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SrimatE Raamaanujaaya Namaha //

SrimatE Nigamaanta Mahaa Desikaaya Namaha //

SrIman! SrI Ranga Sriyam anupadravam anudhinam Samvardhaya/

SrIman! SrI Ranga Sriyam anupadravam anudhinam Samvardhaya//

KAvEri VardhathAm kAlE, kAlE varshathu vAsava: /

SrI RanganAthO jayathu Sri Ranga Sri cha VardhathAm//

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SRI RANGA SRI VOL.04 / ISSUE # 21 dated 6th May 2003

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EDITORIAL:

Dear Bhagavatas:

 

BHAGAVAD RAMANUJA JAYANTI:

Sri VaishNavam justifiably bears the stamp of our greatest Acharya, Bhagavad

Ramanuja. It is known as “Ramanuja Darsanam”. Today, We celebrate the

Tirunakshatram of this Acharya who literally saved our souls (SOS), and

saved our Sanaatana Dharma, which the faulty faiths then, were eating into

its vitals, by re-establishing both Bhakti maarga and the Prapatti Saastra

on firm and unshakeable footing.

 

What is said about the incomprehensibility of Bhagavaan –

“yatO Vaachaa nivartantE apraapya manasaa saha”

applies with equal force to Bhagavad Ramanuja. Words fail us as we try to

eulogize the pioneer of our Siddhantam. All we can do is to bow our head in

all humility as a token of our obeisance to him and sincerely endeavor to

live up to the ideals that he set forth and practiced in his glorious life

of 120 years.

 

A STANDING INVITATION:

Thanks to you, and the write up in the various Religious Journals in India

like Sri Ranganatha Paduka, Sri Hayagriva Priya, Desika Seva, Nrisimhapriya

from Hyderabad and the Internet fraternity, the membership of “Sri Ranga

Sri” has risen to about 2600 with over 1800 Active and about 800 other

members whose mails bounced due to lack of storage space in their mail

boxes. We request each one of you to enroll as many members as possible and

at least one member each for your journal.

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IN THIS ISSUE:

1. DESIKAMRUTHAM I:

“HAMSA SANDESA OF SRI VEDANTA DESIKA” Part 2

Prof. Narasimhacharya, Retd. Professor, Madras University (now a visiting

Professor in the Oxford University) EXCLUSIVELY for publication in “Sri

Ranga Sri”. The learned Professor delivered this “The Sripad Endowment

Lecture” on 5th February 2003.

(Text of the lecture received from Dr. Miss M.S.Ramesh, IAS)

------

2. DESIKAMRUTHAM II:

SRIMAD RAHASYA TRAYA SARAM

PART: THE QUINTESSENCE 4

SRI SADAGOPA IYENGAR SWAMIN (OF COIMBATORE),

“SRIKAARYAM” OF THE BOARD OF ADVISORS OF “SRI RANGA SRI”

------

3. “SAPTA SARGA PARAYANAM OF SUNDARA KHANDAM” – CONCLUDED

PART 8: SOME LESSONS IN DIPLOMACY

(ANBIL RAMASWAMY)

A few lessons on diplomatic relations gleaned from “Sundara KhaNDam”

highlighted in a short speech on the occasion of PaTTa abhishEkam of Sri

“Sita-Rama” on the conclusion of “Sapta Sarga ParayaNam”

We CONCLUDE this series with this posting

--

4. GOTRAS AND PRAVARAS – AN OVERVIEW –

PART 7 THE GLORY OF KUTSA GOTRAM

(Anbil Ramaswamy)

Based on Monograph of MahaamahOpaadhyaaya Sri Srivatsaankaachaar Swami, now

Head of Dept. French Indolgical Research Institute, Pondicherry

And “MaharishigaL Charitram” by Mimamsa SirOmaNi Mimamsa Vidvan Mimamsa

Kovida, Ubhaya Mimamsa Saaragjna, Veda Vedanta ChooDaamaNi Sri N.S.

Devanathachariar (referred by Sri Srivatsankachariar Swami)

 

5. FROM MAHABHARATA:

YAKSHA PRASNAM” Part 23: Prasnams 66and 67

By Sri M.K. Ramaswamy Iyengar Swami, Senior Officer of Govt. of India

(Could not be accommodated in this issue due to space constraints)

------

104 Regular issues have been released, so far (besides several Special

Issues) -

- 27 Issues of Vol. 1

- 15 Issues of Vol. 2

- 42 Issues of Vol. 3 &

- 20 Issues of Vol. 4

These issues have been archived for public view at -

.

Sri Diwakar Kannan who is archiving these in the files section is leaving

for India. He is busy relocating. He is requested to update this as soon as

he finds time.

 

We strongly urge you to kindly peruse the "Regular Issues" archived in the

“Files” Section and view the Contents at “srsindex.html” (Not the individual

postings allowed encouraging "Reader participation").

 

We are sure that you will be convinced of the quality of the contents.

 

IF you are satisfied with the quality and contents of

“Sri Ranga Sri”:

Tell your friends to join by sending an email to –

"-Subscribe (AT) (DOT) com"

 

IF not:

Tell us, as to how we may improve.

Dasoham

Anbil Ramaswamy

Editor & Publisher

“Sri Ranga Sri”

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IMPORTANT:

The “Files” Section also contains

- The full text of “Art of Living”– (a write up on the Life and works of

Swami Desika) by Sri M.K.Sudarshan of Kuwait.

- Important days in the year Subhaanu, with text of Sankalpams for different

occasions like Amavasya etc. by Sri K.P.Narasimhan Swami.

Kindly also peruse the following files at the sites indicated:

 

http://members.tripod.com/~sriramanujar

(Maintained by Sri Madhava Kannan from Singapore) – for

- Biography of Bhagavad Ramanuja –

- Biography of Swami Desika –

- Acharya Vamsa Vriksham –

- Srimad Rahasya Traya Saram

- and other links.

http://www.srivaishnava.org/sgati/

(Maintained by Sri Venkatesh Elayavalli from California)

SDDS Volume 1 / Issues 1 to 33

SDDS Volume 2 / Issues 1 to 26

SDDS Volume 3 / Issue 1

SaraNAgati Vol. 1 / Issues 1 - 24

SaraNAgati Vol. 2 / Issues 1 - 04

For “Hinduism Rediscovered”

and other links

 

http://www.srivaishnavam.com

(Maintained by Sri R.M. Venkat from Bahrain) for -

- Dasavatara Stotram meanings

-“Srimad Rahasya Traya Saaram” and other links

in the “Philosophy” section

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1. DESIKAMRUTHAM I:

“HAMSA SANDESA OF SRI VEDANTA DESIKA” Part 2

Prof. Narasimhacharya, Retd. Professor, Madras University (now a visiting

Professor in the Oxford University) EXCLUSIVELY for publication in “Sri

Ranga Sri”. The learned Professor delivered this “The Sripad Endowment

Lecture” on 5th February 2003.

(Text of the lecture received from Dr. Miss M.S.Ramesh, IAS)

-------------------------------

The “Hamsa Sandesa” is modeled on the “Megha Sandesa” of Kaalidaasa, which

has created a separate genre of composition, called the “Sandesa Kaavya” in

Sanskrit literature. It may be pointed out in this context that so far,

there are in Sanskrit alone (not to speak of the vernaculars), 55 Sandesa

Kaavyas written on the model of Megha Sandesa. Very poet had the

irresistible temptation to imitate Kaalidaasa and sometimes even excel him,

although this later attempt has not met with success. Kaalidaasa is our

National poet, who lived in the first century B.C. or according to some, in

the fifth century A.D. Everyone should take legitimate pride in reading his

works and if one can compose verses, write at least one work modeled on any

of his work. That was considered a matter of prestige and pride, not just a

case of slavish imitation. All the works of Kaalidaasa are finished products

of the highest order and nobody dares change even a word of his.

 

As in the case of the model poem, Megha Sandesa, the Hamsa Sandesa also

abounds in descriptions of temples and holy places. South India is chosen as

the scene of the poem and it may therefore be described as the complement of

the Megha Sandesa, which describes North India. In the Megha Sandesa, the

hero is semi-divine being, a Yaksha. He is a Dheeralalita-type of hero (i.e)

one who is given to carefree life of enjoyment, deeply interested in fine

arts like dance and music (cf: nischintO dheeralaliah, kalaasaktah,

Sukhaikabhuh). In the Hamsa Sandesa, the hero is Sri Rama, an ideal hero,

called DheerOdhatta.

Cf mahaasattvOatighambheerah krupaavaan avikattanah /

SthirO nighooDaahamkaarO DheerOdhaatta DriDavratah //

 

That is to say, one who is of immense strength, very deep in his mind,

compassionate, steadfast, given to irrevocable determination etc.

 

Yaksha was only a servant of KubEra. He was cursed by his master for

dereliction of his duty to be away from his beloved wife for one year. Rama

was Lord Vishnu incarnate, separated from his wife Sita who was abducted by

the ten-headed dragon called RavaNa, king of Lanka.

 

It will be worthwhile to note the parallels between the Megha Sandesa and

the Hamsa Sandesa. Sri Vedanta Desika, a Mahakavi in his own right, has used

the same meter, Mandakranta employed by Kaalidaasa. This meter according to

Kshemendra, the author of Suvrutta Tilaka (CH 3 called Vritta ViniyOga) is

ideal to describe the pangs of separation between lovers (Vipralamha

Sringara). It is a long meter, moving slowly like the python (cf, mandam

aakramati). This meter is quite suitable to describe the love-lorn condition

of Yaksha who had no interesting life and was dragging on a wretched

existence (Chant the verse- “kaschit kanta viraha gurunaa).

 

Our poet Desika has also depicted in the Hamsa Sandesa, love in separation

(Vipralambha Sringara). He follows the original even in the division of the

poem into two Aasvaasas or Cantos. Even the number of verses in the Hamsa

Sandesas total of 110 (60+ 50), which comes closer to the model poem, which

has a total of 115 verses (63 + 52).

 

It will not be out of place to refer in this connection to a totally

uncalled for controversy kicked up by some self-styled Desika Rasikas that

Desika is head and shoulder above Kaalidaasa himself. They with their

misplaced enthusiasm try to compare each and every verse of the two Sandesa

Kaavyas and point out how Kaalidaasa pales into insignificance before

Desika. They go to the extent of saying that Desika wrote the

Yadhavaabhyudaya in reply to the Raghuvamsa of Kaalidaasa, as if there is a

thematic controversy between the two works. Desika is no doubt a Mahaakavi,

whose fame lasts as long as Sanskrit language and literature last. The world

is yet to see a multi-faceted genius like Desika. Why should there be

comparison at all between the two Mahaakavis of whom the earlier one

acquired celebrity all over the world by his original creations? The plan of

the poem, the choice of the meter, the delineation of the first details and

their fitting into an original and harmonious whole – are the indisputable

claims of Kaalidaasa. Such a claim cannot, in the very nature of things, be

laid by even the greatest of his imitators. Such critics are only doing a

greater harm and incalculable disservice to the great name and spirit of Sri

Desika himself, who lived a life of disarming simplicity and extraordinary

humility. The humility of Desika could be illustrated by the following

instance. In response to a challenge thrown by a contemporary poet, Desika

wrote the masterpiece, Sri Padukaa Sahasra glorifying the sandals of Lord

Ranganatha, in the course of a single night: The rival poet could only write

three hundred verses on the lotus feet of the Lord (Paadukaamaala Trisati).

In all fairness, he admitted that he was no match to Sri Desika in the art

of composing such a beautiful poem at such a fantastic speed. With his

characteristic humility the unassuming Desika put his rival in a still more

unenviable position by extemporizing the following verse:

SootE Sukara yuvatih, Sutasatam ati durbhagam jhaTiti /

KariNi chiraaya SootE sakala-maheepala-lalitam kalabham//

A sow, i.e a she pig gives birth to a hundred, ugly young ones in a trice

whereas a cow i.e. female elephant gives birth to a stately baby over a long

period, which is fondled by the rulers of the land.

What a poet! What humility!

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- To Continue –

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2. DESIKAMRUTHAM II:

SRIMAD RAHASYA TRAYA SARAM

PART: THE QUINTESSENCE 4

SRI SADAGOPA IYENGAR SWAMIN (OF COIMBATORE),

“SRIKAARYAM” OF THE BOARD OF ADVISORS OF “SRI RANGA SRI”

------

“amayA ivai ennum AsaiyinAl aru moondru ulagil

sumayAna kalvigaL soozha vandAlum togai ivai endru

imayA imayavar Etthiya ettirandu eNNiya nam

samaya Asiriyar sadirkkum tani nilai tandanarE”

 

We saw that the eighteen vidyAstthAnAs or systems of knowledge are, at best,

wisdom of a lower order, inviting the sobriquet, “SumayAna kalvigaL”. Swami

Desikan tells us that the degrees and diplomas we acquire insatiably in our

quest for knowledge and profit therefrom (“amayA ivai ennum AsaiyinAl”)

would at best add a few letters after our names, but would not help in

attaining the ultimate object of Moksha. These are just incapable of

bestowing the priceless treasure of liberation.

 

Having discarded the recognized modes of wisdom as inadequate, what should

we aspire for, to reach the desired goal? And is there wide acceptance for

the proposed alternate path? And if indeed there be such a path, by its very

nature, wouldn’t it be a closely guarded secret, beyond the contemplation of

ordinary mortals like us? If so, who would impart to us the wonderful

wisdom, which would free us forever from these mundane shackles?

 

The beauty of Swami Desikan’s works is that (unlike some learned authors who

only destroy existing foundations without proposing alternate structures)

identified alternatives are displayed along with the scriptural authority

for their acceptance and also the precedents therefor. None of the concepts

emerging from Thooppul Pillai’s works is unsubstantiated by pramANAs or

Acharya sreesooktis. All the questions posed above are answered in the

pasuram.

 

What is the vidyA that bestows liberation? “EttiraNdu” replies Swami

Desikan. “ettu” refers to the eight-lettered ashtAksharam and “iraNdu” to

the Dvaya Mantra consisting of two sentences. The reference to the Dvayam

includes the Charamasloka by inference. “irandu” may also be taken to mean

the other two components of the Rahasyatrayam, namely the Dvayam and the

Charamaslokam. The AshtAksharam, the Dvaya Mantram and the Charamaslokam

together represent a wealth of knowledge relating to the nature of the Lord

and the self, the relationship persisting between them, the upAya the self

has to adopt to regain its lost glory and true splendor of the eternal life

that awaits the self, if it succeeds in getting over the hurdles to adoption

of appropriate strategy.

 

Thus these three mantras, though short in form, are colossal in stature,

capable of bringing before us the Lord Himself.

We are convinced about the genuineness of an article only when we know that

the same has been used by people considered superior to us and has been

proved effective- hence our blind acceptance of anything “foreign”. Swami

Desikan therefore tells us that these two mantras are constantly on the lips

of no less than the permanent residents of Sri Vaikunatam, establishing

their credentials-“imayA imayavar Etthiya”. The nitya sUrIs of Paramapadam

not only stare unblinkingly at the glorious form of the Lord (“sadA pasyanti

sooraya:”), apprehensive of blinking, lest it cause a moment’s loss of the

immeasurably blissful experience, their lips too are in constant motion,

engaged in the pleasure of reciting the ashtAksharam and Dvayam. The Lord’s

constant servitors recite these formulations, not as a matter of ritualistic

compulsion, but for the deep delight they afford, especially when recited

with the majestic purport playing in the mind’s screen. That our Acharyas

too are constantly engaged in arttha anusandhAnam of these esoteric

formulations, is brought out by the words

 

“ettirandu eNNiya nam samayAsiriar”. This is not mere imagination, but based

on Sri Rangaraja’s dictum to Sri Ramanuja, “Dvayam arttha anusandAnEna saha

sadA Evam vaktA yAvat sareera pAtam atraiva SrirangE sukhamAsva”.

 

The Lord tells Sri Bhashyakara to reside at Srirangam till release from

mortal coils, engaged constantly in reciting and contemplating the

pleasurable purport of the Dvaya mantra. Such recitation and contemplation

has thus been an heirloom to us prapannAs, bequeathed by no less a person

than the Bhashyakara himself. This is narrated to bring out the acceptance

of the mantras by the best of Acharyas- “nam samaya Asiriyar”, bestowing the

mantras with the important qualification of “sishta parigraham”. The

magnificence of the Ramanuja Darsanam, as handed down by Sri Nadadur Azhwan,

Sri Kidambi AcchAn, Sri Nadadur Ammal, Sri Atreya Ramanuja, etc., is

portrayed in the proud words “nam samayam”. The glory of the “Bhashyakara

panthA” is forever in Swami Desikan’s thoughts and finds frequent expression

in his works, wherever the context permits.

 

“nam samayAsiriyar sadirkkum tani nilai tandanarE”- Our merciful Acharyas

have, through their upadEsam, made us competent to recognise and espouse the

two magnificent mantras, putting us on a lofty pedestal vis-à-vis the vast

majority of humanity still laboring under the crushing weight of the

inconsequential schools of thought, described earlier as “sumayAna kalvi”.

 

Swami Desikan winds up the SAra nishkarsha adhikAram with the following

kArikA in Sanskrit-

“ShAkhAnAm upari stthitEna manunA moolEna labdha Atmaka:

sattA hEtu sakrit japEna sakalam kAlam dvayEna kshipan

VEdOttamsa vihAra sArathitayA gumbhEna visrambhita:

SAragyO yadi kaschit asti bhuvanE nAtha: sa yoothyasya na:”

This sloka expands the respective roles of the three mantras, their

impeccable origins and the immeasurable glory of one who masters their

purport.

 

The Moola Mantra or the ashtAksharam is to be found in the Atharva

ShikOpanishad and endows us with SEshatva gnAnam (reminding us of our true

credentials as eternal servitors of the Lord). This wisdom makes us “Born

Again” VaishnavAs, aware of our true stature and role. Sri Tirumazhisai

Piran says that one is really born only when one understands and appreciates

the true purport of the ashtAsksharam- “andru nAn pirandilEn, pirandapin

marandilEn”.

 

The Dvaya Mantra, having its origin in the Upanishad of the Katha ShAkha, is

to be uttered, with full appreciation of the purport, just once during the

performance of Prapatti. Thereafter, it is to be recited constantly to

ensure that the significant truths gained through the imbibing of these

mantras stays with us constantly, preventing any slip back to the bad old

days, when we as good as didn’t exist-“asannEva sa bhavati”. This mantra and

meditation on its purport should form our way of spending time-”kAlam

dvayEna kshipan”. This is in tune with the Lord’s dictum to Sri Ramanuja in

the Saranagati Gadyam, mentioned above.

 

The third Rahasyam, the Charama SlOkam, is enunciated by the Lord Himself

and incorporates the entire wisdom of the Vedanta Shastra, which forms the

favourite place of residence for the Lord who displayed His souseelyam by

accepting the lowly position of a charioteer for Arjuna. The Charama Sloka

imparts the cast-iron assurance of the Lord to protect all those who

surrender to Him, wiping off the tears of devotees with one hand,

simultaneously extending them an uplifting hand to raise them from the

mundane morass and onto the terra firma of Paramapadam. Though, coming from

the Lord’s mouth, the Charama sloka should be gospel truth for us, the Lord

assures us that what He has said is indeed the truth and not some insincere

promise-“anritam na uktam poorvam mE, na cha vakshyE kadAchana”.

 

The glory of a person who masters the true purport of the three esoteric

mantras indicated above is indeed beyond measure and he is counted as the

Master of the entire clan of PrapannAs.

------- To

Continue –

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3. “SAPTA SARGA PARAYANAM OF SUNDARA KHANDAM” – CONCLUDED

PART 8: SOME LESSONS IN DIPLOMACY

(ANBIL RAMASWAMY)

A few lessons on diplomatic relations gleaned from “Sundara KhaaNDam”

highlighted in a short speech on the occasion of PaTTa abhishEkam of Sri

“Sita-Rama” on the conclusion of “Sapta Sarga ParayaNam”

We CONCLUDE this series with this posting

-------------------------------

1. NO ENTRY, PLEASE!

 

Hanuman had overcome all the obstacles in jumping over the ocean and

reaching Lanka. He waited outside long till dusk before entering Lanka city

at night. He did not enter through the main gate but through a location that

could well be considered a “No entry” zone (like a “No fly” zone?).

AdvaarENa mahaabaahoo praakaaram abhipupluvE /

Nisi lankaammahaasathvO vivEsa kapikunjara: // (Sargam 4.2)

 

COMMENT:

This is one of the strategies to be adopted by warriors seeking victory over

their enemies. They are supposed to make a “backdoor” entry, at an hour when

none from the enemy camp could notice anything out of the way. Also, it is

said that Anjaneya took a tiny form to outwit the enemy camp. Perhaps it

was a case of saying “Honey! I shrunk myself”)!

 

We see a similar scene in Mahaabhaarata:

When KrishNa, Bheema and Arjuna entered the city of Jaraasanda, they

disguised themselves as Brahmins. They entered the palace of the king by

jumping over the wall. They did not enter through the gateway. Jarsanda

welcomed them and told them

 

“You seem to be Snaatakas. But, your apparel belies it. You are using

flowers and perfumes, which no Sanaataka is allowed to use. You have entered

my palace in a novel manner. Friends enter through the gateway. Only enemies

make this kind of entrance” The story goes that KrishNa revealed the truth

when so confronted and the rest is history.

(Mahaabhaarata Sabha Parva)

 

The point is that for one desirous of victory, entry into the enemy fortress

should be under cover of darkness of night, in full disguise and by jumping

over a protective wall avoiding the regular gateway.

 

2. “I AM THE WEAKEST LINK”

 

After demolishing the Pramadaavana, destroying the mansions of Raakshasas

and wreaking havoc on the powerful armies of Kinkaras – feats that cannot be

imagined even by the mightiest, Hanuman tells the Raakshasa who cane to

fight with him that among the foot soldiers in the army of Sugrive, he was

the weakest link!

Maadrusaanaam sahasraaNi visrushTaani mahaatmanaam //20

balinaam vaanarEndraaNaam Sugreeva vasa vartinaam /

aTanti vasudaam kritsnaam vayam anyE cha Vaanaraa: //21

dasa naaga balaa: kEcchit kEchit dasa guNOttharaa: /

kEchit naaga sahasrasya babhoovu: tulya vikramaa: //22

santi chougha balaa: kEchit Kechid Vaayu balOpamaa:/

apramEya balaas cha anyE tatra aasan hari yootapaa: //23

eedruk vidais tu haribhir vritO danta nakha aayudhai: /

satai: sata sahasrais cha kOTibhi: ayutairapi //24

aagamishyati Sugreeva: sarvEshaam vO nishoodana: /

na iyam asti puree lankaa na yooyam na cha RaavaNa: //25

yasmaat Ikshvaaku naatEna baddham vairam mahaatmanaa //

(Sargam 43. Slokas 20 to 25)

Meaning:

“Our Majesty Sugriva has dispatched myriads of monkey warriors all over the

world to bring him back, news of the whereabouts of the lady. Sita.

Unlike my humble self, they are matchless of strength and courage; they

never fail in any mission that they are sent upon. Some are endowed with

strength of ten elephants, some of a hundred, some of a thousand, some of a

thousand, some of an ogha (a huge figure). Some compare proudly with my lord

Vaayu in strength and speed; while as to others, no description is possible.

You are marked out as doomed to destruction by his Majesty Sugriva, the

ruler of the lives and destinies of myriads of monkey-hosts whose weapons

are but their teeth and nails. You have brought down upon yourself the wrath

of Raghuvira; you have invited his enmity; and do you dare hope that Lanka

will survive? And you too but precede it by a bit. And, your lord and ruler

RavaNa but leads you on as ever?” (Tr. By C.R.srinivasa Iyengar)

 

COMMENT:

This is not mere bravado. At best, it might mean a little bit of hyperbole

because Hanuman’s strength and courage is unmatched as attested by

Jambhavaan when he prompted him to undertake this stupendous task. The duty

of a diplomat in a war is to instill fear in the hearts of the enemies. If

one who calls himself as “the weakest link” in the colossal army of Sugreeva

could wreak so much havoc, the enemies were led to ponder over what might

happen if more powerful hordes were to descend on them. This is strategy of

all generals in war.

 

As we saw in the recent wars, the technique has been perfected to include

not only hyperbole but also blatant lies and misinformation!

 

3. “DON’T KILL A AN EMISSARY”

 

We turn to the Court scene in RavaNa’s Durbar. AnjanEya stands before all

the Courtiers in the Sabha of RavaNa and dares to advise RavaNa to return

Sri Sita to Sri Rama.

“ You delude yourself with the hope that this Sita who is now in your

custody is a mere ordinary woman. But, take it from me that she is the

dreaded power known as “KaaLaraatri” that has come to turn this Lanka to

ashes, in its wrath.

Yaam SeetE iti abhijaanaasi yEyam tishTati tE vase /

KaaLa raatri iti taam viddhi: sarva lankaa vinaasineem//

(Sargam 51 – 34 & 35)

And,

“Neither the four faced Brahma, the creator, nor the destroyer of Tripura,

Rudra, nor the Chief of the celestials Indra, either alone or combined, can

ever save a soul destined to death at the hands of Sri Rama”

Don’t become an object of Rama’s wrath”

Brahmaa svayambhoos chaturaananO va

Rudras trinEtra tripuraantakO vaa //

indrO mahEndrO sura naayakO vaa /

Traatum na saktaa yudhi Raama vadhyam //

(Sargam 51 – 45)

 

RavaNa is not moved by this caution but gets mad and orders instant

execution of AnjanEya, the emissary, and the Raakshasa get ready to execute

the orders. VibheeshaNa, the virtuous brother of RavaNa counsels his brother

again:

 

“Killing of an emissary is prohibited in the Saastras as well as in practice

of Statecraft and is condemned by the wise. May be he had caused harm but

there are other ways to punish any misdeeds, other than putting a messenger

to death”

 

He says:

dootaan avadhyaan samrEshu Raajan sarvEshu sarvatra vadanti santa: /

Na doota vadham pravadanti santO, dootasya drushTaa bhavO hi daNDaa: //

(Sargam 52 – 13 and 14)

 

COMMENT:

This was in TrEtayuga. We find toady incarceration, torture, maiming and

death of not only POWs but of messengers, ambassadors, envoys and even poor

and innocent civilians who have nothing to do with the politics of the

powers that be, in blatant violation “Human Rights”!

What kind of civilization we are upholding?

Let us and especially our political bosses learn from the great epic and

turn a new leaf in civilized behavior.

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CONCLUDED

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4. GOTRAS AND PRAVARAS – AN OVERVIEW –

PART 7: THE GLORY OF KUTSA GOTRAM

(Anbil Ramaswamy)

Based on Monograph of MahaamahOpaadhyaaya Sri Srivatsaankaachaar Swami, now

Head of Dept. French Indolgical Research Institute, Pondicherry

And “MaharishigaL Charitram” by Mimamsa SirOmaNi Mimamsa Vidvan Mimamsa

Kovida, Ubhaya Mimamsa Saaragjna, Veda Vedanta ChooDaamaNi Sri N.S.

Devanathachariar (referred by Sri Srivatsankachariar Swami)

----------------------------

The Chief Pravartaka of this Gotram is the Sage Kutsa. In our daily prayers,

when we recite the names of the Rishis, he is mentioned third after Atri and

Brighu, even though he is a descendent of the Vamsam of Sage Aangirasa who

is mentioned as the last of the seven Rishis. So, we will consider his glory

in this posting. The Haritas, Mudgalas, KaNvas Sankritis and others belong

to this lineage.

 

“Kutsa” is indeed a very strange name. The word “Kutsa” means in Sanskrit

“fault-finding” “One who engages in scolding or belittling others”. How

could such a name attach to one who was a great Mantra DrishTaa in his own

right besides being in the lineage of the renowned Maharishi Aangirasa?

 

It might mean that perhaps he was very exasperated with the vagaries of the

world and was vocally expressing his displeasure to the annoyance of those

who were annoyed with him for his stentorian disciplining. And, therefore,

this name got stuck to him.

 

It is, however, seen that even this great Rishi who was so strict in his own

observances, once made a mistake in pronouncing a Veda mantram and,

therefore, was cursed to become a “frog in the well”. When he atoned for his

lapse, Veda Purusha told him that even while being a frog, he would remember

his previous birth and will be relieved of the curse if he did penance in a

PushkaraNi (Holy waters) and prayed to Soundararaja PerumaaL in Vaalmiki

kshEtram for 48 days. This he did and was cured of his curse and regained

his former self.

 

This Valmiki kshetram is none other than my native place, ANBIL, the

birthplace of Sage Vaalmiki and one of the 108 Divya DEsams consecrated by

Tirumazhisai Azhwar. The PushkaraNI is known as “Mandooka PushkaraNi”.

(Authority: “Tiruvarangam TirukkOyil” (pages 73-74) of the official

publication of Sri Ranganatha Swami Devastaanam, Srirangam)

 

(Incidentally, this is one of the many glories of ANBIL,

ANBIL is situated 5 miles east of Lalgudi, in Tiruchy District, Tamil Nadu)

 

Nevertheless it does not detract from his glory due to his extreme and

punctilious adherence to probity and rectitude, fame, greatness, severity of

penance, knowledge, strict observance of codes of conduct as laid down in

the Saastras, attitude of absolute benevolence, that earned him the respect

and regard from even his critics.

 

We are familiar with the PrOkshaNa mantram, “Om Bhoo: Bhuva: and Suvaha”.

The Mantra drishTa of the fourth Vyaahriti “Suvah”. Is none other than this

“Kutsa” Rishi. The Veda Vakhya in Taittriya Samhita 2.6.5 attests this fact

thus:

“BrahmavaadinO vadantyatbhir haveemshi proukshee: kenaapa iti brahmaNEti

brooyaat adbirhyEva haveemshi prOkshati brahmaNaapa:” This occurs in the

Yaaga prakaraNam in the Vedas as an answer to the question:

”With what do you purify the offerings (havis)?”

‘ By sprinkling water”

“With what do you purify water to be able to impart purity to the havis”?

“ With mantra”

“What is that mantra?”

“Boo: Bhuva: Suvaha: mantra”

 

The mantra drishTas of this triad were Atri, Brighu and Kutsa. It is this

mantra that is the foundation for all lowkeeka and Vaideeka karmas

tirelessly referred to throughout the Vedas and Upanishads. This forms an

integral part in all Nitya and Naimittika karmas, in Yaagas, in offering

prayers to Bhagavaan, in all expiatory homas “Sarva Praayas chitta hOmam, in

the Gaayatri japam, in Arghyam and in PraaNaayaamam. Sage Kutsa is one of

the three Rishis who discovered this mantra.

 

That the name of Kutsa is found mentioned in the Vedas in about 40 to 50

contexts shows how the greatness of this Rishi is recognized in the

Vedas.Rik Veda 4.16.10 mentions a conversation between Sage VaamadEva and

Indra which illustrates how Kutsa and Indra were not only bosom friends but

also were “look-alikes” so much that at one stage IndraNi herself could not

differentiate between them. She had to ascertain from the “horse’s mouth’ of

Indra himself!

 

It would appear that at the request of Kutsa who was the son of one

Rajarishi called “Ruru”, Indra helped in decimating Ruru’s enemies and

invited Kutsa to Indraloka to celebrate the victory. It was then that the

above incident happened.

 

There is a Sooktam in Rik Veda 1.106.6 that consists of 7 mantras. Though

Kutsa discovered this Sooktam, he took pride in calling it in conjunction

with his Achaarya, Aaangirasa as “Kutsa: Aangeerasa:

 

Once, Kutsa fell into a deep well. Indra came running and saved his friend.

This is mentioned in Rik Vedam 10.40.6.

 

Kaalidaasa commences the 5th Sargam of his “Raghuvamsa” with an invocation

to Kutsa. ”Koutsa: prapEdE Varatantu sishya:” This Koutsa was the Sishya of

Sage Varadantu who was himself the Sishya of Kutsa Maharishi. In those days,

it was a matter of pride for the Sishyas to call themselves after the names

of their Praachaartyas. Thus, the name of “Koutsa’ was fashioned out of the

name of “Kutsa”.

 

This “Koutsa” learned all the scriptures at the feet of Sage Varadantu. On

completion of studies, he requested his Guru what he wanted as

“GurudakshiNa”. Varadantu did not desire anything. But, when Koutsa

insisted, the Guru got wild and asked for 14 crores of sovereigns. Like

Brahmin Brahmacharis were wont to, Koutsa was eking out existence by begging

for alms “Unchavritti”. Where would he go for such a huge amount? He

approached Raghu Mahaaraja for help. Raghu was so munificent that he offered

Koutsa a huge treasure that far exceeded the funds asked for. Koutsa agreed

to take only what he had requested (14 crores of sovereigns) and not

anything more. Raghu was insistent that he should take the entire offer.

Finally, Raghu bought camels and horses with the excess amount and mounted

the treasures on them and sent them to the Acharya. All were happy and

satisfied.

 

That was Krita Yuga. None would chase after wealth more than what was

absolutely needed and considered it a great sin to amass anything more. We

in the Kali Yuga, chasing after mammon, cannot comprehend this virtue that

the people of yore practiced!

 

While taking leave of Raghu, Koutsa blessed him to beget an equally virtuous

son. In due course, Raghu Maharaja got an illustrious son called “Ajan”.

This “Aja Maharaja” was the father of Dasaratha, the father of Sri Rama.

Thus, it was due to the blessings of Sage Koutsa that fame of Raghu Vamsa

was firmly established.

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- To Continue –

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5. FROM MAHABHARATA:

YAKSHA PRASNAM” Part 23: Prasnams 66and 67

By Sri M.K. Ramaswamy Iyengar Swami, Senior Officer of Govt. of India

Could not be accommodated in this issue due to space constraints

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