to live. Quote Link to comment Share on other sites More sharing options...
Guest guest Posted May 7, 2003 Report Share Posted May 7, 2003 Nitish you have inspired me to share some of my own thoughts; perhaps you also will resonate: When we treat feeling states too analytically we rob them of soul, and poetry is as much about soul as it is about subject matter. The poem wants to main-tain a sense of mystery about itself. Therefore, I prefer to experience the poem as a dream that is deeply symbolic, whose import is felt on an emotional, intuitive level, but which somewhat defies attempts at completely rational analysis. The goal of the poem is to bridge the gap between thought and experience; the poem accomplishes this bridge by toying with and hiding from direct thought in order to evoke image, feeling, silence. Image must be experienced directly -- cannot be translated with its full immediacy into thought. Silence is always relative if defined as the counterpart to noise; instead, silence can be thought of as a spiritual quality -- as that which allows image to flow; ideally, each word is shrouded in silence in the poem. Thought is a veil between the human and the divine - a transition zone - the uncrossable gap between human and divine. Thought is void, therefore, to approach thought is to approach anxiety. Image bridges the gap. Music bridges the gap. Silence bridges the gap. Being bridges the gap. Thought falls lost in the void. Abstract thought can be profound and necessary, but not divine sacrament. Image is sacramental because it bridges the gap; image is ecstatic. Thought is where we go to discover ourselves in our mortality. Image comes to lead us beyond ourselves. Thought crucifies image. Image spontaneously resurrects. Word is Image. Pure Thought is Image. For a moment, the void ceases to exist. Image becomes flesh and dwells in Word. Word dwells in Thought and Thought in Text. In Text, the Ethereal Poem moves around and breathes. The written poem is but one possible snapshot or glimpse of this movement that is caught in a construct of words and images and images as in a freeze frame -- the still-life of the poem. moonlight falls through the patio at night. Elongated shadows cross the floor swimming in this witness to wakefulness, possessed of a subtle fear of sinking into the same burlap chair, on other nights inviting. The clock keeps ticking. Motionless cats; variations on a theme of relativity. There is no alternate opus. There is no refrain. Or endlessly refraining I from you, there is no discernible definition of leisurely air against my skin between this pixel and the next. There is no overlap and this is a continuum, a continuous enactment of mothering, umbilical means connected to (I cannot separate, cannot distill myself from this dependency). You, seem to be floating about, defined at least in part by the subtle surface tension reflecting in the light of these moonbeams. Haunting - impressing on my mind a foot leaning with progressive weight into the soft floor of the forest that night of an elbow pushing back against desire to fall yet not away, to fall forever, to fall through the imperfect dark through compromised light, through a question always of the exact nature of successive embodiments of continuance, to fall into the wide open. To fall back into the visual that realm of experience where outlines tease the eye and please touch where words most accurate depiction only frustrates and moves beyond. I could begin with an attempt to catalogue each particular of each moment to give the subtle impression of having fully entered in. To create the illusion of ~ ~ ~ ~ ~ ~ ~ ~ ~ Peace, Love and Poetic License, Cathie Quote Link to comment Share on other sites More sharing options...
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