Eighth Wonder - 6

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Azhwars Anubhavam of Sowrirajan Contd...

 

All kinds of pious entities have great connection to our sampradayam.

One among them is forest. Many Kshetrams were all forests,

VIkshAranyam (Thiruevvul), BrindAranyam (ThiruAllikkeni),

NaimichAranyam are a few to mention. There is also AyOdya (that which

can never be defeated), a rajyam (country). Both these pious entities

were sung in a combined fashion when having the anubhavam of

Sowrirajan. Here is the anubhavam,

 

kAttil vEnkadam, kannapuranagar….

 

Andal, who wanted to marry Krishna, used to draw circles and complte

them so that she will get to join her lover. In that aspect, she

thinks about Sowrirajan. She compares the vanam to ThiruVenkadam, and

Ayodya nagar to Kannapuranagar. This is a beautiful anubhavam of 2

Divya Desams in one pasuram, including the vibhavam.

 

Andal’s father, PeriyAzhwar, who sang on Krishnar sang about

ThiruKannapuram Perumal in Aduga Senkeerai pathikam. He combined 4

Divya Desams in that anubhavam,

 

Thirukkurungudi (Nambi, SundaraParipooranan), Thiruvellarai

(Pudarikakshan), Thirumaliruncholai (Azhagar) and Thirkkannapuram

(Sowrirajan) were enjoyed in a single pasuram when singing on

Krishna’s sengIrai paruvam.

 

Kaliyan, who was specifically born for this Perumal; Andal, who was

born to marry Krishnar, PeriyAzhwar who took care of Krishnar (Pongum

parivu) were all in line with their anubhavam. Kulasekara Azhwar, a

chera king, who was completely immersed in anubhavam on Rama, sung on

Rama when singing the thalattu for Perumal. He sang 10 beautiful

pasurams on Thirukkannapuram perumal as thallattu pasurams.

 

Mangalasasanam by VazhudhinAdan is the one that adds the jewel to the

crown of Azhwar Goshti’s anubhavam of Sowrirajan. Let us enjoy that

in the following posting,

 

aDiyEn,

ramanan Do You

?