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Ottawa Citizen news article on 7/14/01

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--- Global Regenesis Corporation

<email wrote:

> Reply-to: <email

> "Global Regenesis Corporation"

> <email

> "GRC/Friends & Supporters"

> <email

> Ottawa Citizen news article on 7/14/01

> Mon, 23 Jul 2001 16:10:28 -0700

> BELOW IS A MESSAGE ABOUT A PROJECT CALLED GLOBAL REGENESIS CORPORATION. IT IS

A GOOD EXAMPLE OF A POSITIVE DEVELOP TOWARDS THE FUTURE. IT IS AN ECO-FRIENDLY

CITY THAT WILL APPLY THE WISDOM OF THE ANCIENTS(THE WISEST ANCIENTS WERE VEDIC,)

WITH THE BEST OF MODERN EFFICIANCY AND THE USE OF CLEAN TECHNOLOGY.

> Dear Friends and Supporters:

>

> > Attached is an e-mail version of recent press

> coverage by the Ottawa

> > Citizen. This article was written by Maria Cook

> about Douglas J.

> > Cardinal, the lead architect for Project

> Regenesis.

> >

> >

> > With warmest regards,

> >

> Shana Carlsen

> Joseph Fedorowsky

>

> > Global Regenesis Corporation

> > Tel: 310.645.8889

> > Fax: 310.645.7444

> SCarlsen

> JFedorowsky

>

>

> >

>

***********************************************************

> >

> > The information contained in this message is

> intended only for the

> > personal and confidential use of the designated

> recipients named above.

> > This message may be a confidential and privileged

> communication. If the

> > reader of this message is not the intended

> recipient, you have received

> > this document in error. Any review,

> dissemination, distribution, or

> > copying of this message is strictly prohibited.

> If you have received this

> > communication in error, please notify us

> immediately by telephone and

> > return the message to us by email. Thank you.

> >

> >

>

***********************************************************

> > Global Regenesis Corporation (310)

> 645-8889

> >

>

***********************************************************

> >

> To be removed from this information list, please

> reply with the word

> "REMOVE" in the subject line. Thank you.

>

> >

>

********************************************************************

> >

> > PAPER The Ottawa Citizen

> > DATE 010714

> > PDATE Saturday, July 14, 2001

> > EDITION Final

> > SECTION Saturday Observer

> > PAGE B2

> > LENGTH 1525 words

> > STOTYPE Business

> > PT P

> > ITYPE Black & White Photo

> > ILLUS Black & White Photo: Dave Chan, The

> Ottawa Citizen / One of

> > Douglas Cardinal's new projects is his

> biggest ever: a whole,

> > environmentally friendly town.

> > HEADLINE Douglas Cardinal reaps benefits from

> Washington D.C. fiasco

> > BYLINE * Maria Cook

> > SOURCE The Ottawa Citizen

> >

> > Three years ago, renowned Ottawa architect Douglas

> Cardinal returned to

> > Ottawa from Washington D.C. where he had been

> stripped of a museum project

> > that was the biggest plum in Washington. Broke and

> feeling betrayed, he

> > and his wife moved in with his son for a time.

> Back on Canadian soil, Mr.

> > Cardinal gave a special prayer for his

> adversaries.

> >

> > ``When circumstances take everything away from you

> where all you have is

> > your own spirit, you become even more powerful,''

> he says. ``I honour my

> > adversaries for making me so.''

> >

> > Mr. Cardinal, who runs a 14-person-office on

> Somerset Street West, is

> > rebuilding his practice with his pen, talent and

> faith in the magical

> > power of creativity. Far from discrediting him,

> the events in Washington

> > have raised his profile and contributed to new

> successes.

> >

> > ``We're recovering,'' he says. ``We're doing well.

> Actually it hasn't hurt

> > us really. People say if people go through so much

> chicanery to steal your

> > work, it must be worth a lot.''

> >

> > Mr. Cardinal, 67, has recently been invited to

> design an environmentally

> > friendly town for 30,000 in California, an

> ambitious and idealistic

> > venture that would be his biggest project ever.

> And, in October, his work

> > will be showcased in Chicago at a retrospective

> exhibition and lecture

> > series called Celebrate Cardinal -- A Portfolio.

> >

> > ``You have to get on with your life,'' he says.

> ``You have to be in a good

> > space to be able to create buildings and serve

> people.''

> >

> > In 1993, Mr. Cardinal was commissioned to design

> the Smithsonian

> > Institution's $110-million U.S. National Museum of

> the American Indian in

> > Washington. He created a uniquely recognizable

> design with dramatic curves

> > intended to evoke stone cliffs eroded by wind and

> water. It received

> > enthusiastic approval.

> >

> > But Mr. Cardinal miscalculated how expensive it

> would be to move his

> > 12-person team to Washington and to seek various

> approvals. Disputes over

> > fees arose. In 1998, the Smithsonian dismissed Mr.

> Cardinal and the U.S.

> > architecture firm he was working with, citing them

> for failure to deliver

> > drawings on time.

> >

> > Mr. Cardinal received a personal grant of $400,000

> U.S. from Ann

> > Rockefeller Roberts, Nelson Rockefeller's

> daughter, to complete his design

> > in the hopes he might be reinstated. Instead, Mr.

> Cardinal's worst fears

> > came true. The Smithsonian installed another team

> to finish the job,

> > burdening Mr. Cardinal with a loss of $600,000

> U.S.

> >

> > ``To them, I'm just another native American to be

> exploited,'' Mr.

> > Cardinal told the press. ``I'm not going to be

> anybody's Tonto.''

> >

> > The architecture critic of the Washington Post

> added: ``To drop an

> > architect with so strong and personal a vision in

> mid-course and yet

> > expect to continue in the same design direction,

> is a recipe for messiness

> > and mediocrity, or worse.''

> >

> > Construction is to begin this summer on the Mall

> in front of Capitol Hill,

> > based on a modified design that Mr. Cardinal calls

> ``an artistic

> > forgery.'' He tells his version of the saga in A

> Forgery for the

> > Smithsonian, a book-length account on his Web

> site, www.djcarchitect.com,

> > which he says gets 30,000 hits a month.

> >

> > ``It tears into your very identity, your very soul

> when your work is

> > wrenched from you and given to somebody else to

> express,'' he writes.

> >

> > Snce then, he has collected a slew of

> architectural honours including the

> > 2001 Governor General's Award in Visual and Media

> Arts, and the 1999 Gold

> > Medal from the Royal Architectural Institute in

> Canada.

> >

> > Mr. Cardinal is busy with various projects as

> well. He is designing an

> > entire campus for a university in Bolivia, a

> cultural centre for the James

> > Bay Cree in northern Quebec, a civic and cultural

> centre for a Michigan

> > native band, and a new building for the

> Saskatchewan Indian Federated

> > College in Regina.

> >

> > A year ago, Mr. Cardinal travelled to Edinburgh to

> receive an honorary

> > fellowship from the Royal Incorporation of

> Architects in Scotland. ``They

> > wanted me to speak about the Mall project because

> they thought it was

> > rather outrageous,'' he recalls.

> >

> > There, he met John David Mooney, an American

> artist known for large-scale

> > public sculptures such as Star Dance, a 48-storey

> light sculpture

> > cmmissioned for the Atlanta Olympic Games in 1996.

> Mr. Mooney runs the

> > John David Mooney Foundation in Chicago, which

> presents the work of

> > outstanding international artists and architects.

> >

> > In the past, up to 10,000 people have visited

> shows by high-profile

> > architects such as the Co-op Himmelblau, an

> Austrian firm, Hans Hollein,

> > the Austrian designer of the Museum of Modern Art

> in Frankfurt, and Carlos

> > Ott, the Toronto architect who designed the Paris

> Opera House.

> >

> > Mr. Mooney offered Mr. Cardinal an exhibition in

> Chicago, a city where

> > citizens are passionately interested in

> architecture. Chicago is where the

> > skyscraper was invented and where Ludwig Mies van

> der Rohe, one of the

> > 20th century's most important architects, made his

> home. It is the

> > birthplace of the famous Chicago school of

> architecture which produced

> > great architects such as Frank Lloyd Wright.

> >

> > ``He is a dominant figure in world architecture,''

> Mr. Mooney says of Mr.

> > Cardinal. ``Douglas is able to bring to his

> buildings a sense of nature

> > which speaks of Canada. People will want to know

> how did he arrive at

> > these fantastic forms that please and delight

> people so much. ''

> >

> > The exhibition of photos and models, also

> presented by the Canadian

> > Consulate General in Chicago and the Royal

> Architectural Institute of

> > Canada, will run from October 1 to November 17 at

> the John David Mooney

> > Foundation Studio in downtown Chicago.

> >

> > The $240,000 show is sponsored mostly by the

> private sector. The budget

> > includes $46,000 from the Canadian department of

> foreign affairs, as well

> > as a $30,000 contribution in kind by Mr. Cardinal.

> >

> > Mr. Cardinal's trademark is the use of organic,

> curvilinear shapes and

> > buildings that blend into the landscape. He

> pioneered computer-aided

> > drafting and design systems used by architects

> across North America.

> >

> > The show will feature beautifully undulating

> buildings such as St. Mary's

> > Roman Catholic Church in Red Deer, the Grande

> Prairie Regional College,

> > the Canadian Museum of Civilization as well as the

> original design for the

> > museum in Washington. In addition, it will display

> his plan for the Cree

> > village of Ouje-Bougoumou in northern Quebec that

> was named a ``model

> > human settlement'' by the United Nations.

> >

> > Mr. Cardinal will create a room as part of the

> exhibit with curving walls

> > sculpted out of styrofoam ``to get a feeling of

> what it's like to walk up

> > to one of my buildings.''

> >

> > Among the events planned for the first week of

> October, Mr. Cardinal will

> > lead a design session for a group of American and

> Canadian architecture

> > students, in which he will pose an architectural

> problem which they must

> > solve in a few hours. He will also give several

> public lectures.

> >

> > ``They want me to talk about ethics in the

> profession,'' he says. ``I

> > would like to talk about the process, and some of

> these alternatives we're

> > thinking about like the California project, and

> the excitement of

> > producing architecture designed in harmony with

> people and nature.''

> >

> > It was because of his design for the National

> Museum of the American

> > Indian that Mr. Cardinal was recently invited to

> produce a concept design

> > for a ``zero pollution'' town in California, a

> state in the midst of an

> > energy crisis.

> >

> > Representatives of a Los Angeles company called

> Global Regenesis

> > Corporation, which focuses on sustainable

> development, contacted Mr.

> > Cardinal after seeing images of his design for the

> Washington museum.

> >

> > ``It's something I've been dreaming about,'' says

> Mr. Cardinal. ``It's an

> > opportunity for me to apply all the thinking I

> did, even as a student, on

> > how to design a city like a living organism that

> does not pollute the

> > environment.''

> >

> > He will create a showcase town of houses, stores,

> offices, health-care

> > centres and public transit for what the California

> company describes as

> > ``a resort-quality, partially subterranean, green

> community that will

> > become a template for `off the grid' sustainable

> development.''

> >

> > The preliminary plans include three-and-four

> storey buildings, containing

> > homes and shops, with landscaped roofs for energy

> efficiency, and to blend

> > into the landscape. ``We use the roofs as a

> landscaped park,'' says Mr.

> > Cardinal. ``You see the city as a green mound.''

> >

> > Alternative energy sources include solar and wind

> energy and fuel cells,

> > which create electricity from a reaction between

> hydrogen and oxygen.

> > Public transit might include electric streetcars.

> >

> > ``We're brainstorming about having a more compact

> city so that it would be

> > pedestrian and have the cars at the periphery,''

> says Mr. Cardinal. ``In

> > Disneyland you have millions of people but no

> cars.''

> >

> > It is an attempt to move away from the North

> American car and

> > freeway-dominated lifestyle, and harkens back to

> medieval European towns

> > that are designed for walking, and meeting in

> friendly places such as

> > public squares.

> >

> > ``Even in Ottawa, the Market is where everybody

> wants to go because of the

> > nice scale of it,'' says Mr. Cardinal.

> >

> > No site or budget have yet been established.

> Funding is expected to come

> > from venture capital.

> >

> > ``Initially, we wanted to look at it as a

> theoretical city to present

> > alternatives to society,'' said Mr. Cardinal.

> ``But people are so

> > interested, they're saying forget the theory.

> Let's build it.''

> >

> > For more information about the exhibition:

> www.CelebrateCardinal.com.

> >

> >

>

**************************************************************************

> > **

>

 

> ATTACHMENT part 2 application/ms-tnef

name=winmail.dat

 

 

 

 

 

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