Guest guest Posted April 21, 1998 Report Share Posted April 21, 1998 [THE HINDU] Tuesday, April 21, 1998 SECTION: Entertainment Books Section Index | Next Story | Sri Vaishnavism and its apostles 21-04-1998 :: Pg: 23 :: Col: e THE VOICE OF ALWARS AND ACHARYAS: (Tamil- English) Dr. M. Varadarajan; Sri Ananth Publications, 14/86, Padmavathipuram, Tiruchanur Road, Tirupati-517503. Rs. 50. The book under review is a collection of miscellaneous articles in English and Tamil on Vaishnavism in general and on Azhvars and Acharyas in particular, highlighting their contribution to the growth and development of the Vaishnava philosophy. The great mystic saints, popularly known as Azhvars, because they were deeply immersed in God and in His auspicious qualities, have recorded their ecstatic and soul-stirring outpourings in sublime and beautiful Tamil verses. These divine compositions, collectively called as the Nalayira Divya Prabhandham, are fortunately made available to posterity, solely due to the missionary zeal and untiring efforts of Nathamunigal, the celebrated Vaishnava savant belonging to the ninth century A.D., who retrieved this treasure that was lying dormant for several centuries after the Azhvars. The credit for arranging and codifying the Divya Prabandham into four parts also goes to Nathamunigal, who can be compared, in this context, to Veda Vyasa, who had codified the four Vedas. Nathamunigal also set the Azhvars' compositions to music and taught them to his nephews, the musical tradition being carried down the centuries. In fact Nathamunigal was the first Acharya, after the Azhvars, who spread Vaishnava religion and philosophy. He was followed by a succession of great and dedicated Acharyas like Alavandar, Ramanuja, Parasara Bhattar, Vedanta Desika and Manavalamamunigal, all of whom further developed, enriched and established on a firm footing the Visishtadvaita system of philosophy. Other Acharyas like Nampillai and Periyavachanpillai also wrote elaborate commentaries on the Divya Prabandham bringing out its esoteric meanings, drawing parallels from the Ramayana, Mahabharata and the Vishnu Purana. Apart from singing the praise of other forms of the Lord like Narasimha, Rama and Krishna, the Azhvars concentrated more on the Archa form of the Lord (icons) which one finds in temples; and the holy places so sung by the Azhvars are called Divyadesas, which are 108 in number. The author discusses in these articles, in greater detail, the various aspects mentioned briefly supra. The bridal mysticism of the Azhvars, which springs from their intoxicated love of God, is discussed in a couple of articles. The pre-eminence enjoyed by Andal and her Tiruppavai, even amongst the Azhvars and their compositions respectively, is well brought out in another article. Two articles in English and six in Tamil talk exclusively about Tirumala-Tirupati, the various rituals observed there, association of Acharyas with the holy place and anecdotes connected therewith. The nine- fold relation between the Jivatma and Paramatma is well brought out in another article. A couple of articles describe the scenic beauty and nature in its pristine glory, as portrayed by the Azhvars. The book, written in a simple and clear style, can be read with advantage for gaining a basic idea of Vaishnavism and its apostles. Spelling mistakes in English and Tamil, which are not infrequent, could have been avoided. V. N. Gopala Desikan ------------------------ Section Index | Next Story | ------------------------ Front Page | Lead Stories | National | International | Regional | Opinion | Business | Sport | Entertainment | Miscellaneous | Classified | Employment | Home | Site Map | Search | Archives | Advertisers | What's NEW | About HOL | Feedback | Quote Link to comment Share on other sites More sharing options...
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