Jump to content
IndiaDivine.org

En Mayi Maatha Garbhey Sati

Rate this topic


Guest guest

Recommended Posts

Dear friends,

Sati .. This is story of a fight by a single women

against the entire gamut of great gods/sages who took

part in the yagna of daksha. When there was a insult

to her beloved shiva who is a ashutoshi she wanted to

take revenge. She wanted to make it known to everyone

that a honour of a women is her husband. women's

honour should never be taken lightly. she proved her

point by jumping into the fire to keep the glory. This

is a sacrifice for the honour of womenfolk.

 

Even today there are proud mothers & wives of india &

world who sacrifice their son & husbands for the

country & honour wearing a warp of righteousness or

dharma as their guide. so they can honoured as gods.

 

This however does not give automatic license to

everyone to do anything & everything & call it satism.

 

This act was later repeated by kannagi who burned

madurai to prove her husbands innncense.such is also

the case with paanchali too.

Tara lived after her husband to take care of her son &

sugriva as per her husbands instruction.

Mandodhari knew that Ravana act of bringing in sita is

not right yet lived with him knowing well ravana would

get killed.

Savitri faught with yama to bring life to her husband.

 

Arundhati made the gods as her children when they

tested her pativrata dharma asked her to give a feast

in her natural form.

These are the great women india & the world cherishes

& hence praying or building temples for them is

definitely a holy act.

There are irrational idiots who justify martyrism by

doing egoistic selfish deeds which are not dharmic &

harm others hence this should be disregarded & not

prided.Dont spoil satis name as this

There is a third version of people who study all

these details a little & pass comments like these.

They say quoting from purusha sukta that brahmins are

superior as they have come from the face of the gods &

sudras from his foot .. padbhagum sudro ajayatha.. but

they fail to realize that the brahmin & others worship

& fall only on the feet of the lord & not on his face.

 

Hence let us not jump to unfair conclusion of sati &

other great pativratas who would anyway die even when

they hear there husband is nomore & would do anything

for their equally great Husbands.

En Mayi Maatha Garbhey Sati

with warm regards

shankar

 

 

 

 

Mail Plus - Powerful. Affordable. Sign up now.

http://mailplus.

Link to comment
Share on other sites

, krishnamoorthy

shankar <junk74_in> wrote:

> Dear friends,

> Sati .. This is story of a fight by a single women

> against the entire gamut of great gods/sages who took

> part in the yagna of daksha. When there was a insult

> to her beloved shiva who is a ashutoshi she wanted to

> take revenge. She wanted to make it known to everyone

> that a honour of a women is her husband. women's

> honour should never be taken lightly. she proved her

> point by jumping into the fire to keep the glory. This

> is a sacrifice for the honour of womenfolk.

>

I guess these are stories that glorify "love" the way that

Shakespeare's Romeo and Juliet glorify "love." That is to say, a

giving up of one's own life due to injustice done to, or brought

upon, a loved one, is romanticized and elevated. But was the

Hindu law of sati based on these stories? Does anyone know

how such Hindu law came into being? Was there a spiritual

basis for it?

Link to comment
Share on other sites

Dear mary & other friends,

I admit I dont know anything about the Hindu law of

sati.

The spiritual part ... let me attempt

Todays misuse of sati etc I feel it is a case of

irrational human beings twisting & manipulating laws

of dharma for their partisan ends.

A body(mritha sarira) deviod of any sakti (that is a

dead body) is also called shiva -- This bubbling with

life that is sakti is us.

That is why for anything & everything siva & sakti

should be together.

 

foot note:{

Even today for doing practises like Agnihotra a

devout vedika marga Sanatana dharmista(also called

Hindu in west) should have a wife & not for the sake

of lust therefore this concept is unknown to

shakespeare west.

It is said a righteous angihotri has enough of power

within him to control nature and gods. but leads a

diciplined life for the betterment of the

viswa(world/universe) vasudeva kudumbakam.

During the time of marriage that is normally very

early in life we say the saptasathi mantra wherein we

take oath on the holy fire to be friends in joys &

sorrow for following the path of penance & truth

searching we remain as sakha(u can say friends but

this is only the closest meaning).

Now after the marriage a house holder wife is also

called his ardhangini meaning his other half so in

this sense a wife becomes a representative of a man in

all respects.

}

 

Now doing a yaaga means you require a body that is the

representative of shiva & sakti together. So without

them The yaaga must fail.

It is also said in vedaas ...nakarmana prajaya dhanena

thaga --- meaning neither by karma / money/son we can

attain greatness & only by thaga/sacrifice is required

that means we require the thaga or sacrifice ( loss of

strength) that is why we use sakti -- sati does a

sacrifice for us here for .. te bramah loke paraantha

kale.. bramah anandha or samadhi..

Thus I believe anyone & everyone should worship sati.

 

Think of a hypothetical case of a spirit trying to

chant a holy book & performing a religious rite do u

thing this is possible.

same Like using a tape recorder vedic chanting for

doing a karma.

we need a sarira or a body (siva) with sakti to act.so

each & everyday we sacrifice our strength for drinking

the nector of godhood.

with warm regards

shankar

 

 

 

 

--- "Mary Ann <maryann"

<maryann wrote:

> ,

> krishnamoorthy

> shankar <junk74_in> wrote:

> > Dear friends,

> > Sati .. This is story of a fight by a single women

> > against the entire gamut of great gods/sages who

> took

> > part in the yagna of daksha. When there was a

> insult

> > to her beloved shiva who is a ashutoshi she wanted

> to

> > take revenge. She wanted to make it known to

> everyone

> > that a honour of a women is her husband. women's

> > honour should never be taken lightly. she proved

> her

> > point by jumping into the fire to keep the glory.

> This

> > is a sacrifice for the honour of womenfolk.

> >

> I guess these are stories that glorify "love" the

> way that

> Shakespeare's Romeo and Juliet glorify "love." That

> is to say, a

> giving up of one's own life due to injustice done

> to, or brought

> upon, a loved one, is romanticized and elevated. But

> was the

> Hindu law of sati based on these stories? Does

> anyone know

> how such Hindu law came into being? Was there a

> spiritual

> basis for it?

>

>

 

 

 

 

Mail Plus - Powerful. Affordable. Sign up now.

http://mailplus.

Link to comment
Share on other sites

Namaskar junk74_in,

 

you state

 

"It is said a righteous angihotri has enough of power

within him to control nature and gods. but leads a

diciplined life for the betterment of the

viswa(world/universe) vasudeva kudumbakam. "

 

"vasudeva kutumbakam" is incorrect ... the correct format

is "vasudaiva kutumbakam"

 

here it goes...

 

Ayam nijo paro veti ganana

laghucetasam Uttacharitanam tu vasudaiva kutumbakam

 

Only base minds reckon whether one be kin or stranger

Men of noble conduct take the whole world for their

home(family)

 

Rig veda

 

VASUDA MEANS EARTH OR UNIVERSE

 

VASUDEVA IS THE NAME OF BHAGWAN KRISHNA.

 

regards

Link to comment
Share on other sites

Dear Maryann,

 

Please Read this article. This throws light on the practice of sati.

 

Sati (Self-Immolation by a widow)

 

Hindu religious scriptures do not demand widows to comit Sati. The

word sati has been confused with word Jauhar.

 

In the medivial ages, when foreign Islamic armies attacked India,

Jauhar or mass self immolation was comited by women when their

husbads went to protect themselves from the perversions of the

invading barbarians.

 

It is worth noting that in past one hundred years there has been only

one recorded case of "Sati" in India. This event was rightfully

considered illegal and those involved were charged with murder.

 

Here is an article by Sudheer Birodkar about Sati.

 

Sati i.e. self-immolation by a widow would normally be looked upon as

a negative aspect of culture. When confronted with questions as to

why such a practice should have existed, a student of history with

misplaced national pride would try to explain away such practices.

According to Hindu mythology, Sati the wife of Dakhsha was so

overcome at the demise of her husband that she immolated herself on

his funeral pyre and burnt herself to ashes. Since then her

name 'Sati' has come to be symptomatic of self-immolation by a widow.

 

Today Sati is illegal. The country owes the abolition of this

deplorable practice to the crusading efforts of Raja Rammohan Roy the

18th century social reformer.

 

The reasons why this practice could have come into being are many.

But the principal among them could be identified in the same milieu

which gave birth to dowry. Closer examination of this practice of

immolation supports this inference. Immolation as a widely prevalent

practice can be seen only since the mediaeval period but there are

reasons which trace its origins in antiquity.

 

Even a casual observer will notice that immolation was more prevalent

among the priestly and martial castes. Among other castes and

aboriginal tribes it was nearly absent. The prevalence of Sati among

the Brahmins and Kshatriyas was no co-incidence.

 

Among the Brahmins and Kshatriyas, a bride was looked upon as a

burden as she represented a drain on the family's income while not

contributing anything towards it. If this was her status as a bride,

it is not surprising that if she had the misfortune to become a

widow, her presence in the family was dreaded. And apart from being

considered an object of ill omen, her presence after her husband

demise was a dead weight to her in-laws family.

 

A widow's status as an unwanted burden was also a result of the

taboos that prevented a widow from participating in the house-hold

work as her touch, her voice, her very appearance was considered

unholy, impure and something that was to be shunned and abhorred.

Thus without her husband a woman's existence was not tolerated and an

extreme but logical outcome of this was immolation.

 

Other auxiliary reasons also went into making immolation a prevalent

practice. The near impossibility of widow re-marriage arising from

the taboos and prejudices that sanctified virginity of a bride was an

important reason. Another reason could be the non-recognition of the

individuality of a woman who was considered part and parcel of her

husband, without whom she was a nullity.

 

This attitude of looking at women is visible in the legal literature

of antiquity. The Manusmriti considered to be one of the most

important legal texts guiding ancient Indian polity (Editor's Note :

Manusmriti is not considered to be a religious text) has injunctions

which reflect this attitude. It says "a woman is undeserving for

independence" (Ne stree svatantyam arahathi). Beliefs that a widow,

especially a young one would fall into immoral practices for sensual

pleasures was also used to stoke the fires of Sati. Strangely enough

this logic was never applied to the men. Widowers were never an under-

privileged lot.

 

But the most visible factor that perpetrated Sati was the 'halo of

honour' given to it. Especially in the medieavel ages Sati was given

the status of an act of honour. This was mainly so among the Rajput

martial caste of northern India among whom Sati took the form of a

collective suicide after a battle in which male members had suffered

death at the enemy's hands.

 

Sati was even committed by women before their husbands were actually

death when their city or town was beseiged by the enemy and faced

certain defeat. This form of Sati was more popularly known as Jouhar.

The Jouhar committed by Rani Padmini of Chittor when faced by the

prospect of dishonour at the hands of a Sultan from Delhi has been

immortalised in Indian history.

 

In those days North India was under foreign subjugation. The most

powerful kingdomset up by the invaders was the Sultanate of Delhi.

 

But in Rajputana, the Rajputs had defiantly preserved their writ by

resisting the Delhi Sultans. One such Rajput kingdom was at Chittor.

In those days of the aribitrary feudal power structure, any feudal

lord who took a fancy for any lady would claim her for himself even

at the cost of killing her husband if she happened to be married or

even by waging a war if she was queen or princess. one such lady of

unsurpassable beauty was the Rana of Chittor named Padmini.

 

Chittor was under the Rule of King Ratnasen, a brave and noble

warrior-king. Apart, from being a loving husband and a just ruler,

Ratansen was also a patron of the arts. In his court were many

talented People one of whom was a musician named Raghav Chetan. But

unknown to anybody, Raghav Chetan was also a sorcerer. He used his

evil talents to run down his rivals and unfortunately for him was

caught red-handed in his dirty act of arousing evil spirits.

 

On hearing this King Ratansen was furious and he banished Raghav

Chetan from his kingdom after blackening his face with face and

making him ride a donkey. This harsh Punishment earned king Ratansen

an uncompromising enemy. Sulking after his humiliation, Raghav Chetan

made his way towards Delhi with -the aim of trying to incite the

Sultan of Delhi Allah-ud-din Khilji to attack Chittor.

 

On approaching Delhi, Raghav Chetan settled down in one of the

forests nearby Delhi which the Sultan used to frequent for hunting

deer. One day on hearing the Sultan's hunt party entering the forest,

Raghav-Chetan started playing a melodious tone on his flute. When the

alluring notes of Raghav-Chetan flute reached the Sultan's party they

were surprised as to who could be playing a flute in such a masterly

way in a forlorn forest.

 

The Sultan despatched his soldiers to fetch the person and when

Raghav-Chetan was brought before him, the Sultan Allah-ud-din Khilji

asked him to come to his court at Delhi. The cunning Raghav-Chetan

asked the king as to why he wants to have a ordinary musician like

himself when there were many other beautiful objects to be had.

Wondering what Raghav-Chetan meant, Allah-ud-din asked him to

clarify. Upon being told of Rani Padmini's beauty, Allah-ud-din's

lust was aroused and immediately on returning to his capital he gave

orders to his army to march on Chittor.

 

But to his dismay, on reaching Chittor, Allah-ud-din found the fort

to be heavily defended. Desperate to have a look at the legendary

beauty of Padmini, he sent word to King Ratansen that he looked upon

Padmini as his sister and wanted to meet her. On hearing this, the

unsuspecting Ratansen asked Padmini to see the 'brother'. But Padmini

was more wordly-wise and she refused to meet the lustful Sultan

personally.

 

But on being persuaded she consented to allow Allah-ud-din to see her

only in a mirror. On the word being sent to Allah-ud-din that Padmini

would see him he came to the fort with his selected his best warriors

who secretly made a careful examination of the fort's defences on

their way to the Palace.

 

On seeing Padmini, the lustful 'brother' decided that he should

secure Padmini for himself. While returning to his camp, Allah-ud-din

was accompanied for some way by King Ratansen. Taking this

opportunity, the wily Sultan treacherously kidnapped Ratansen and

took him as a prisoner into his camp.

 

Allah-ud-din showed his true colours and demanded , that Padmini be

given to him and in return Ratnasen was to get his liberty. Word was

sent into the palace about the Sultan's demand.

 

The Rajput generals decided to beast the Sultan at his own game and

sent back a word that Padmini would be given to Ala-ud-din the next

morning. On the following day at the crack of dawn, one hundred and

fifity palaquins (covered cases in which royal ladies were carried in

medieveal times) left the fort and made their way towards Ala-ud-

din's camps The palanquins stopped before the tent where king

Ratansen was being held prisoner. . Seeing that the palanquins had

come from Chittor; and thinking that they had brought along with them

his queen, king Ratansen was mortified. But to his surprise from the

palanquins came out, not his queen and her women servants but fully

armed soldiers, who quickly freed ; Ratansen and galloped away

towards Chittor on horses grabbed from Ala-ud-din's stables.

 

On hearing that his designs had been frustrated, the lustful Sultan

was furious and ordered his army to storm Chittor. But hard as they

tried the Sultans army could not break into the fort. Then Ala-ud-din

decided to lay seige to the fort. The siege was a long drawn one and

gradually supplied within the fort were depleted. Finally King

Ratnasen gave orders that the Rajputs would open the gates and fight

to finish with the besieging troops. On hearing of this decision,

Padmini decided that with their menfolk going into the unequal

struggle with the Sultan's army in which they were sure to perish,

the women of Chittor had either to commit suicides or face dishonour

at the hands of the victorious enemy.

 

The choice was in favour of suicide through Jauhar. A huge pyre was

lit and followed by their queen, all the women of Chittor jumped into

the flames and deceived the lustful enemy waiting outside. With their

womenfolk dead, the men of Chittor had nothing to live for. Their

charged out of the fort and fought on furiously with the vastly

Powerful array of the Sultan, till all of them perished. After this

phyrrhic victory the Sultan's troops entered the fort only to be

confronted with ashes and burnt bones of the women whose honour they

were going to violate to satisfy their lust.

 

These women who committed Jawhar had to perish but theirmemory has

been kept alive till today by bards and songs which glorify their act

which was right in those days and circumstances. Thus a halo of

honour is given to their supreme sacrifice.

 

But this halo of honour has to be seen in the light of the above

complusions of alien rule in Inda during the medieveal ages. From the

13th century onwards up to the coming of the British, the position of

women was insecure due to the arbitrary power structure associated

with the feudal society and the rule of the Sultans of Delhi.

Although during the reign of the later Mughals the situation had

improved relatively, women in the medieaval ages were often exposed

to the lust of feudal overlords. Their insecurity increased after the

demise of their husbands. This compulsion which was resultant of a

particular age was by far the most important reason for the

prevalence of Sati during the middle ages.

 

Although the Mughal emperor Akbar tried to curb this practice, he

could not eradicate it completely. As long as circumstances made

necessary the existence of such an anomalous and inhuman practice,

all efforts to stamp it out were bound to fail. But with the passing

of the feudal power structure and entry of the industrial age under

the British, the compulsions of the medieaval age which helped the

existence of Sati were no longer there. Hence the efforts of Raja

Rammohan Roy succeeded while those of emperor Akbar could not.

 

One last reason that needs to be mentioned in this context is that of

grief and remorse experienced by a widowed lady. Women as such are

more sensitive and emotional than menu This explains in part the

readiness of some woman to commit Sati. But it should be borne in

mind that the proportion of voluntary Sati was far less and the

reasons behind voluntary Sati Though facts were blown out of

proportion to justify this practice. However, in conclusion it can be

observed that a complexity of factors contributed over different

periods to make Sati a prevalent custom.

 

source -Vivaaha.Org is a Global Hindu Electronic Networks (GHEN)

website.

Link to comment
Share on other sites

, krishnamoorthy

shankar <junk74_in> wrote:

> That is why for anything & everything siva & sakti

> should be together.

>

> foot note:{

> Even today for doing practises like Agnihotra a

> devout vedika marga Sanatana dharmista(also called

> Hindu in west) should have a wife & not for the sake

> of lust therefore this concept is unknown to

> shakespeare west.

 

Regardless of the reasons given for the doctrine of marriage, it

is still a doctrine in the west and, as such, is similar to any other

doctrine (including Hindu) that men and women should be

married.

> Now after the marriage a house holder wife is also

> called his ardhangini meaning his other half so in

> this sense a wife becomes a representative of a man in

> all respects.

> Now doing a yaaga means you require a body that is the

> representative of shiva & sakti together. So without

> them The yaaga must fail.

 

Isn't each of us a representative of both Shiva and Shakti? Each

human body, whether male or female? If so, then why the

necessity of marriage? It may be a preference, and desirable by

many, but is that because the man Shiva needs the woman

Shakti? I thought the awareness of the wholeness of our own

being as it is is what enlightenment is.

 

I ask these questions because I think laws are made to make

people behave in certain ways thought to be ideal at the time the

laws are made, but after much time goes by and things change

internally and externally, the laws may no longer serve in the best

interests of each and all.

 

As far as worshiping sati, it seems no different than worshipping

Jesus Christ in that it would mean worshipping someone who

chose to die rather than live beyond whatever insult someone

less enlightened committed. I wonder if it is now possible to

bring the joy of life, the bliss of existence, into the world in the

face of insult, rather than die in a fire or on a cross.

Link to comment
Share on other sites

Dear Mary Ann & friends,

> Regardless of the reasons given for the doctrine of

> marriage, it is still a doctrine in the west and,

as such, is similar to any other doctrine (including

Hindu) that men and women should be married. ---

Not necessary - Bhisma did not get married,When veda

vyas wanted his only son suka bramah rishi to get

married he ran off from house - The great nachiketa

describes regarding this family wife etc beautifully

in nechiketas upanishad to yama. Also adi shankar

acharya has written punar api jananam -. It is only by

viel of maya we feel a person as female & male when

this unwinds then everythings become suddha chaintanya

atma.

 

Necessity of marriage -- it is not possible for

everyone to be sri aadi shankara charya or others so

to a second less degree we get clouded by the viel of

maya & get married. Then also the veda says okay then

this is way u have to practise Dharma as a house

holder. do nitya agni hotra & feed the devas they in

turn will give this world a lot of benifits which

inturn will feed so many pious souls & by their

blessings & performance of dharma they can be get a

sanyasa yoga thus final emancipation.

 

Do Karma yoga without thinking of the fruit after

asking yourself if it is dharma etc etc ...

>Man Shiva needs the woman Shakti ?

 

Nice thought in this world of maya .. Just Thinking of

sage durvasa's words in sakti mahimna sostra wherein

he say to devi You Paasa ankusa & Bow & arrow are

always victorious after seeing this world i am

convinced..

>people behave in certain ways thought to be ideal at

> the time the laws are made, but after much time

>goes by and things change internally and

>externally, the laws may no longer serve in the best

>interests of each and all.

 

This vedic religion has been sustaining for years

years lakhs crores & crores have come & passed with it

is still young & growing means each & every mind

intellect -- have passed this checks of quality. It is

only in this religion we can ask why & you will get

the answer for each & everything -- as i have always

repeated let me repeat - atho tha dharma jigyaha- ask

rationally what is dharma

 

With the background & poor knowledge of the dhrama

sastras I am not competant to enquire & ponder if at

all on this Vedic Religion of sanantna dharma as a

correct religion or not.

With warm regards

shankar

 

 

 

 

 

Mail Plus - Powerful. Affordable. Sign up now.

http://mailplus.

Link to comment
Share on other sites

, "asimhavahini

<asimhavahini>" <asimhavahini> wrote:

> Dear Maryann,

>

> Please Read this article. This throws light on the practice of

sati.

>

 

Namaste.

 

Thank you for this informative article.

Link to comment
Share on other sites

Join the conversation

You are posting as a guest. If you have an account, sign in now to post with your account.
Note: Your post will require moderator approval before it will be visible.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

Loading...
×
×
  • Create New...