Guest guest Posted July 28, 2000 Report Share Posted July 28, 2000 Namo Narayanaya ! Dear BhakthAs: In the fifth slOkam , Swami Desikan described the gains obtained by us from the PaamAlais ( garland of verses) and PoomAlais ( garland of flowers ) of Godhai. Here, Swami Desikan visualizes Godhai as Six puNya (sacred) nathikaLs (rivers) flowing swiftly and majestically . These sacred rivers are :SONA , Thungabhadhrai, Sarasvathi , Virajai , GodhAvari and NarmadhA .Swamy Desikan once again uses his samathkArAm (clevenrness))as a kavi- Saarvabhouman to achieve the comparsion of the limbs and attributes of Godhai with the specific features of the six individual rivers. The Sixth SlOkam : ****************** sONAdharEpi KuchayOrapi ThungabhadrA VaachAm pravAha nivahEapi SarsavathI thvAm AprAkruthairapi RasairvirajA svabhAvAth GodhEapi Devi kamithurnanu NarmadhAsi (Meaning ): Oh Devi GodhE ! Thou art like rivers SONA ,ThungabhadhrA , Sarasvathi with its swift currents, the clear VirajA of Sri Vaikuntam , GodhAvari and NarmadhA . The inner meaning is that Godhai's lips ar red like the waters of SONA river . Her breasts have a majestic appearance as ThiungabhadrA river. Her necatarine speech is like the veritable Sarasvathi river also known as Vegavathi (One with speedy flow ).Her Prabhandhams are full of anubhavams based on the Satthva guNams like a veritable VirajA river , which is outside this prakruthi mandalam. She is like GodhAvari in being naturally gracious and is like river NarmadhA , which gladdens the heart of Her Lord through teasing speech. There is a double meaning behind the name of each of these six rivers.adiyEn has added special meanings beyond the vykhyAnam of Seva SwamigaL know as ParimaLam .The Vedic aspects of the names of the rivers have been added especially. (1) SoNai is a river , which has red colored waters. It originates in Gondavana and merges with GangA near Pataliputra.SONathi means to move , to go forward and to become reddish in hue. Godhai's lips are referred to here , when the image of SONai is invoked. The red color symbolizes the Raagam ( longing , desire) of Godhai for Her Lord expressed beautifully in NaacchiyAr Thirumozhi.Typically the beautiful red lips are equated to ripe (red) BhimbhA fruit or red coral . Swamy Desikan equates them here to the red river,SONai. (2) Godhai is also Tunga-bhadra, a river resulting from two separate streams in KarnAtakA . One is Tunga and the other is BhadrA . Godhai's two majestic sthanams are invoked by the imagery of Tunga-bhadhrA . Tungam means high, elevated or lofty. It is saamudhrikA lakshaNam for Padmini ladies to have lofty breasts as a mark of beauty. Bhadra(m) is a celebrated Vedic word( Bhadram KarNebhi: SruNAyAma:). Bhadra means happiness, prosperity , welfare and auspicousness. The saying is " Bhadram bhadram vithara BhagavAn bhUyasE mangaLAya". The Vedic significance of Bhadram is celebrated in atleast half a dozen Rg Vedic Verses. Let us enjoy one of them , which happens to be the shortest Rk in the whole of Rg Vedam ( Bhadram nO api vaathaya Mana:/Rg .X.20.1) with ten syllables. Bhadram here is meant as a propitiation according to Saayana BhAshyam ( Sambhandi sthOthra karaNE prEraya / Let us be inspired to eulogize you and Your associated auspicious attributes). One who has Bhadram is BhadrA or BhadrAvathi. Godhai is clearly BhadrA with utthunga sthanams .Hence , She is aptly addressed as TungabhadrA. Seva SwamigaL says that the people of ShimOga call TungabhadrA as "PaalARu" . He extrapolates the meaning as Jn~Ana Paal AaRu ( the river of Jn~AnappAl or the milk of Jn~Anam). (3) Sarasvathi: " VaachAm PravAha nivahE Sarasvathi Thvam " is the salutation of Swamy Desikan . He says that Godhai is indeed Sarasvathi (Sarasvathi Thvam) due to the pathinettAm Perukku like flow of the assembly of Her speech . Sarasvathi again is a Vedic metaphor . She is one of the three Speeches: Sarasvathi , ILA , Bharathi . Near Kaanchipuram, She flowed with immense speed and got the name of Vegavathi and the Lord had to take the role of a Sethu (dam ) to control Her fury. Sarasvathi generally refers to the Goddess of speech and learning. It is also a antharvAhini river, which is flowing hidden under the sands of the great desert .During the Vedic age, Sarasvathi was BahirvAhini. Sarasvathi is also the name of a plant mentioned in Atharva Vedam as JyOthishmathi or the One with supreme JyOthi .Such are the rich connotations of the word Sarasvathi. (4) VirajA River: "aprAkruthai: rasai: VirajA" is the mangaLAsAsanam of Swamy Desikan. VirajA is not of this world and it flows at the border of Sri Vaikuntam. Viraja means free from dust or passion. Viraja is also an epithet for Lord VishNu. The river that flows in Sri Vaikuntam is suddha satthvam and is totally devoid of RajO or TamO guNams . The soul ascending to Sri Vaikuntam takes a dip in the VirajA river to cleanse itself and transform itself to be"akarma Vasyan" (beyond the influence of KarmAs . A dip in the VirajA river makes the Jeevan manifest in its own nature ( SvEna rUpEna abhinishpadhyathE-ChAndOgya Upanishad ). A dip in the VirajA like Prabhandhams of Godhai makes us qualified to become Muktha Jeevans traveling in the archirAdhi maargam. (5) GodhAvari River: "SvabhAvAth GodhEapi thvam " is the mangaLAsAsanam of Swamy Desikan. The many meanings of GodhA have beeen covered in earlier articles of adiyEn. GodhAvari is the name of the river in Andhra PradEsh , which has been mentioned in Srimath RaamAyaNam. SithA Piratti sported with Her Lord on the banks of GodhAvari. "Varivas" is a Vedic word meaning wealth, pleasure and Happiness . "Variman" means excellence , superiority and pre-eminence . Swamy Desikan seems to say that Godhai is by Her very nature (svabhAvAth GodhAvari) because She is Varivath and Varivas . Because of blessing us with pre-eminent Prabhandhams , She is GodhAvari. (6) NarmadhA River: " Devi Kamithu: nanu NarmadhAsi" is Swamy Desikan's salutation. Kamithu: means the Lord, EmperumAn. "Kamithu: NarmadhA asi nanu" queries Swami Desikan . Are not You the NarmadhA river for Your Lord ? NarmadhA is a river ,which rises in the VindhyA mountain and joins the ocean at the gulf of Cambay . The other meaning of NarmadhA is ParihAsam or Jestful or amorous past time . Narma is also a kind of Vaak , ParihAsa Vaak. Godhai's skills in wining over Her Lord through Her amusing ways is symbolized by the choice of NarmadhA-suhrudh svarUpam . SevA SwamigaL points out that the first two lines of this Sixth SlOkam includes three rivers(SONA, ThungabhadrA and Sarasvathi) and the the last two lines house three more rivers ( VirajA , Godhavari and NarmadhA). The first three rivers dealing with the Adharam (lips), Sthanams and Vaak represent PrAkrutha rasam and the other three rivers deal with AprAkrutha (other worldly) rasam . Thus ,Godhai shines with apraakrutha rasam in archai and vibhavam and is by the side of Her Lord as Narmadhai always . SoodikkodutthaL ThiruvadigaLE SaraNam , PaadikkodutthAL ThiruvadigLE SaraNam , adiyEn, RaamAnuja Daasan, Oppiliappan Koil SatakOpan Quote Link to comment Share on other sites More sharing options...
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