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AchArya Hridhyam 61

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The next sUthram as suggested by srimAn purushOthama nAidu is sUthram 131:

‘perukkARu pala thalaithu, kadalai nOkkumA poLE , nekku

osindhu karaindhu alaindhu idnindhu vudaiya perugu kAdhal, kadal

idam koNda kadalai bhahumugamAga '

That is, though AzhwAr attains the ‘feminine accent’

‘peN pEachu’ and the various sects in that

like’thAi’ thalaivi thOzhi’ the utmost affection

andlove does not get diluted on his own form. This is being explained

in this sUthram.

Flooding river branches into several directions but the river does not

change its course and steadily flows towards the ocean. Similarly,

though AzhwAr’s emotional emancipation exhibits into various

forms like feminine characters of maternal, friends (thOzhi) thalaivi

etc. the main love and emotion towards the Lord does not change and

goes on unabated. Thus, the Lord is being reached in several forms

by the AzhwAr but the basic emotion goes on and on, which is being

explained here.

vAnamAmalai padmanAbhan

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