what HamsOpanishad has to say on nAdOpAsanA

[Guest guest]

dear bhAgavathAs,

HamsOpanishad has spelt out 10 types of nAdanubhavam

in the verse on 'dashanAdAnubhav".

'chiNithi prathama' - meaning 'chini' is the first one

'chiNichiNithi dwitheeya' - 'chiNichiNi' is the second

'ghantanAdastruteeya' - the sound of a bell is the

third

'shankhanAdaschaturtha' - the sound of conch is the

fourth

'panchamastantreenAda' - veeNA sound is the fifth

'shashtasthALanAda' = sixth is the tALam or beats

'sapthamo vENunAda' - the seventh is the sound of

flute (remember our discussions started with

kuzhalosai'?)

'ashtamO bhEreenAda' - the eighth is the sound of

bhEri (bErigai in tamil)

'navamO mrudanganAda' - the ninth is the sound of

mrudangam

dashamO meghanAda' - the tenth is the sound of mEgha

These are the ten nAdAs which one hears when one

reaches higher stages of kundalini yOgA. nAdOpAsanA

helps in reaching these stages without effort in a

pleasant manner. but the most important thing to be

noted is that one cannot really enjoy nAdOpAsanA

unless the mind is all the time on His lotus feet.

'sangeetha gnAnamu bhaktu vinA sanmArgamu ledhu'.

kundali yOgA and nAdOpAsanA are thus interwoven. so

are all the 4 yOgAs viz. karma yOgam, gnAna yOgam,

bhakti yOgam and rAja yOgam, each overlaps into the

other with saraNagathi as the common thread.

adiyEn rAmAnuja dAsan narasimhan

 

 

 

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