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thozhudhu ezhu en mananE!!! (Part-2)

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Sri Parthasarathi thunai

SrimathE rAmAnujaya Namaha

Srimad Vara Vara munayE Namaha

Sri vAnAchala mahA munayE Namaha

 

“mEshE chittA samuthbhootham pANdyadEsE kaNamsakam I

SriparAnkusa sathbhaktham madhuram kavimAsrayE II”

 

In the previous posting we saw that in thiruvallikeni, the divine

abode of parthasarathi emperuman, Sri Madurakavi Azhvar (MA) is found

in a special posture with his right hand indicating to his heart. Let

us now try to analyze a little bit and try to find the probable

reasons for this divine happening.

 

We all know that MA is the only azhvar who didn’t sing about any divya

desa emperuman but instead choose to sing only about his acharyan,

Swamy Nammazhvar with great enthusiasm. Though his intent was to

sing about his acharyan to all our amazement MA’s “Kanninun

ciruthAmbhu” starts with the following line: “Kanninun ciruthAmbhinAl

kattunna panniya perumAyan” This is a reference to Krishna who did the

leelai of udharabhandanam and made yesodha to tie him with a rope with

number of knots. So confusion arises, towards whom did MA have actual

bhakthi and about whom he wanted to sing in his prabhandam? There is

no doubt that MA believed his acharya as god (“devu mattrariyEn”) but

he deliberately starts his prabhandam with the divine episode of

Krishna leela to make his acharya happy. Lakshmana didn’t have a

special attachment towards bharata (he even had a lot of hard

feelings for the way Seetha rama were sent to forest due to kaikEyi’s

plot considering bharata to be part of the plot) but still he talked

about bharata while walking along with Sri Rama on the banks of

godavari because he knew very well that Rama cherished talking about

bharata and his greatness. Similarly here MA starts talking about

Krishna and specifically the udharabhandana leela to make his master

happy.

 

Swamy Nammazhvar in his divine prabhandam “Thiruvaimozhi” started

talking about the paratvam of emperuman. He sang the first padhigam,

then he did a small lecture to all those around in the second

padhigam. When he wanted to sing the third he was reminded about the

sowlabhyam of emperuman so he started singing “paththudai adiyavarkku

eliyavan…” and nammazhvar totally lost himself and reached a divine

state of comma for about six months. Then slowly azhvar regained his

equanimity and continued to sing “paththudai adiyavarkku eliyavan

pirargallukku ariya viththagan malarmagal virumbum nam arumperal

adigal maththuru kadaivennai kalavinil uravidaiyAppundu eththirum!

UralinOdu enainthirundhEngiya elivE” So the Krishna with the mark of

udharabhandanam is very close to nammazhvar’s heart and hence that

Krishna fills azhvar’s heart but MA’s heart is totally filled with

Azhvar. So when MA indicates to his heart it is like asking all of

us to have the darshan of Parthasarathi inside nammazhvar’s heart

inside MA’s heart. How do you say that it is only parthasarathi

emperuman inside azhvar’s heart?

Wait till the next posting to know about the same.

 

 

Azhvar emperumAnAr Jeeyer thiruvadigalE sharaNam

Adiyen ramanuja dAsee

Sumithra Varadarajan

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