Guest guest Posted December 4, 2005 Report Share Posted December 4, 2005 sarva-ved'aanta-siddh'aanta-gocharaM tam agocharam gov'indaM param'aanandaM sad-guruM praNato'smy aham ..(Viveka Chudamani Verse1) I prostrate myself before Govinda, the true Guru and ultimate Bliss, who is the unattainable resort of all scriptures and Vedanta. Sri Ganeshaya Namaha ! Sri Govindaya Namaha! Sri Gurave Namaha ! A story From the Kena Upanishads The gods and the demons had been having a war. Somehow the gods won, at least for the time being. But they did not realize that the power of Brahman, the Supreme Being, had made their victory possible. The gods took the credit themselves. When Brahman saw them congratulating each other, he decided to act, and to teach them a good lesson. So he appeared before them in a form something like a ghost. The gods said to each other in great wonder, "What is this awesome spirit?" Then they asked Agni, the god of fire, if he would try to find out who it was, and he agreed. He ran toward the spirit and that spirit said, "Stop! Who are you?" "I am Agni, the god of fire," he proudly replied. "I see. And what power do you have?" asked Brahman. "Why, I can burn anything on the earth," said Agni. So Brahman, in that spirit form, put a straw on the ground in front of him, saying, "is that so? Burn this, then!" Agni went toward it, his fiery breath crackling and arms ablaze, but in no way could he burn that straw, for some strange reason, no matter how hard he tried. Going back to the other gods, he told them shamefully that he had not been able to find out who that being was.Now they had to ask someone else to try. This time they chose Vayu, the god of the wind. "You please try to find out who this spirit is," they said. Vayu agreed and ran boldly toward the spirit, who told him, "Stop! Tell me who you are." "I am Vayu, god of air and wind," he answered. "Oh! What power do you have?" asked Brahman. "Why, I make hurricanes and cyclones. I can lift up anything on this earth," said Vayu. "Is that so?" said the spirit, placing a straw in front of him. "Then lift this up!" Vayu rushed at it with a terrific noise but no matter how he huffed and puffed, the straw remained on the ground. He too returned to the gods, ashamed, and let them know that the spirit baffled him. Finally the gods chose Indra, their highest and best, and asked him to do the job. Indra agreed to it. But when he approached that spirit, it suddenly disappeared! In its place was seen the shining form of the goddess *Uma,* a lovely woman adorned with gems, who is called the revealer of Truth. "Who is that spirit," Indra asked her, "whom we have been seeing here?" "That is Brahman, the Supreme Spirit," she answered. "It is all due to the power of Brahman that you have had victory over the demons, and have become great. Don't you know that?" Then Indra understood. This story explains why Agni, Vayu and Indra rank higher than the other gods.They came "nearest" to Brahman. And, of these, Indra deserves first place, for it was to him that the Truth was first revealed. Kanchi Paramacharya says "Uma, the Divine Mother, is the personification of pranava (Om). She is brightness in light and fragrance in flowers. She has the illumination of a thousand suns and yet has the soothing coolness of a thousand moons. Along with Isvara, she is the Paramatma-swaroopa sung by the Vedas. It is this idea that is conveyed by the following verse ADI SHANKARA'S Soundarya Lahari : "Sruteenaam moordhaano dadhati tava yau sekharatayaa, Mamaapi-etau maatah sirasi dayayaa dhehi charanau; Yayoh paadyam pathah pasupati jataa-joota tatini; Yayor-laakshaa lakshmih-aruna hari choodamani ruchih-" In this stanza Sri Adi Sankara prays to the Mother (maatah), to place Her divine feet, the feet which shine in the crown of the Vedas (sruteenaam moordhaano), even on his head, in the plenitude of Her mercy (dayayaa). The quality of the divine feet is explained in the last two lines. The waters with which those feet are washed (paadyam), becomes the river Ganges, flowing over the matted hair of Pasupati. The beautiful lac colour of those feet is caused by the lustre of the red crest-jewel of Hari. It is significant that Adi Sankara gives expression to his humility by once again using the expression maamapi, even mine. In another sloka in Soundarya Lahari also, he has used maamapi when begging the Divine Mother to bathe even him with the glance of Her soothing eyes – Snapaya kripaya maamapi sive. " http://www.kamakoti.org/acall/ums.html Again and again, our parama Bhakta-Jnani Adi Shankara Bhagvadaoada sings the glories of the lotus feet of god/ess in his great compositions of Sivananda Lahari and Soundarya Lahari . and this form of total surrender to the lotus feet of the GOD/ESS Is described as 'ATMA-NIVEDANAM , one of the nine modes of devotional worship described in the Srimad Bhagvatam ... sravanam kirtanam visnoh smaranam pada-sevanam arcanam vandanam dasyam sakhyam atma-nivedanam AND WHAT IS SRAVANAM? 'Hearing' ... and this What Lord Parikshit did ! He had only seven days to live and he wanted to spend those seven days in only hearing about the glories of the GOD! Kirtanam - singing the glories of the God - this is ideally suited for devotees in the kali yuga , join a satsangha ( company of holy men) and engaze in congregational chanting. Vishnoh-smaranam- Remembering the Lord and his leelas and experiencing the 'ANANDA' of those Leelas! Pada Sevanam - worshipping the lotus feet of the lord. THIS 'Saranagati' Tattwa is best explained in Srimad Bhagwat Gita Bhagavad Gita,Chapter 18 verse 66 : "sarva dharmam parityajya mam ekam saranam vraja aham tva sarva papebhyo moksayisyami ma suca' Gitacharya Sri Krishna explains to Arjuna after expounding Jnana, Karma and Bhakti yogas, Lord Krsna advices Arjuna to abondon all these yogas (means) and take refuge in Him (Krsna) alone. ( BHAKTI YOGA) ! Yes ! IN THIS BHAVA OF TOTAL SURRENDER , WE RELY ONLY ON THE GRACE OF GOD - 'daiva anugraham' ! Parama Bhakta-Jnani Adi shankara himself expresses this sentiment of Devi Anugraham beautifully in the following sloka in Ananda lahari kR^ipApAN^gAlokaM vitara tarasA sAdhucharite na te yuktopekshA mayi sharaNadIkshAmupagate . na chedishhTaM dadyAdanupadamaho kalpalatikA visheshhaH sAmAnyaiH kathamitaravallIparikaraiH O! devi I have surrendered at your feet, You are to bestow your rejuvenating glance of grace on me. What is the difference between a normal shrub and a *kalpakA* creeper if it is not going to immediately fulfill one's desideratum? In Sri Vidya , devi is described as 'Kalpa vriksha' the wish fulfilling tree ! How our brahma-jnani ADI sHANKARA BHAGVADAPADA has managed to turn the 'MAYA' of Brahman into the Great Shakti of Sri VIDYA ? tHAT IS WHERE HIS POETIC GENIUS LIES ! Adi Shankara knew and realized that in order for Jnana to be meaningful , at some point, it has to rejoice in the path of 'bhakti - for it is the path of parama 'Ananda' and a Parama bhakta like SRI RAMAKRISHNA also realized with the grace of his Guru Totapuri that in order for Bhakti to be fruitive, it has to culminate in 'jnana' ! Bhakti without Jnana is 'blind' and Jnana without Bhakti is 'dry' - and a JNANI may develop a swollen ego of the intellect. In Srimad Bhagvat Gita, Sri Krishna declares in chapter 11 , verse 53 naham vedair na tapasa na danena na cejyaya sakya evam-vidho drastum drstavan asi mam yatha The form which you are seeing with your transcendental eyes cannot be understood simply by studying the Vedas, nor by undergoing serious penances, nor by charity, nor by worship. It is not by these means that one can see Me as I am. And then Arjuna asks Him 'How' Sri Krishna responds verse 54 bhaktya tv ananyaya sakya aham evam-vidho 'rjuna jnatum drastum ca tattvena pravestum ca parantapa My dear Arjuna, only by undivided devotional service can I be understood as I am, standing before you, and can thus be seen directly. Only in this way can you enter into the mysteries of My understanding. Sri Adi Sankara says that ' Bhakti or meditation is a continuous and unbroken thought; like a line of flowing oil. ' More to continue ~~~~~~~~~~~~wait till 'Love' or Bhakti unfolds all its petals one by one in this celestial garden of 'divine love' One of the names of Sri Lalita devi iin Sri Lalita Sahasaranama is Bhakta chitta kaki Ghana Ghana ' When the peacocks see the the dark clouds approaching them, they instantaneously become happy and dance merrily. Like wise the bhaktas are compared to a peacock and Devi to the clouds meaning that the bhaktas become immensely happy on seeing Devi and immediately reach the Samadhi status .' Jaya Jaya Shankara Hara Hara Shankara Amba Maha Tripurasundari Samedha Shri Chandramouleeswaraye namo namaha ! (i would encourage all members to add their illuminating thoughts on Bhakti and Jnana and thereby embellish this simple 'dish' ! ) Quote Link to comment Share on other sites More sharing options...
Guest guest Posted December 4, 2005 Report Share Posted December 4, 2005 AdiMa. Prostrations. Is this your main post for the proposed topic of discussion? Please confirm. My comments will follow. PraNAms. Madathil Nair _____________ advaitin, "adi_shakthi16" <adi_shakthi16> wrote: > > sarva-ved'aanta-siddh'aanta-gocharaM tam agocharam > gov'indaM param'aanandaM sad-guruM praNato'smy aham ..(Viveka > Chudamani Verse1) > > I prostrate myself before Govinda, the true Guru and ultimate Bliss, > who is the unattainable resort of all scriptures and Vedanta. > > Sri Ganeshaya Namaha ! Sri Govindaya Namaha! Sri Gurave Namaha ! > > A story From the Kena Upanishads Quote Link to comment Share on other sites More sharing options...
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