Guest guest Posted November 16, 1999 Report Share Posted November 16, 1999 Namo Narayana In Sanskrit, there are a number of allegorical dramas. Of these, Prabodha Chandrodaya (PC) and Sankalpa Suryodaya(SS) are the best known. PC, written by Krishna Misra is devoted to the exposition of the doctrine of Advaita philosophy. Krishna Misra is said to have written this drama to teach the Advaita doctrine to those who were interested in Kavya and not philosophy. Sankalpa Suryodaya expoounds the doctrine of Vishishtadvaita. Before entering into a comparitive study of these two plays, we will do well to understand the summary of those plays and then devote ourselves to the understanding of the doctrinal differences that are depicted in these 2 plays. The plot of Prabodha Chandrodaya: The meaning of the term Prabodha Chandrodaya is therising of the moon of spiritual knowledge. "prabodha chandrodayasya udaya:" This is an allegorical drama where different qualities take the role of characters and appear before us. "purusha" is the main character. According to Advaita, purusha is identical with the Supreme Self or Brahman. 'maya' or illusion is purusha's wife. 'manas' or mind is the son of maya. This mind has 2 wives namely 'pravrtti' and 'nivrtti'.i.e.activity and renunciation. The issue of 'pravrtti' is 'mOha' or delusion whereas 'nivrtti' gives birth to 'vivEka' or discremenation. The purusha is bound by 'manas' assisted by 'ahankAra' or egoism. 'maya' deludes him. How can this purusha be brought back to his real nature" It is only thro' the rise of knowledge (vidya) and 'prbodha' (spiritual awakening). How can this knowledge arise? Knowledge is possible only when the mind is quiet and when there is discremenation. This discremenation is to be united with the 'upanishads'. How can this be achieved? This can be achieved with the assistance of vishnu bhakti. The struggle bertween the two forces of the two sons of the mind namely 'moha' and 'viveka' continues. The followers of moha aree 'charvaka','kama', 'krodha', 'lobha'. 'charvaka' is a friend of moha. Kama krodha and lobha are ministers. The 'mithyAdrsti' or error is the wife of moha. 'vibhramavathi' is his wife's friend. The wife of kama is rathi, of krodha is himsa and of lobha is trsNA. They are all on the side of moha. The followers of viveka are as follows. Reason or maathi and santosha or contentment are friends. Enquiry into the reality of things or 'vastuvichara' is the servant and the others that serve viveka are 'vishnubhakti', 'shanti', shraddha', 'kshama', karunA', 'upanishat' and others. The battle ensues between these two forces. For uniting with the upanishads, with the blessings of the mind, vishnubhakti isalso honoured by manas. When the mind becomes calm, the purusha gains his real nature. When the mind has become quiet, the mind discards 'pravrtti, and nivrtti becomes his favourite.On account of viveka and upanishads, purusha realises the oneness of paramEswara. On account of the command of vishnubhakti, nididhyasana (medidation) enters purusha. At that moment, vidyaa bursts out of the chest of manas and swallows moha and his followers and disappears immediately. Now praabodha reigns supreme. Purusha realises oneness with vishnu. PLOT OF SANKALPA SURDODAYA: WE will now briefly note the plot of Sankalpa Suryodaya. Suryodaya means sunrise. Sankalpa means the divine will to save man. So the meaning of this term is :- dispelling the dark night of samsara by the will of the Lord. This is here equated with sunrise.In this drama also, qualities are different characters.They are similar to the characters of prabodha chandrodaya. There are certain additional characters also. For e.g.'vyavasaya' (human effort), 'tarka' (logic). Vyavasaya is the commander in chief of viveka. The king and the queen working for the good are Viveka and Sumathi. The opposite side is represented by 'Mahamoha' and 'Durmathi'. They fight against goodness. Purusha is the battlefield for these warring elementss. This can be compared to the forces of good and evil mentioned in the case of Pandavas and Kauravas. With the final victory of viveka, there will be good. After the victory of Viveka, the Sankalpa Suryodaya(divine will to save) arises and then the Purusha attains moksha. Viveka explains to Sumathi that the cause of samsara is the 'avidya' or karma of the Purusha. Moksha or liberation can be bestowed on Purusha only by 'Srimannarayana'. That grace of the Lord dawns on him only when purusha gets rid of all his vices and surrenders unto the Lord. For this, a guru is absolutely essential. It is abssolutely essential to have a proper understanding of the shastras in a correct manner. So, one has to know the defects of schools of thought to discard them. A discussion is therefore necessary to refute the representatives of vaarious schools. So, in this drama, a guru (Sri Ramanuja) and shishya (Sri Vedanta Desika) are shown as refuting the various view points of other schools in the presence of Viveka and vyavasaya. This is important as it expounds the authenticity of the 'siddhanta'. The conflict beetween 'rAga', dwEsha and vairagya is pictured and vairagya succeeds. Vishnubhakti and vairagya go to Viveka and help him to gain his goal. Purusha can gain moksha only thro' the grace of the Lord. The enemies like kama, krodha are defeated. The Purusha has gained vairagya and therefore dambha, darpa and others fail to entice him. Now Purusha needs a suitable place for meditation of the Supreme being . Viveka aassisted by tarka makes a search of a suitable place for meditation throught the country and come to Srirangam and find that 'Vrshagiri' and 'Hastigiri' are suitable places. But Viveka realises that the best place for meditation is the pure heart that is devoid of all impurities. The next search is for a pure form of God for the purusha's meditation. The several auspicious forms of the Lord in various incarnations are thought to be more appropriate. Now Purusha needs an acharya who has to initiate the holy 'Moola mantra' and Purusha now appears on the stage. The purusha with the help of Viveka and Vishnubhakti gets rid of all his sins thro'self surrender and wins the grace of the Lord(Sankalpa Surya). He is now fit to attain the highest abode thro' the archiradi. This is the short summary of the play 'Sankalpa Suryodaya'. Deep pranamams Desikar thiruvadihale sharanam dAsI padmini ===== Bid and sell for free at http://auctions. Quote Link to comment Share on other sites More sharing options...
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