Musings on sita's agni-pravEsam#8

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Dear Sri.S.H.Krishnan & others (who are following this thread),

 

When Sita is brought into the presence of Rama there is high-voltage

electricity in the air..... a palpable tension takes hold of the bystanders

who have flocked to witness the re-union of royalty. They are all looking

forward to what they hope will be a joyous occasion; soon they they sense

something is going terribly wrong; they feel it in the air. They begin to

suspect they are going to witness violence of volcanic intensity.

 

Few encounters in the literature of the world .... not even those that have

become legend and proverbial as "great Greek tragedies" ..... can surpass

Valmiki in his graphic depiction of raw human emotion in this particular

scene of

the "agni-pravEsam".

 

"Not for your sake, woman, this war was fought; It was to redeem my

honour.....", Lord Rama says straightaway.

 

Throughout this scene we see the Lord use expressions like a whip-lash.

His utterances are vicious. They seem to be chosen swiftly but carefully;

chosen especially to cause extreme laceration on

a poor, unarmed feminine heart. The words inflict wounds and pain far more

searing than any arrow hurled by Rama did in the entire story of the

Ramayana.

 

"tadarTham nirjithA may tvam yashaha pratyAhrutam mayA I

nAsti may tvayyA-BhishvangO yaThEshtam gamyatAmitaha II"

 

"kaha pumAn hi kulE jAtaha striyam paragrihO-shitAm I

tEjasvi punarAda-dhyAt suhrl-lEkhyEna chEtasa II"

 

"Which man of noble stock, with longing,

Will take you back ----

You who have for a while

Lain on Ravana's lap".

 

"All the glory of pristine womanhood

All the grace of purity, perfection

all the fire of the true wife

all have taken leave of you."

 

(from the "SitAyana" of K.R.Srinivasa Iyengar)

********** ************ ****************

 

As the scene further unfolds, Rama continues in the same malevolent vein,

hurling a volley of verbal cataclysms, one after another, without cease, on

a hapless spouse.

 

"tadgachha hyaByanu-gnyAtA yaThEshtam janakAtmajE" I

Go away, Sita..... begone from me... wherever you like... as you like!

 

"EtA dasha dishO BhadrE kAryamasti na may tvayA I"

"There are ten directions around you. Choose one and just fade away into

it......."

 

"kAryamasti na may tvayA ....".

I have no longer any need for thee....".

 

"nAsti may tvayyBhisvangaha ......"

"I desire thee not; nor do I long for thee...."

 

"prAptachAritra-sandEhA mama pratimUKhE stiThA I

depO nEtrAturasyEva pratikoolAsI may driDam I"

I can't stand the sight of you, Sita .... you are revolting to me....my

eyes flinch from you as if they were diseased and can't bear the glare of

light."

 

Now, the last mentioned statement above of Lord Rama is a curious statement

indeed. It has all the prima facie colours of a great, monumental "Freudian

slip"...... it is also our resonant key to the melodic theme of Vedic

thought

underlying this scene.... but we shall come to it later in the ensuing

posts.

 

************* ************* **************

 

Expressions of extreme cruelty... almost savage in intensity, we would be

tempted to say, had they been spoken by ordinary men.... the cruelest

expressions

ever to be possibly spoken by a man to wife are indeed spoken here by Lord

Rama to Sita-pirAtti.

 

To crown it all, the ultimate humiliation He heaps on Her is in this

particular "shlOkA", commented upon variously by several

Ramayana scholars:

 

"lakshmaNe BharathE vA tvam kuru buDhim yaThAsukham I

sugrIvE vAnarEndrE vA rAkshasEndrE viBhishanE I

nivEshaya manaha sItE yaThA va suKhamAtmanaha II (VI.118.22-23)

 

"Fix your affections on any one of the 4 ---- Lakshmana, Bharatha, Sugriva

or Vibeeshana ---- or any one else.... and depart, for all I care, with

your chosen one", He says.

 

This is undoubtedly the "unkindest cut of all".... in one, mighty, lethal

stab of a verbal dagger Rama plunges deepest into Sita's heart and

shreds it to pieces. Valmiki uses exquisite poetry to describe this:

 

"tata-ha priyArha-sravNA tadapriyam priyAd-pasrutya chirasya maithhili I

mumOcha bAshpam suBrsham pravEpitA gajEndra-hastABhihatEva sallakee II"

(Valmiki)

 

"Yea, she was a creeper trampled upon

By an elephant in rut;

and 'twas heartless indeed he had raved

in the midst of so many." (from the "Sitayana")

 

To suggest to Her to take Lakshmana and Bharatha as her paramours anew was

sordid enough.... to include Sugriva and Vibeeshana too ... sub-humans and

mere supplicants ... was indeed heaping a

suppurating wound... not with mounds of salt .....

but with gallons of virulent acid.

 

************* ******************** ****************

A hush of deepest misery and awe descended upon the gathering there.

 

Ape, "rAkshasa" and man alike stood stupefied by the emotional massacre

being

enacted before their very eyes. Lakshmana, Vibeeshana, Sugriva, even

Hanuman, the old Jamabavan of eternal wisdom..... not one raised his voice

in as much as a whimper of protest...... everybody quaked ..... everyone

drew his breath in, afraid to even respirate .... everyone turned his face

in another direction....

 

"na hi rAmam tadA kaschith-kAlantha-kayamOshamam I

anUnEtumathO vaktum drashtum vApyashakath-suhrth II "

 

In this distance of time now, we may well imagine the horror that must have

filled the hearts of all those who watched the encounter between the Lord

and His consort. We may imagine that some may have turned their heads away

unable to bear the painful event; others may have been simply

traumatised by the sheer savagery of Rama's castigation; others may have

turned

away, perhaps, in the modern spirit of "It's a quarrel between man and

wife.... it

should'nt be carried out in public like this. But then it is none of my

business."

 

The womenfolk gathered there.... gentle,matronly souls like TrijithA, Anala

and Sarama.... they too being utterly dumbfounded by the event could hardly

do anything other than shed silent, helpless tears of feminine

commiseration for Sita.

 

"Not a feeling eye in that vast concourse

But was blind with flowing tears......" ("SitAyana")

 

**********************************************************

Everything in this scene about the helpless SIta-pirAtti recalls to us

indeed the

utter helplessness, that feeling of being utterly abandoned, that sense of

"cosmic orphanhood", which overcame Draupadi in the MahabharatA in that

famous

moment of her disrobement in the assembly of Hastinapur.

 

In Draupadi's case it was the modesty of womanhood that was outraged. But

in Sita's poignant case, the outrage was at a profounder, deep and more

painful level....

it was outrage of the very purpose, the very essence of ideal

womanhood..... outrage by none other than ..... the Ideal itself.

 

We shall continue further in the next post.

 

adiyEn dAsAnu-dAsan,

sudarshan