thirup pAvai - part 62 - "Oru IlakkaNa viLakkam"

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Sri ANDAL thiruvadikaLE saraNam

 

nArAyaNaNE namakkE paRai tharuvAn.

 

thirup pAvai - part 62 - Oru IlakkaNa viLakkam

 

Dear bAgawathAs,

 

This verse "nArAyaNaNE namakkE paRai tharuvAn" is

also very special in its usage. This verse can also be looked

through the eyes of a tamil poet.

 

 

The poet may have made use of the "EkAram" for two

purposes:

 

 

1.To maintain the metrical composition and poetical

discourse pattern, that is when -ee is added to the forms

it increases the poetical quality of the text or verse (if

not this line or this verse will be appearing like a

prose type: ie., Narayanan namakku paRai tahruvAn).

 

 

2. By adding this EkAram, that is, -e: to the nouns

or peyars at two places ie for "nArAyaNan" and "namakku", the

poet makes a "Double Emphasis", to denote that The Lord

nArAyaNan will certainly do good to Us and will bless us. So,

this type of usage is called "TheRRam-Emphasis" and poetical

Rythm.

 

 

Sri Sannithi shishyALs gavanikka: This patham in this

verse "nArAyaNaNE namakkE paRai tharuvAn" also means to us

currently that our 45 jeer whose name is nArAyaNan will give

us all the blessings HIMself.

 

 

One will not say their husband's name ever. When Sri

ANDAL wanted to marry to Lord Sri Krishna in this bhAvam and

to Lord Sri RanganAtha in real life She cannot utter their

name directly in this grantham (thirup pAvai). She may have

utterred such namAms in other places but not in this verse.

Hence it is also understood that she has used their other

names or nick names or "sellap peyars" (pet names) that

many call, to address the Lord.

 

Sri ANDAL thiruvadikaLE saraNam

Sampath Rengarajan

 

 

 

 

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