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Srimate SrivanSatakopa Sri Vedanta Desika Yatindra Mahadesikaya Nama:

 

 

 

Jail Birds

 

 

 

There are some people to whom the Government extends its hospitality

dutifully. It takes pleasure in providing them food, clothing and accommodation,

all for free. All that the Administration seeks from them in return is the

pleasure of their company, 24 hours a day and 365 days a year. The Authorities

love them so much that they are loath to let the special guests out of their

sight, and keep a benevolent eye on them all the time, lest they change their

mind and walk away unannounced from all the hospitality. Who are these visitors

in whom the Government takes such keen interest?

 

The practice of incarcerating people for offences, ranging from petty

theft to murder, is as old as the hills. No doubt, the majority of the prison

mates are there because of proven infringements of the law. However, there have

been some distinguished occupants of the gaol too, who were there as a part of

the ever-playful Lord's leela.

 

 

 

Leading the gang of the gaoled is the Lord Himself. He has the dubious

distinction of being the youngest jailbird, having been born in KamsA's prison,

as the eighth child to Sri Devaki and Sri VasudEva, who were incarcerated by

Kamsa, prompted by the prophecy that their eighth progeny would prove to be his

nemesis. Despite the rather unusual surroundings, the Lord is as splendorous as

ever at birth, and displays in full all His unmatched celestial beauty, with

four arms, the discus and conch, and with beautiful lotus eyes ("tam adbhutam

bAlakam ambujEkshaNam"). Everyone knows how the Lord escaped from the prison on

that stormy night, with Sri Vasudeva carrying Him across the Yamuna to

Nandagokulam, with Sri Adisesha providing a benign, protective canopy.

 

 

 

The Lord was however only taking a leaf out of Piratti's book. He felt

intensely jealous of the renown that She had acquired in the Ramavatara, by

being imprisoned by Ravana in the AshOka vanikA. Unmindful of Her own status as

the Empress of everything, Piratti's act of suffering imprisonment (so that the

whole world could escape the fetters that Ravana had imposed) highlights Her

infinite mercy towards us. Had She so desired, she could have easily destroyed

the asurA by merely willing it. Instead, she suffered willingly, waiting

patiently for Sri Rama to rescue Her, displaying pAratantryam.

 

This act of sacrifice put Sri Janaki so high on the pedestal that Sri Ramayana

came to be described as "SitAyA: charitam mahat" (the great story of Sita),

rather than a chronicle of the life and doings of Sri Rama. Sri Nammazhwar

marvels at Piratti's soulabhyam and maternal love for all beings, in willingly

undertaking suffering, so that the world might rejoice-"tani chirayil viLapputra

kiLi mozhiyAL". Sri Pillai LokAcharya too concurs that Sri Ramayana is verily an

account of the greatness of Piratti, who suffered incarceration, so that the

whole world could go free. ("itihAsa shrEshttamAna Sri RamayanatthAl chirai

irundavaL Etram sollugiradu").

 

Thus while the Lord made a prison His janma bhoomi for saving the pious from

the wicked Kamsa ("sAdhu sanattai naliyum Kanchanai sAdippadarku Adi am sOdi

uruvai angu vaitthu ingu piranda vEda mudalvan"-Sri Nammazhwar), His Consort

suffered as an inmate in Ravana's prison so that everybody could walk free.

 

 

 

The Lord's record as a jailbird doesn't end there. He invites trouble and

punishment again due to His apparently unlimited appetite for dairy products.

Enraged Yasodha, mortified by constant complaints from neighbours about young

Krishna's misdemeanours, puts Him under house arrest. Dangerous inhabitants of

the prison are put under fetters, even while being locked up in a cell, as a

measure of additional security. Similarly, Sri Krishna too is tied up to a

grindstone, lest He should escape somehow. The exploits of the endearing little

butter thief and the extreme accessibility or soulabhyam of the omnipotent

Parabhrahmam allowing itself to be tied up and fettered by a mere rope, have

been the delight of poets the world over. Sri Nammazhwar too is captivated by

Emperuman's eLimai-

 

"matthuru kadai veNNai kaLavinil uravidai AppuNdu

 

etthiram uralinOdu iNaindu irundu Engia eLivE".

 

 

 

Not content with being a jailbird Himself, the Lord arranges for some of His

devotees too to have a taste of His Majesty's hospitality.

 

Sri Vipranarayana, engaged in growing scented flowers for garlanding the Lord of

SriRangam, is seduced by DevadEvi, a danseuse. Once all his money is spent and

he has nothing to offer her, the lady forbids the penniless Vipranarayana from

seeing her anymore. The infatuated man haunts her doorstep in the hope of

regaining lost favours.

 

In the meantime, Sri Ranganatha, in the guise of one of His archakAs, hands

over a golden vessel to DEvadEvi, attributing the present to Vipranarayana. This

enables the languishing Vipra to regain the affection of his beloved. The

temple archakas, finding the golden vessel (used for the Lord's tiruvArAdhanam)

missing, complain to the King about the theft. Investigations reveal the

presence of the missing vessel in the dancer's household, and when it transpires

that it is Vipranarayana who had been instrumental in the vessel reaching

Devadevi, the King orders his imprisonment. The bewildered Brahmin cries out

aloud to the Lord to save him from the predicament. The Lord, deciding that

enough is enough, appears in the King's dream and confesses to having Himself

handed over the vessel to the dancer, and orders the King to release the

innocent Vipranarayana. The King acts with alacrity and begs Sri Tondaradippodi

Azhwar to pardon him for the wrongful confinement. Marvelling at the Lord's

leela, Azhwar realises that the entire drama had been enacted by Emperuman to

cure him of the fascinations of the flesh and to instil in him an undying

devotion for the Lord, and spends the rest of his life singing His praises in

the form of TirumAlai and TiruppaLLiezhucchi.

 

 

 

One would think that the Lord would have been content with arranging for the

imprisonment of one of His devotees. But no, He plays the game again, in the

case of Sri Tirumangai Mannan.

 

Being the chieftain of AlinAdu, coming under the jurisdiction of the ChOzha

Empire, Sri Tirumangai mannan is obliged to remit periodical tributes to the

ChOzha King.

 

Having diverted all available resources to the feeding of the Lord's devotees

(as a precondition for winning the hand of Sri Kumudavalli NacchiAr), Sri Kalian

has little to offer the Emperor by way of tribute. Enraged by this failure to

remit dues, the Emperor orders the imprisonment of Sri ParakAla. The Lord,

deciding to highlight Sri Kalian's devotion and piety, appears in his dream and

reveals the existence of a treasure. Sri kalian leads the King's men to the

treasure and thus settles his dues. Subsequently, the Emperor too realises Sri

Kalian's greatness, frees him from the prison and honours him appropriately.

 

Another of the Lord's devotees (whose story is too well known to bear

recounting) to suffer incarceration is Sri BhadrAchala Ramadas, who too diverted

Government funds for the construction of the Lord's temple.

 

 

 

There is however a vast multitude of humanity which has been imprisoned, but

which doesn't realise its plight and imagines itself to be free. All of us

consider ourselves free agents. In reality, we are prisoners of our past deeds,

which act as powerful shackles and deny us the independance to attempt for

liberation and eternal bliss. This physical body acts as a maximum-security

penitentiary, the five faculties (pancha indriyAs) being the jailors. Our karma

represents the unbreakable fetters, which bind us with this body and prevent the

soul from attaining the unimaginable bliss to which all of us are entitled. Sri

Nammazhwar puts it thus-

 

"KaNNapirAnai viNNOr karumANikkatthai amudai

 

naNNiyum naNNkillEn naduvE Or udambil ittu

 

tiNNam azhunda katti pala seivinai van kayitrAl

 

puNNai maraya varindu ennai pOra vaitthAi puramE"

 

 

 

And how do we escape this prison? The only way to cast off the shackles of

karma is to surrender to the Lord, to perform Sharanagati at His lotus feet.

This pleases Him so much that He rids us of the constricting bonds of karma and

offers us eternal, immeasurable bliss in the exalted company of Himself and His

devotees, in Sri Vaikuntam.

 

 

 

Thus the key to the prison gates is with ourselves-if we turn it the right way,

we walk to Sharanagati, freedom and bliss. If we turn it the wrong way, it

pushes us deeper into Samsara and perennial sorrow, and we keep hopping from one

body to another eternally as dictated by our karma, without any hope of

redemption.

 

 

 

Srimate Sri LakshmINrsimha divya paduka sevaka SrivanSatakopa Sri Narayana

Yatindra Mahadesikaya Nama:

 

Dasan, sadagopan.

 

 

 

 

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Sri

SrimathE nigamAntha mahadesikaya namaha

 

Dear U.Ve.Sadagopan Iyengar Mama,

 

This post of your was a very moving one. Recently, Dr.Balamurali Krishna

was in town for a concert. His rendition of paluke bangarAmayana was a very

very moving one. The concept of sharnAgathi expressed by Bhadrachala ramdas

who belonged to the same vamsam of Kidambi Acchan is a very moving one.

 

SaraNAgatatrANa birudAnkituDavu gAda

SaraNAgatatrANa birudAnkituDavu gAda

karuNiMcu bhadrAcala vara rAmadAsa pOsha

palukE baMgAramAyenA

karuNiMcu bhadrAcala vara rAmadAsa pOsha

palukE baMgAramAyenA kOdaMDapANi

palukE baMgAramAyenA

>Another of the Lord's devotees (whose story is too well known to bear

>recounting) to suffer incarceration is Sri BhadrAchala Ramadas, who too

>diverted Government funds for the construction of the Lord's temple.

 

An interesting part of the story is that the muslim nawan does not sponsor

the temple, even though the tax-payers of that region want the temple

built. Bhadrachala Ramdas undertakes the sponsorship of this temple through

state funds.

 

The Enraged Nawad arrests Bhadrachala Ramdas. Ramdas's kiiritanams sung

when he was inside the prison pleads to lord to accept him as a prappanan.

 

Two strangers come to the court of the Nawad and pay the amount that was

used by Bhadrachala Ramdas. Later the nawad realises that the strangers

were none other than Rama and Lakshmana.

 

The Nawad immediately releases Ramdas and the nawad becomes one of the

foremost dharmadarshees of the temple. The mUrti is a swayambhu mUrthi

(self manifested). It was believed to be first discovered by Dhamakka who

was from the same clan as Sabari.

 

Thank you very very much for this article! I too am in prison (in this

sense, the classroom :-)

 

My daily prayers to Lord Hayagriiva for a release for this "prison"!!!

 

-Regards,

 

Malolan Cadambi

 

 

--

mail2web - Check your email from the web at

http://mail2web.com/ .

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Namaskarams to you first. Very nice article this one

is. Lord who is beyond space and time still by his

leela becomes accessible to the devotees through their

bhakthi.

 

Sakadeva could do it and bargained for their

protection in the war.

 

Not only that - God even goes in to stones and

provides his grace for human beings in his archai

form. Apart from that, he is inside the atman of each

of us.

 

what to speak of his ominpresence!

 

warm regards,

Balaji S.

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Dear all..

Namaskarams.

Thanks for all who made me remember my mother's home town again.

Its a pleasure to hear about Bhadrachala Ramadas once again.Though i visited

the temple many times along with my grandparents..i still feel the story of

Ramadasu 'moving'.

I just want to add a bit to the story. After the Nawab realises that it was

Rama and Laxmana who came to his courtyard to pay the money,he started a

tradition where the government sends 'Muthyala talambralu'(Pearls) for the

marriage of Rama.The tradition is still followed and the ChiefMinister of AP

carries the talambralu on his head to the temple every SriRamanavami.

The BhadrachalaRama Temple can be accessed through

http://www.bhadrachalarama.org/.

 

SarvaeJana SukhinoBhavanthu..

 

Regards,

RamaKrishna.

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