Guest guest Posted October 19, 2003 Report Share Posted October 19, 2003 India Matrimony: Find your partner online. Post your profile. Sun, 19 Oct 2003 08:31:39 +0100 (BST) =?iso-8859-1?q?Sandeep=20Kodali?= doktersandy Lepakshi - Lord Veerabhadhra Swamy LordVinayaka, GoddessPadmavathi, LordVenkateshwara, GoddessSriLakshmi, LordVishnu, GoddessBhoomiDevi, GoddessSaraswathi, GoddessParvathi, LordShivaShankara, GoddessGanga, GoddessDurga, GoddessKali, LordRama, LordSriKrishna, LordNarasimha, GoddessSanthoshiMaa, GoddessVaishnoDevi, LordKumara, LordAyyappa, LordBrahma, LordDattatreya, SriHanuman, AllDeitiesGodsandGoddessess, SriSaiBabaofShirdi, LordSriRama, JaiRadhaKrishna, goddessgayatri Cc: doktersandy SHIVA Third of the Trinity, Shiva is beneficial and maleficent. He represents the power which destroys and regenerates the cosmos after its destruction, and constantly destroys and regenerates during cosmic activities. He is also known as Mahadev, Mahayogi, Nataraja. He has four arms. In one hand he holds a drum, symbol of creativity, in the second a flame-symbol of destruction, the third in pose of benediction to all, and the fourth pointing to the body under his foot.There are twelve jyotirlingas. They are Shri Somnath*, Shri Mallikarjun*, Shri Mahakaleshwar*, Shri Omkareshwar*, Shri Kedarnath*, Shri Bhimashankar*, Shri Vishveshwar*, Shri Trimbakeshwar*, Shri Vaidyanath* , Shri Nageshwar* , Shri Rameshwar*, Shri Ghushmashwar*. Sri Veerabhadra Swamy Temple Lepakshi Temple is in the village of Lepakshi of Hindupur Town in Anantapur District. It is 14 kms from Hindupur Railway Station. From the main bus stand, devotees have to cover a distance of 14 kms by bus or Taxi. Anantapur is 114 kms away from the Temple. The nearest airport is Bangalore from where the Temple is 110 kms away. Lepakshi is 65 kms away from Puttaparthi. Large number of Buses and Taxis are available to transport the devotees from the above places. The presiding diety of the Temple is Sri Veerabhadra Swamy. LEPAKSHI Facts to File How far : 480 km from Hyderabad. How to go : Air : Nearest airports are Bangalore (100 km)and Tirupati.Rail : The nearest railhead is Hindupur (16 km) between Hyderabad - Bangalore railway line.Bus : Regular buses and taxis from Hindupur and Ananthapur. Where to stay : Hindupur Tourism Complex (8 cottages and restaurant) offers excellent accommodation, Abhya Griha rest house at Lepakshi, AP Tourism Motel Travellers' bungalow at Hindupur and PWD travellers' bungalow at Demakepalli. Budget Hotels at Ananthapur. What to see : Veerabhadra Temple, the mural paintings in the temple and the monolithic Nandi This shrine is one of the finest temples of AP in architecture and painting. Lepakshi is easily accessible from Tirupati. Known as the Ajanta of AP, Lepakshi excells in its myriad artistry. The presiding deity is Veerabhadra. LEPAKSHI LEPAKSHI is a small village, which lies nine miles east of Hindupur in Anantapur District of Andhra. Hindupur is a railway station on the main metre-gauge line between Hyderabad and Bangalore, and from Hindupur there is a good metalled road to Lepakshi on which several good bus connections exist. There is a dak bungalow at Hindupur, - as well as at Lepakshi, where pilgrims can conveniently stay. Lepakshi is famous for its temple of Veerabhadra, and is also a renowned place where the best specimens of the mural paintings of the Vijayanagar kings are available. This temple is a notable example of the Vijayanagar style of architecture, and is built on a low rocky hill, which is called Kurmasaila so called because the bill is like a tortoise, in shape. An inscription on the exit of the outer wall of the temple records that one Virupanna constructed it in the 16th century. LEPAKSHI There is a popular legend about the temple which rum as follows: Virupanna was the king's treasurer and was the chief of the merchant guild at the time of the famous Krishandevaraya of Vijayanagar. He conceived the idea of installing a temple here, because the image of Veerabhadra was found here. He proceeded to put into execution this plan and fully used the tribute of the king also for this purpose while the king was away at Vijayanagar. He had practically finished the building and was actually supervising the completion of the Kalyana mantapa, when the king returned and found his treasury empty. The king ordered, as a punishment to this heinous crime, that be should be blinded. The treasurer being a loyal servant carried out on the spot with his own bands this order and, to this day, two dark stains are shown upon the wall near the Kalyana mantapa, which are said to be the marks made by his eyes which he himself dashed against the wall. The builder of the temple did not survive long after this, and hence the Kalyana mantapa was left unfinished. Hence it is that the village is called Lepa-akshi Lepakshi, i.e., a village of the blinded eye. LEPAKSHI Apart from the huge monolithic Nandi which is the largest sculpture of Nandi in India, Lepakshi is famous for its exquisite Vijayanagar style of sculpture which is found in the Natyamantapa and the Kalyanamantapam as well as from the mural paintings that are found in the upper part of these walls. These sculptures depict a number of Puranic legends and epics and a study of the temple sculptures is an education by itself in the Puranas as well as in the legends. There are excellent sculptures of Ananthasayana, life size figures of Virupanna and images of Dattatreya, Chaturmukha Brahma, Tumburu, Narada and Rambha in the Rangamantapa. The musical instruments, costumes, the gestures and the ornaments of the Gods have been delineated here with great accuracy. Especially beautiful are the sculptures of Annapoorna, Mrutyunjaya and Padmini. LEPAKSHI On the outer walls of the temple bas-reliefs depict the legends of the famous Siva bbaktha Sriyala, and the story of Kiratarjuniya. These two legends are quite famous. The story of Sriyala is a famous one and is as follows. The parents of Sriyala were devotees of Lord Siva. In order to test the strength of their devotion the Lord took on the appearance of an old mendicant and came to their house seeking alms. He was received with great veneration, and he was offered Bhiksha at the house. Since he had come there to test their devotion, he declared that he would be satisfied with nothing else than the mother herself should cook the flesh of their only son Sriyala, which he desired. LEPAKSHI Though the misery of the parents was very great, still since their adherence to the rules of hospitality was very strict, they promised to do so and in fact put the plan into execution, the mother holding the boy, and the father severing the head. The mother, in order to remind herself of her dear son, kept his head away. But the Lord insisted that it should also be disposed of. When the food was about to be served, the Lord asked them to call out their son, and when they came and called out Sriyala, the lad came from outside due to the divine mercy. Thereupon Lord Siva gave them his darsan and disappeared. This famous story of Siva Bhakti is depicted in the bas-reliefs on the outer wall of the temple, with a fineness and vigor that is rarely met with. Similarly the story of Kiratarjuniya or the story of the fight of Arjuna with Lord Siva, while performing his tapascharya on the Indrakila hill in order to obtain the Pasupatastra, is also depicted here in the bas-reliefs of the temple. LEPAKSHI The walls of the sanctum of the temple of Veerabhadra, the ceilings of the Rangamantapa shrine and the part of the Mukhamantapa joining the shrine of Siva are full of mural paintings of the Vijayanagar period. Here also the scenes are all from the Puranas. The marriage of Parvathi, the image of Dakshinamurthy, Sri Rama, and Lord Krishna as Vatapatrasayi, are some of the important mural paintings in this temple. In the Ardhamantapa of the temple there are a number of panels representing puranic legends. The first represents Lord Siva as arising from the Linga. Markandeya who was frightened of Lord Yama is shown here. Lord Siva is shown as dancing over the demon that he had pierced with his trident. In the next panel Dakshinamurthy is shown as seated on a hillock under a pair of Vata Vrikshas and surrounded by sages. The next panel depicts Lord Siva in his Anugraha attitude presenting his axe or Parasu to Chandikeswara. The next scene represents Lord Siva as Bhikshatana when, to expiate the sin of having severed the head of Brahma, he had to wander as a Bhikshatana, till he reached the Himalayas, where he was relieved of his sin. LEPAKSHI The Rishi Patnis are shown here as offering him food in a state of mind, where their entire personality was suffused with a deep love and affection, at the divine beauty of the body of the Lord. The poise of the Lord as Bhikshatana is as noble and majestic, as that of the Sivaganga going before him is quaint and funny. There is also a panel here showing the Hariharamurthy. Another scene shows Siva as Kalyana-sundara, who is being married to Parvati. The best painting here is that of Siva (Gangadhara) as Gowriprasadaka appeasing Gowri. There is in this painting a happy blend of action and repose, anger and calm. LEPAKSHI There are in the mukha mantapa also, a number of mural paintings showing the story of the Kiratarjuniya, Lord Krishna as Vatapatrasayi etc. There is an excellent painting of the famous story of the legendary king Manuchola, granting justice to a cow at the cost of the life of his own son. This is also found painted in the temple at Tiruvalur in the South. The story, which is a popular one, is as follows. Manuchola was a great king who noted for the evenhanded justice meted out by him. In order that he should be available at all times of the day and night, to any one who sought justice, he had a large bell erected at the outside of his palace, which any one could ring at any time, if he wanted to attract the personal attention of the king for any injustice done to him. One day the bell rang furiously and the king ran out to see a cow rignging the bell. He followed in the cow and found that the clf of the cow had been accidentally killed by the chariot driven by the King’s son and in its deep sorrow at the death of its calf, the cow was weeping and seeking redress at the hands of the King. LEPAKSHI The King felt the justice of the demand, and ordered that, just as the chariot of his own son ran over the calf and killed it, similarly his own son should be laid at the foot of the same ratha, which should be driven by the cow, and his own son should be sacrificed just as the calf was sacrificed. This adherence to the principles of justice even at the cost of the life of his own son pleased the Lord Siva who appeared before the King and gave back the life to his son and to the calf. The story has been painted here in a series of panels with great vividness. The Ardhamantapa is particularly famous for its paintings of the different manifestations of Lord Siva. Here Siva is depicted in various ways as Natana murthy, as Andhakasura dhwamsa trampling over the demon Andhakasura, as Dakshinamurthy with a Kankana, Keyurahara and Kiratapatta etc. etc. The Chandikesanugrahamurthy depicts Lord Siva with a long Kapalamala and having a tiger skin wrapped round him. The Bhikshatana showing the Lord in the Darukavana is another piece done with exquisite skill. LEPAKSHI The temple is a famous one, and attracts a large number of pilgrims during the Sivarathri and other Saivite festivals. The temple is a veritable treasure house of Vijayanagar sculpture and paintings and literal museum and art gallery where the entire puranic legends of Lord Siva are translated into stone and painting. The temple is still a very powerful one and attracts the pilgrim, the devotee, the archaeologist, the sculptor and the painter in a like measure. About Temple : Veerabhadra Temple at Lepakshi has some of the best paintings from the period of the Vijayanagar kings. The temple is built on a low hill called Kurma Sailam, because it has the shape of a tortoise. Lord Rama, Lord Papanaseswars (Siva), Veerabhadra, and Durga are all worshiped here. Lepakshi ! A dignified name. Sounds auspicious and emits a splendour rare. And like a dazzling diamond pendant adorning andhra mata, it delights by its two bright sides, connossieurs and pilgrims alike. There is embossed on its obverse an epic episode, and a historic one on the reverse.AntiquityThis indeed lacks in heavenly connections,but it has one solitary epic association with Sri Rama’s visitation, that took place in the Tretayaga; its historical connection through Virupanna deserves reverent study; for it is bereft of imaginative flights; moreover, the inscriptions give a full, clear, vivid account of its origin and abrupt end too.The TempleIt is according to tradition was established by Agastya himself in the dim past, but historical evidence begins with Virupanna’s construction around 1550 A.D. The temple is called Sri Veerabhadreswara Swamy Alayam. It is built on high mount called Kurmasila, because of its resemblance to a tortoise, and hence called Kurmasila Kshetra. It has two high prakaras with three entrances on the East, West and North, and more adorned by charming towers. The second prakara contains the rarest sculptural wealth; for here lies the main temple of Veerabhadra, along with many mantapas etc., like spacious Garbagriha, Mahamantapa, Kalyanamantapa, Natyamantapa and severala niches for many adorable deities such as veerabhadra, Sri Rama, Durga, Adisesha, vinayaka and gopalaswamy, all appearing in their best and remarkable for its sculptural excellences. As we enter the second prakara, the huge image of Saptaphani Nagendra enshrining a beautiful Sivalinga over a broad hood, greets our sight. The sight feasts the eyes and raises our hands in homage. There is an image of vinayaka next to it. The Principal Deity – Lord Siva is facing the images of Lord Vishnu and Veerabhadra. These three form a triangle are close to one another. The beautiful images of Sri Rama and Durga, and also found here. Such conbination of several deities under one roof is rare.FestivalsMahasivarathri is celebrated with great religious fervour. Lacs of devotees visit and spend days participating in many functions held. Other festivals auspicious to Durga and Sri Rama too are celebrated with great eclat. Papaneswaraswamy Utsavam falling in Aswija masa lasts for 10 days is a gala affair here and lures lacs of theist pilgrims. Lepakshi The Lord Veerabhadra Temple in Lepakshi is renowned the world over as one of the 1O8 Shaiva temples of India. It is a typical example of exquisite Vijayanagara architecture.The dance hall or the Natyamandapa is supported by 100 pillars finely sculpted with figurines of dancing gods. From the middle of the hall emerges a dome, twenty- one feet in height reminiscent of a giant lotus reaching out to heaven. The temple also houses a life-size figure of Veerabhadra, sculpted in granite along with carvings of the giant Naga linga, the great bull, the flying Gandharvas, Ganesha etc. Lepakshi: Stone carvings of Lepakshi truly speak about the immense talents of sculptors who brought life to any stone structures. The shilpakala (the art of sculpture) of Lepakshi is indescribable. Lepakshi, which is famous for its rich fine arts and architectural beauty, is situated in Ananthapur district at 120 km. away from the district headquarters and 12 km. from Hindupur.If we go by the historical background of Lepakshi, the Skandapuranam says that it is one of the 108 Saiva temples in India. Sri Virupanna, who worked as a Treasury Officer of Penukonda Fort of Vijayanagara Empire, has taken up the construction of Lord Veerabhadhra temple at Lepakshi. Sikhar of Lord Veerabhadra temple, depicts the Ramayan. "Antarikshastambham the hanging pillar is another highlight.The carvings of man (Vasthupurusha) and woman along with other pictures on the pillars proves the talent of sculptors and are some of the eye-catching sights in Lepakshi. Above all, the 6 ft. height and 8 mt. length monolithic Nandi sculpture which is said to be the biggest monolithic Nandi in India, is synonymous with Lepakshi. The majestic Shilpakala of Nandi sculpture is inexplicable and it is a feast for the eyes. Lepakshi is a good tourist center for both pleasure and pilgrimage .. During the month of February (Asvayujamasam) the temple authorities will conduct a 10 day long celebration including the car festival.During the festivals, Lepakshi is packed with pilgrims from all over the country. Lepakshi Stone carvings of Lepakshi truly speak about the immense talents of sculptorswho brought life to any stone structures. The shilpakala (the art of sculpture) of Lepakshi is indescribable. Lepakshi, which is famous for its rich fine arts and architectural beauty, is situated in Ananthapur district at 120 km. away from the district headquarters and 12 km. from Hindupur. If we go by the historical background of Lepakshi, the Skandapuranam says that it is one of the 108 Saiva temples in India. Sri Virupanna, who worked as a Treasury Officer of Penukonda Fort of Vijayanagara Empire, has taken up the construction of Lord Veerabhadhra temple at Lepakshi. The "Sikhar" of Lord Veerabhadra temple, depicts the Ramayan. "Antarikshastambham" the hanging pillar is another highlight.The carvings of man (Vasthupurusha) and woman along with other pictures on the pillars proves the talent of sculptors and are some of the eye-catching sights in Lepakshi. Above all, the 6 ft. height and 8 mt. length monolithic "Nandi" sculpture which is said to be the biggest monolithic Nandi in India, is synonymous with Lepakshi. The majestic Shilpakala of Nandi sculpture is inexplicable and it is a feast for the eyes. Lepakshi is a good tourist center for both pleasure and pilgrimage. It is centrally located between Hindupur and Kodikonda checkpost. The Andhra Pradesh State Road Transport Corporation has its services daily from Hindupur. For lodging, there is a R & B guest house at Hindupur and also the tourists can stay at A.P Tourism Department rest house as well have their lunch. During the month of February (Asvayujamasam) the temple authorities will conduct a 10 day long celebration including the car festival. During the festivals, Lepakshi is packed with pilgrims from all over the country. SACRED TANKS OF SOUTH INDIA:- http://www.ukhap.nic.in/reports/SACTANKS.PDF CONTACT THE FOLLOWING WEBSITES ABOUT HOW TO REACH THE PLACES:-http://www.aptourism.com/ http://www.andhratourism.com/ http://www.adhyapak.com/tours/aptoursdata.html http://www.thebharat.com/states/andhrapradesh/html/tourism/ Sri Veerabhadra Swamy Temple Lepakshi Temple is in the village of Lepakshi of Hindupur Town in Anantapur District. It is 14 kms from Hindupur Railway Station. From the main bus stand, devotees have to cover a distance of 14 kms by bus or Taxi. Anantapur is 114 kms away from the Temple. The nearest airport is Bangalore from where the Temple is 110 kms away. Lepakshi is 65 kms away from Puttaparthi. Large number of Buses and Taxis are available to transport the devotees from the above places. The presiding diety of the Temple is Sri Veerabhadra Swamy. [ © Infologic Cybernetics Limited ][ This page is best viewed in IE 4.0 and above ] India Matrimony: Find your partner online. 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