Guest guest Posted November 8, 2000 Report Share Posted November 8, 2000 As requested, I have dictated in the material I had on this topic (using Via Voice - I think I've corrected all the strange transcriptions!) As I said, this was dictated to us at the School of Economic Science in England (you should assume they have the copyright). They did not say whence it originated but I assume it was translated from discussions with Shri Shantanand Saraswati, late Shankaracharya of the North. ******************************************************************* shubhechchhaa - this word means 'good desire'. It is in their desire of the absolute. That desire has three aspects. It is the point of movement, the primal wave, and the beginning of the play of awakening. The point of movement is the vibrating desire of the Absolute; the primal wave is the expansion of that vibration; and the beginning of the play of awakening is its manifestation. That desire of the Absolute manifests through various vyashhTi to perform their functions to please him. It may reach the vyashhTi in many ways: through books, a School, teacher or through an incident in life. It reminds the individual of its true nature and starts a movement to discover it. Under the power of that desire the individual takes the initiative to find his way back. With rare exceptions, vyashhTi soon finds itself in difficulty and conflict. It needs true knowledge and a system or discipline to enable it to hold to course. If it finds true knowledge and a true system, it may proceed to the second stage. suvichaaraNaa - this second stage implies some consciousness; but it may not be necessary for the consciousness to come from the individual: it could come from outside. But the interplay of consciousness is necessary when reason has to prevail. At this stage, the attraction of reason or truth appeals to the individual, and he shows readiness to accept it, cognise it, and make a note of it. Love of truth or reason and its complementary aspect, the discipline, both work on the individual to keep him on the way of development of being. In this stage the individual feels the pressure of opposing forces, either as temptations or as the dire consequences of punishments or deprivations. Reason dispels the evil forces pressing on the individual, and he moves to the next stage. tanumaanasaa - the individual stands firmly to go with truth and the call of the aatman. The result of this assent is a decision, and this establishes his way. He will work hard, and will move with clarity and firmness. The inner being begins to be cleansed and purified. Collections of the past find no hold over him and leave. He would now employ his energy in direct work without any loss. He becomes much more capable within and without, efficient and untiring. There are pure and proper rules for life, and prohibitions also, to help regulate life. This stage bears a good mark of purity, but it is not sure to prevent a jump into the prohibited zone. There are two basic elements involved in the development of a disciple, or his fall. The first is the inner element confirmed by sanskaara and the second is company. These first three stages are tender stages. If they are not properly cared for from the company, and fully supported by sanskaara, one would either find fluctuations or a fall. This could happen many times, for the inner and outer influences alone are responsible. These stages need much care, attention, love, knowledge and reminders to save them from distractions and fluctuations. sattvaapati - in this fourth stage, the Energy itself comes under conscious work and finer energy is evolved. The sattva now abounds and every part of the individual's being becomes bright. Not only does he live under long, but he himself sheds light, and things and situations begin to transform. Sattvaapati is very much like an interpreter or transformer in which the upper and lower steps of the ladder are connected. This is the 4th stage and stands in the middle. It is the region of light. It is no longer a matter of convention or association for the individual to distinguish good and bad, right and wrong. He sees the facts as they are, and, without falling prey to the delusion of sentimentality, he goes for the good and the right. He has no fear, for all fear originates from darkness. When this stage is fulfilled, he is prepared for a big change. When the fourth stage of sattvaapati is matured, then the individual finds himself steady in his approach towards right and wrong, because he understands them thoroughly. Whatever he deems to be wrong he will reject by his own will and power, and he no longer needs any influence or guidance from any outer agency. It is not done in any heat created by some situation, but in the coolness of reason. This is the mature state of sattvaapati leading to the 5th stage of asaMshakti. asaMshakti - the literal meaning of this word is under power of detachment. He can be fully detached only because he has come to understand the potentiality of all things and all situations. He can see right and wrong or good and bad, so he is not pulled by them. Having it the power to discriminate between the quality of all things, not being in a hurry, knowing the direction of his way, he has all the time to consider the usefulness of things, so that the attraction of things does not move him. This detachment allows the player of the Absolute to keep moving in its natural rhythm, without any hindrance or pollution by the individual. According to different philosophical points of view, this is called leelaa, the divine dance; naaTaka, drama; karma, to play of the guNaaH. In chapter six of the Bhagavad Giitaa, it is said that of the person who has acquired detachment is a sanyaasii. He is one who has learnt the art of discrimination between right and wrong, and thus become completely detached from the pull of the pleasant. There is no bondage for such a man. In the eight stanza of the 5th chapter of the Giitaa, Krishna informs Arjuna that such a man looks, touches, walks, eats, gives, takes and does everything which comes his way, and yet it seems as if he has done nothing, because of the detachment. This is the quality that one finds at this level. He appreciates the glory, brilliance, enchantment and attractiveness of all things and also enjoys them, but he never hankers after them nor chases after them. He sees everything new and naturally responds to it, not from the past nor from the future, but only from the present, the present which flashes the will of the Absolute. He still maintains knowledge of his own being as separate from things and from the Absolute. The drama, the actors, the performances and enjoyment from them are all cognised as having their special significance, and yet nothing seems to bind him. He is only bound by love and, in this detached state, responds to the will of the Absolute. tadaarthabhaavanii - having experienced the world as it is, and having it no personal reference to himself, the individual is now ready to go deeper. He looks at apparent and manifest forms and also beyond the apparent. The apparent forms are all held by the unmanifest, the cause, the substance which is about to create new forms or to bring change in existing forms. Once sees the being, the real being, the outer and inner being together. One experiences the presence of vyakta, the will of the Absolute unmanifest, holding all space, time and guNaaH. One sees the earth and the pot simultaneously, table and wood, ornament and gold, thread and cloth, all come under vision as one. Everything seems like nothing but the body and the being of the Absolute. At this level, things become transparent; they do not disappear, are not negated, and yet they are transcended: one sees the laws and also the maker of the law. Such a one is like a lover who cannot see anything except his beloved in all things at all times. In or a this realm, he and she are both there. There is nothing more than he and she, or the individual and the Absolute. There is no third factor. The- love itself is Absolute. turiiyaa - this is the vision, the full realisation. Quote Link to comment Share on other sites More sharing options...
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