Guest guest Posted July 17, 2002 Report Share Posted July 17, 2002 THE BUDDHIST MATANGI (DEVI BHAKTA) As for the legend of Maatangi as the daughter of the sage Maatanga, see my (upcoming) post on Matangi as Meenakshi. In that legend, Maatangi is a manifestation of Ambaal or Meenakshi -- or in any case, an avatar of the Supreme Devi. But in my opinion, this is a later Hindu reworking of a much earlier Indian Buddhist legend -- and in many ways, it is an attempt to avoid the unpleasant issue of Maatangi being an outcaste. In the Buddhist version (which has been famously retold by the Bengali Nobel laureate Rabindranath Tagore, in his story "Chandalika"), Maatangi is still the daughter of a great man called Maatanga -- but here, Maatanga is not a Hindu sage, but an outcaste tribal (Chandala) chieftain. In this primal legend, the Buddha's disciple Ananda is said to have become thirsty when he saw a girl drawing water from a well. He approached her and asked her for a drink. Maatangi replied, "My name is Prakriti [Nature]. I am a Chandala, the daughter of Maatanga. Should I give you water?" Ananda said, "I am not asking what your caste is, I am only asking for water." So she gave him water, and watched the beautiful young man as he drank it, falling in love with him. To lure Ananda away from the monastic life, Maatangi asked her mother, Mahavidya-dhari [is this name a mere coincidence?] to cast a love-spell on him. Sure enough, Anada was lured to the lovely Maatangi's bed, but at the last moment he prayed to the Buddha to save him, and Maatangi's spell was broken. Maatangi, outraged at her loss, went to the Buddha himself, and told him that she still desired Ananda as a husband. To make a long story short, the Buddha explained that her desire was a karmic attachment (she and Ananda had been lovers in another life) and Maatangi eventually became a Buddhist nun. DKSESH ON THE BUDDHIST CONNECTION: "To lure Ananda away from the monastic life, Maatangi asked her mother, Mahavidya-dhari [is this name a mere coincidence?] to cast a love-spell on him. Sure enough, Anada was lured to the lovely Maatangi's bed, but at the last moment he prayed to the Buddha to save him, and Maatangi's spell was broken." I don't think its a co-incidence. :-) Regarding the buddist stories, the Ananda, the maatangi, the daughter of maatanga, the maahavidya all sound too much to be called a coincidence. I am sure it is more symbolic a practicing saadhaaka on that particular path can explain best. DEVI BHAKTA ON BUDDHIST CONNECTION: There is even more. The idea that Maatangi tried to force Ananda's love by using a magic spell -- so powerful that it could only be broken by the Buddha himself -- presages Maatangi's modern use by lower Tantrics seeking siddhis [magical powers] from Her. She is, after all, said to grant siddhis that enable Her devotees to control others, particularly the opposite sex. As for her mother the sorceress being being named "Mahavidya-dhari" in the tale -- it certainly seems more than a coincidence that her daughter would end up in Hindu form as a Mahavidya! But then again, a legitimate translation of the mother's name would be simply "She who is skilled in Great Mantras" -- which also fits the tale perfectly, requiring no coincidences at all. I, however, prefer to believe that there is a meaning behind almost every coincidence! The story I alluded is a VERY early Indian Buddhist legend (dating from the first hundred years or so after the Buddha's death). In it, we appear to have the first Sanskrit reference to an outcaste woman named Maatangi, who possesses the power to control others. The scholar David Kinsley speculates that this legend prefigures by 1,000 years or so the first appearance of a similarly outcaste Matangi as one of Tantra's famous "Ten Mahavidyas" or "Ten Wisdom Goddesses." It also suggests a possible continuity dating back to pre-Vedic or pre-Aryan Indian Goddess cults. In this legend, Maatangi identifies herself by telling Buddha's disciple Ananda, "My name is Prakriti [Nature]. I am a Chandala [outcaste tribal], the daughter of Maatanga [i.e. Maatangi]." Her mother is called Mahavidyadhari. For our members who are fans of the Bengali Nobel Laureate Rabindranath Tagore, Tagore, in the early 20th century, reworked this ancient legend into a nationalist-flavored play called "Chandalika" (a feminine, diminutive grammatical form of Chandala). In this play, the daughter is Prakriti (as in the Buddhist original), and the mother is Maya. DKSESH: Is very significant. What it means is that the siddis are very tempting. So a saadhaka could go very near to the extent of falling into the trap. But then, the lord will bring in an awareness in the saadhaka and the Ananda(also the joy) is saved by divine consciousness. The mind with the power of siddi by itself also gets purified by the goal and the path taken by the ananda. At the end the maatangi and ananda are in the clear fold of Bhudda. Assuming the bhuddist version is an extension/ corruption of the vedantic version that existed before it, its quite significant and quite true. So its not a co-incidence. Really. :-). The symbolism could be more that what words can describe here. Since the tantra does not differentiate between maya and brahman, then the perception of the sadhaaka viewing traits varies a little from a vedanti. Was trying to see how Maatangi fits into the whole picture and how the One god concept is still retained. Thanks again. I am of the view that all texts say the same thing. Its just that the words differ and thereby the means appear to be different. A vedantic on his nirvikalpa samaadhi will know that Maya and brahman are teh same and also purusha and prakrithi are the same. A tantrik at the end of his goal will also veer around the same meaning and will know that it is the same. To people who follow puranas to understand it, the maahishasura mardhini story is very revealing. God emerge our of Durga and gods merge in Durga. I am sure there cannot be a better example. DEVI BHAKTA: Just to further add to the Maatangi's "outsider" associations, Kinsley notes as follows: "In many festivals celebrating village goddesses in South India, a low-caste woman called a 'maatangi' plays a central role. During the festival, the 'maatangi' represents the goddess. Possessed by the goddess, she dances wildly, uses obscene language, drinks intoxicants, spits on spectators, and pushes people about with her backside. She seems to take special delight in abusing members of the high castes. During this festival an inversion of the usual social codes and rules takes place. The 'maatangi' personifies social topsy- turvy. Exactly what the connection might be between these low-caste women and the goddess Maatangi is not clear." Quote Link to comment Share on other sites More sharing options...
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