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CHILD PACIFYING DIVINE MOTHER

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CHILD PACIFYING MOTHER?

Sometimes Baba would suddenly get into a furious temper and rage about. He would

look the very embodiment of anger at those times. His eyes would burn red and he

would curse all the devotees present and drive them away from the mosque. He

would sometimes hit them too. Tatya was the only one who could approach Baba

and pacify him when he was in such a temper. Sometimes even he would fail. Only

Tatya and a couple of other intimate devotees could even approach Baba during

these tempests.

Sometimes Baba would suddenly start towards Neemgaon or Rahata. The devotees

were always apprehensive that Baba may suddenly decide to leave Shirdi and were

fearful that if Baba spent a night at either Neemgaon or Rahata, he would never

in this life come back to Shirdi again. They would therefore run posthaste to

Tatya wherever he was, whenever Baba started off from the mosque. Tatya would

come running and meet Baba on the road and say, "Baba, if you go now, you will

never come back. We are not going to let you go. You can go to Neemgaon or

Rahata tomorrow. Please come back to the mosque now." Baba would then promise

that he would definitely return to the mosque by the evening and send Tatya

back.

At times Baba would suddenly rise and say, "The vani telis (the oil merchants)

are troubling me too much. I am no longer going to stay in this mosque." He

would then take his alms bag, the tin and the satka and get ready to go away.

The devotees would run to Tatya and inform him of this. Tatya would hurry to

the mosque and pacify Baba as he would a child, "I will punish the vani telis.

Please calm down. We can always go tomorrow." Baba would then calm down and

again settle at the mosque as if nothing had happened.

Every year dramatic performances were held at Shirdi in front of Chavadi. Tatya

was an active participant in these dramas. He would normally play the part of a

king. Buty would annually donate as much as 500 rupees to defray the costs. Many

people would come from the surrounding villages to see these performances. Baba

would sit at Chavadi and watch the show whenever Tatya was playing a part.

"Experiences of Tatya" in the Marathi magazine Sri Sai Leela Masik

 

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