Guest guest Posted December 9, 1999 Report Share Posted December 9, 1999 Dear Sri Ranganatha BhakthAs : adiyEn posted on ThiruppANAzhwAr's birthday ( Kaarthigai RohiNi: Nov 24, 99) an article with a krithi to be sung in VasanthA Raagam with the pallavi of " Ranganaik KaaNNpatheppO , kasthUri Ranganaik KaaNNpatheppo?". That krithi had four charaNams . In that krithi , AdiyEn was following the foot steps of great AzhwArs and noble AchAryAs like Paraasara Bhattar , who in his agony over the loss of sevai of Sri RanganAthan crystallized his anguish through the famous Sri RanganAtha SthOthram with six slOkams and two stray verses (Muktakas). A dozen years ago Sri U.Ve. VidvAn Purisai NadAdUr Sri KrishNamaachAr Swamy had written about this sthOthram in Nrusimha PriyA .AdiyEn will expand on the theme of that article , which may not be readily available to many and provide some additional information points regarding the anubhavam of PoorvAchAryAs and AzhwArs regarding their vislEsham ( anguish resulting from separation ) from Sri RanganAthan . We will start this posting with the salutation to Sri RangEsa PurOhithar , Sri ParAsara Bhattar , the precocious son of Sri KuratthAzhwAn : Sri ParAsara BhattArya: Sri RangEsa PurOhitha: Sri VatsAnga Sutha: SrimAn srEyasE mEasthu bhUyasE SrI Bhattar's Life and Sri Sookthis ************************************ Sri Bhattar was the svIkAra Puthran of Sri RanganAthan. He was born as a direct result of the grace of Srirangam Dhivya dampathis .His parents were KuratthAzhwAn and ANDAL ammayAr. Sri RaamAnujA chose the name of ParAsarA for the child of his prime disciple, KurEsan .Srirangam Dhivya Dampathis rocked the cradle of their svIkAra puthran in front of their AasthAnam and brought up the child . Hence there is no surprise that Paraasara Bhattar had the intutive and brilliant insight into the cardinal doctrines of Sri VisishtAdhvaitham and blessed us with profound Sri Sookthis in Sanskrit ( AshtaslOki, Superb commentary on Sri VishNu Sahasra Naamam , Bhagavadh GuNadarpaNam, the sixty one slOkams on Sri RanganAyaki , SriguNarathna Kosam , Sri RanganAtha sthOthram for our daily recital ,the 232 slOkams of SrirangarAja sthavam serialized now in Nrusimha PriyA by Dr.V.N.VedAntha Desikan , TattvarathnAkarA , Lakshmi KalyANam ; in Tamil , and maNi PravALam , he has blessed us with Thirumnajana Kattiyam , Commentary on Kaisika PurANam and many brilliant nirvAhAs on the terse passages of NammAzhwAr's ThiruvAimozhi . ParAsara Bhattar's self-exile from Srirangam ********************************************** KurEsa had a royal disciple by the name of Virasundara Brahma Raayan . His fellow sishyar was PiLLai PiLLai AzhwAn, who was very dear to KurEsan . Latter was living in a house that was at the middle of Sri RanganAthA's sannidhi prAkAram known as Thrivikraman prAkAram . The rampart walls had fallen down and needed to be reconstructed . Paraasara Bhattar instructed Virasundara Brahma Raayan to construct a new rampart wall without destroying the residence of PiLlai PiLLai AzhwAn . Bhattar suggested that the king follow the route taken by Thirumangai , when he built the wall of one prAkAram by skirting the nandhavanam of ThoNDaradip Podi AzhwAr . The king rejected his AchArya KumAran's suggestion and destroyed the house of KurEsan's dear sishyan for the sake of building a straight wall . He hurt deeply the feelings of Bhattar further by behaving in a haughty manner . Bhattar decided to leave Srirangam and exiled himself in ThirukkOttiyUr and returned to Srirangam after the demise of the king , who had committed parama BhAgavathApachAram and AchArya apachAram . The RanganAtha SthOthram was born during this time of Bhattar's exile in ThirukkOttiyUr , where the agony of Bhattar's separation form Sri RanganAthan and Sriranga KshEhtram poured out in a lyrical form . These six main and two stray verses are recited by Sri VaishNavAs daily (nithyAnusandhAnam ).The metres chosen for the six original verses of Sri RanganAthA sthOthram are in Sragdhara, SikhariNi , MandakrAnthA and IndravajrA . Readers are referred to Dr. S.PamanAbhan's Ph.D thesis on ParAsara Bhattar for a detailed study of the lyrical beauty of the individual slOkams of the sthOthram. AdiyEn will focus on the anubhavam aspects from the point of AzhwArs . (To Be continued ) Daasan, V.Sadagopan Quote Link to comment Share on other sites More sharing options...
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