Guest guest Posted July 7, 2000 Report Share Posted July 7, 2000 Dear Shree M.G.Vasudevan, You have mentioned "nadhopaasana". May I request you to kindly clarrify whether you hold it equal to one of the Upaasanas out of the 32 vidyaas mentioned in Upanishads or a sort of accessory to practice one amoung the upanishad-vidyaas? Even if someone tries through the way that you have mentioned, do you say that it is possible to practice any of the upanishad vidyaas which is told as Bhakthi? Which Sahitya Kartha practised one of the Vidyaa out of the Upanishad Vidyas and what is that Vidya? Is it possible to call anything other than the Upanishad Vidyaas as Upaasana? Could you please quote from Prastaana Trayam regarding "nadhopaasana"? Thanks & Regards M.S.HARI Ramanuja Dasan. ================================================================= __________________ Get free email and a permanent address at http://www.netaddress.com/?N=1 Quote Link to comment Share on other sites More sharing options...
Guest guest Posted July 18, 2000 Report Share Posted July 18, 2000 M.S.HARI (Madabhushi Sarangarajan Hari) writes: > You [sri M.G. Vasudevan] have mentioned "nadhopaasana". May I request > you to kindly clarrify whether you hold it equal to one of the Upaasanas > out of the 32 vidyaas mentioned in Upanishads or a sort of > accessory to practice one amoung the upanishad-vidyaas? Dear Sri Hari, As you well know 'upAsana' is meditation, is just another way of describing 'bhakti'. It is also described as 'nidhidhAysana', or deep contemplation on God, without any break whatsoever in one's meditation. For this reason it is also called 'dhruva-smRti', or 'firm remembrance'. Or, to quote Bhagavad Ramanuja himself, 'sneha-pUrva-anudhyAnam bhaktir abhidhIyate' -- firm meditation filled with extreme love is known as bhakti. Now, the key to this meditation is getting to a stage where one can continuously visualize the Supreme Lord in one's mind, and not have any break in one's enjoyment and appreciation of the Lord's auspicious and edifying attributes, his kalyANa-guNas. For this purpose, the Upanishads as we find them today describe 32 varieties of such meditation, known as 'brahma-vidyas'. But by no means should these 32 be considered the *only* brahma-vidyas, as their whole purpose is to make the loving on Lord uninterrupted. Anything which is helpful to this purpose can be accepted. For example, the ashTAnga-yoga of Patanjali is not systematically described in the Upanishads as being part of the brahma-vidya, but it is accepted in our philosophy as an integral part of all of these meditative exercises. This is where nAdopAsana or meditation through music is helpful. Music is both generative of love of God (because of the descriptions of kalyANa-guNas) and also helps keep one's mind firm in the remembrance of God. This is obvious to anyone who sings devotional music. Now, when it comes to such great saints as Purandara Dasa, Tyagaraja, etc., but there is no doubt that their devotional music were vital to their upAsana. This, no one can deny. Let's take a more obvious example. Is there any doubt that anusandhAnam (musically or otherwise) of Divya Prabandham is helpful to someone engaged in Upanishadic meditation? >From this standpoint, there is no reason a bhakta of bhagavAn should shy away from devotional music or even the term 'nAdopAsana'. dAsan, Mani Quote Link to comment Share on other sites More sharing options...
Recommended Posts
Join the conversation
You are posting as a guest. If you have an account, sign in now to post with your account.
Note: Your post will require moderator approval before it will be visible.