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Beryl Bender Birch

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I've seen a couple of messages over the last

couple of days suggesting that Beryl Bender Birch is not

considered a purse Ashtanga teacher -- like, say, David

Swenson -- by many who frequent this place.<br><br>Wasn't

BBB taught by Jois? If yes, has she changed his basic

teachings so that what she teaches is no longer considered

Ashtanga?<br><br>Is there a discernable difference between "Power

Yoga" and "Ashtanga Vinyasa Yoga?" If yes,

what?<br><br>I'm not looking to stoke a flame war here, I just

want to understand where people are coming from when

they write Ashtanga inspired books. I also want to

know how those folks are viewed by those of us who

read them.<br><br>Thanks!

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in her book, ms birch states she learned from

norman allen, one of the first western students that KBJ

accepted. as to differences, i've never been to a power

yoga class. from looking at her book, at least, it

seems that the difference is that some of the more

challenging postures, like janu C and marichy D or left out.

whether there are more fundamental differences, i can't

say.

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In her book, BEYOND POWER YOGA, BBB states in the

preface, "The practice was taught to me in 1981 by my

teacher, Norman Allen (who learned it from Jois, his

teacher, in India in the early 1970s) and later, by Jois

himself."<br><br>That reads to me that she did, at one time, learn

under the hand of Jois.

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perhaps she did study with jois, i don't know. perhaps our resident B3 expert,

the mister, can shed some light on this. i haven't read her book i a while so i

must have missed that entry, sorry.

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I'm not sure of the politics (if that's the word)

about Beryl, but I asked the teachers at my class on

Friday, and they said the postures, etc. were the same up

through the Seated Postures II (I think). Basically, what

I took away from it was that I have a wee bit of

time before shelling out the money for a new book.

<br><br>I used to practice with a tape (of a class taught

by her) that went through the standing postures of

the primary series. I do know that she does emphasize

bandhas and drishtis during class (and also emphasized

the importance of these in the first book). Beyond

that, I don't where she differs, but I thought that

information might be helpful.<br><br>By the way, I know it

was probably a really mundane question, but can

anyone tell me how to keep my feet from dragging the mat

along with me when going from Chaturanga

Dandasana--chaturi into Urdhva Muka Svanasana (the push up into the

face up dog)? I'm already getting a wee bit anxious

about class on Friday. I can't really get my hips up

where my hands are without dragging myself along by the

tops of my feet, and that has never been a problem on

the carpet, but on the mat, I get a big wrinkle each

time. Am I going from one posture to the next

inappropriately, or is there some trick to this I need to know

about? Seems silly, but it interrupts my focus to have

to adjust the mat between salutations.<br><br>One

last thing. . . thanks to all of you for your warmth

and humour. I laughed out loud at some of the

postings today. (The goombah with the dong, woodpecker

lips, eating in the dark, just to mention a few).

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I guess my confusion comes from comparing BBB

with BBB. She changes/drops some asanas from BEYOND

POWER YOGA that are found in POWER YOGA and no

explanation is given for the revision.<br><br>When you

directly compare Swenson to BBB, your head explodes! He

includes so much more it makes you wonder who's really

doing what when you try to compare the two. The books

are distant cousins and not close siblings.

<br><br>An interesting thing about the Swenson videos is

that when he does the Vinyasa sequence his toes never

move during the transitions between plank, up dog,

down dog -- he simply rolls over from the pads of his

toes up onto the nails of his toes and then over to

the top of his toes (on the ground). <br><br>It's

good to see because I was moving my feet too much

trying to get into position. <br><br>Now I realize

proper technique is to anchor the toes in the manner he

demonstrates and then simply roll them up and over and back.

The toes and palms anchor the movement and the rest

of the body bends and sways betwixt those points.

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If memory serves, she did take one or two

workshops from Jois during one of his earlier trips to the

states. I don't think she has made repeated trips to

Mysore for extended stays to study with Jois, something

that most respected teachers Ashtanga have done.

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< Now I realize proper technique is to anchor

the toes in the manner he<br> demonstrates and then

simply roll them up and over and back. The toes<br> and

palms anchor the movement and the rest of the body

bends and<br> sways betwixt those points. ><br><br>I

would not be too quick to make that judgement. I say

this because I've been watching that video recorded in

Chile of Sharath doing 3rd series and he moves his feet

all over the place. All of which leads me to make the

choice for my personal practice, "don't sweat the small

stuff - it doesn't matter"

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Thanks for your (and others) replies. I think

that maybe my feet are too far away from my hands in

face-down dog, so that I have to pull myself forward to get

into a proper face up dog. I'll try getting my hands

and feet closer together, and maybe my feet will then

stay in the same general area between moves.<br><br>It

also sounds like I need to get Swenson's book. I think

it is sold at the Yoga Centre in Edinburgh.

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<I would not be too quick to make that

judgement. I say this because I've been watching that video

recorded in Chile of Sharath doing 3rd series and he moves

his feet all over the place. All of which leads me to

make the choice for my personal practice, "don't sweat

the small stuff - it doesn't

matter"><br><br><br>I'm not quick judging anything. I'm simply passing

along information I learned along the way.<br><br>I

anchored my toes today for plank and up/down dawg and I

learned something. My hands have been too close to my

pelvis and that is why I was doing little jumps between

movements to get into position. <br><br>With a small

adjustment of moving my hands toward my head I was able to

anchor the toes and the entire Vinyasa sequences today

were smooth and supple for the first time.

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