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For lingas please see http://members.cox.net/l-v-x/

 

-

elaeocarpaceae2003

Tuesday, May 06, 2003 12:55 AM

Shiva Linga

 

 

Dear Members,

 

Today I gave away my Shivalinga to a friend because I had promised to

give her a Shivalinga years ago and I had not done it. My problem now

is getting another one. I have seen a brass one which has the linga

portion depicted as a head of Lord Shiva wearing the moon in His

hair, and another brass one which is a standard Shivalinga with

Ganesha standing to one side and I believe leaning on it. I am also

wondering about a para (mercury) linga because Parvati worshipped

one. I have also read that in Kali Yuga all that is necessary is a

linga of clay. Please tell me which one to buy as I would like to get

it on Thursday, May 8, 2003. Thanks. Oh yes, if I wear a 14 mukhi

Rudraksah on my forehead and I have the Rudraksah threaded through a

gold wire, what else is best on the gold wire--other Rudraksah beads

or mother-of-pearl and perhaps carnelian, amethyst and other stones?

Thanks all.

 

Barbara

 

 

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Shivalinga made of PanchaDhatu is the best for worship

among metals.The veda shastras extoll that the

benefits from worship of Panchadhatu Shivalinga and

ShreeChakra as"Uttama"(superlative),Silver as

"madhyama"(average) and pure gold as "Adhama"(barely

adequate).Sorry my knowledge of english is very poor

and i have explained this to the best of my capacity

in english

 

Purushotham

--- elaeocarpaceae2003 <barbjs wrote:

> Dear Members,

>

> Today I gave away my Shivalinga to a friend because

> I had promised to

> give her a Shivalinga years ago and I had not done

> it. My problem now

> is getting another one. I have seen a brass one

> which has the linga

> portion depicted as a head of Lord Shiva wearing the

> moon in His

> hair, and another brass one which is a standard

> Shivalinga with

> Ganesha standing to one side and I believe leaning

> on it. I am also

> wondering about a para (mercury) linga because

> Parvati worshipped

> one. I have also read that in Kali Yuga all that is

> necessary is a

> linga of clay. Please tell me which one to buy as I

> would like to get

> it on Thursday, May 8, 2003. Thanks. Oh yes, if I

> wear a 14 mukhi

> Rudraksah on my forehead and I have the Rudraksah

> threaded through a

> gold wire, what else is best on the gold wire--other

> Rudraksah beads

> or mother-of-pearl and perhaps carnelian, amethyst

> and other stones?

> Thanks all.

>

> Barbara

>

>

 

 

 

 

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Hi Kirk,

 

I also wear lots of Rudraksah during worship and always some at other times

also. I started reading your Web Site, but I am too tired right now to

concentrate on it completely. Barbara

-

Kirk

Tuesday, May 06, 2003 2:42 AM

Re: Shiva Linga

 

 

For lingas please see http://members.cox.net/l-v-x/

 

-

elaeocarpaceae2003

Tuesday, May 06, 2003 12:55 AM

Shiva Linga

 

 

Dear Members,

 

Today I gave away my Shivalinga to a friend because I had promised to

give her a Shivalinga years ago and I had not done it. My problem now

is getting another one. I have seen a brass one which has the linga

portion depicted as a head of Lord Shiva wearing the moon in His

hair, and another brass one which is a standard Shivalinga with

Ganesha standing to one side and I believe leaning on it. I am also

wondering about a para (mercury) linga because Parvati worshipped

one. I have also read that in Kali Yuga all that is necessary is a

linga of clay. Please tell me which one to buy as I would like to get

it on Thursday, May 8, 2003. Thanks. Oh yes, if I wear a 14 mukhi

Rudraksah on my forehead and I have the Rudraksah threaded through a

gold wire, what else is best on the gold wire--other Rudraksah beads

or mother-of-pearl and perhaps carnelian, amethyst and other stones?

Thanks all.

 

Barbara

 

 

Sponsor

 

 

What's new?

 

 

 

 

 

To send an email to:

 

 

 

 

 

 

 

 

Sponsor

 

 

 

 

 

To send an email to:

 

 

 

 

 

 

 

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Dear Sk Purushotham Nil,

 

Thank you for replying. I do not exactly know what panchdhatu means, but I think

it means a combination of five metals. I do not know where to get a Shivalinga

like this. The two which are readily available are made of brass. I also have a

small one from the Narmada River, and a bana linga which I found in my garden,

and a small quartz one which I wear on my head with Rudraksah beads. That one I

found on property I used to own. I also have some other banas which I found at

the beach, and I have a small brass Emperor Linga which has a dragon on one end

and a linga on the other. I wear this on my neck all the time. Do you think the

brass linga with Lord Shiva's head as the linga part would be suitable. I pour

a lot of things on the Linga--sesame oil, honey sandal, a collection of (I don't

know what's in it). It has frankincense and myrrh, and other things (I have

forgotten). I also use bilva leaves, camphor, cedar oil, perfumes, turpentine,

Ganges water, rice. I guess that is about all. Would Lord Shiva want these over

His head and in His eyes. Maybe I should get the plain linga with Ganesha at the

side. What do you think? Barbara

 

 

 

 

 

 

 

 

 

-

sk purushotham nil

Tuesday, May 06, 2003 4:55 AM

Re: Shiva Linga

 

 

Shivalinga made of PanchaDhatu is the best for worship

among metals.The veda shastras extoll that the

benefits from worship of Panchadhatu Shivalinga and

ShreeChakra as"Uttama"(superlative),Silver as

"madhyama"(average) and pure gold as "Adhama"(barely

adequate).Sorry my knowledge of english is very poor

and i have explained this to the best of my capacity

in english

 

Purushotham

--- elaeocarpaceae2003 <barbjs wrote:

> Dear Members,

>

> Today I gave away my Shivalinga to a friend because

> I had promised to

> give her a Shivalinga years ago and I had not done

> it. My problem now

> is getting another one. I have seen a brass one

> which has the linga

> portion depicted as a head of Lord Shiva wearing the

> moon in His

> hair, and another brass one which is a standard

> Shivalinga with

> Ganesha standing to one side and I believe leaning

> on it. I am also

> wondering about a para (mercury) linga because

> Parvati worshipped

> one. I have also read that in Kali Yuga all that is

> necessary is a

> linga of clay. Please tell me which one to buy as I

> would like to get

> it on Thursday, May 8, 2003. Thanks. Oh yes, if I

> wear a 14 mukhi

> Rudraksah on my forehead and I have the Rudraksah

> threaded through a

> gold wire, what else is best on the gold wire--other

> Rudraksah beads

> or mother-of-pearl and perhaps carnelian, amethyst

> and other stones?

> Thanks all.

>

> Barbara

>

>

 

 

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http://search.

 

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  • 2 years later...
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Namaste,

 

If you go to the www.rudraksha-ratna website, there is information and

instructions on how to worship Narmada Shiva lingam.

 

Om,

I. Sivanathan

 

 

On Mar 30, 2006, at 5:45 PM, kalyansimha wrote:

 

> Dear Members,

> I have recently purchased Narmada shiva linga,if any one can guide me

> how to worship linga and some simple mantras.

> with regards

> Kalyan

>

>

> Lord shiva

>

>

>

> ▪  Visit your group "" on the web.

>  

> ▪  

>  

>  

> ▪   Terms of

> Service.

>

>

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See www.shreemaa.org You can find some online tools and some good

books to buy for beginning and advanced Shiva Puja, including Lingam Puja.

>

> "kalyansimha" <kalyansimha

> 2006/03/30 Thu PM 05:45:10 PST

>

> shiva linga

>

>

Dear Members,

I have recently purchased Narmada shiva linga,if any one can guide me

how to worship linga and some simple mantras.

with regards

Kalyan

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Sh.kalyansimha,

 

There are no separate mantras for worshiping Namada linga or Narmada

Bhana linga. The first and foremost requirement is faith and belief.

Shiva is always satisfies with "Abhishek"

 

If one wishes to make a brief puja, may do so by chanting Rudra

Gayatri as

 

"Tat purushaaya vidmahe',

Maha devaaya Dhimahi,

Tanno' Rudra Pracho'daya"

 

If one is having, a little more time may start with Sankalpa, may

perform Shodasa upachara puja and finish with Mantra pushpam

(Pushpaanjali) followed by Aatma pradrakshinam.

 

For detailed Puja, after Sankalpam, one may perform Abhishek with the

following mantras,

 

"Namah Stharaayacha,

Namah Shambhavecha,

Mayo Bhavecha,

Namah Shankarayacha,

Mayaskaraayacha,

Namah Shivayacha,

Shiva Tharaayacha."

 

And

 

"Sarvovai Rudrasthasmai Rudraya Namoh asthu,

Purushovai Rudrasanmanoho namoh namah,

Viswam bhootam, bhuvanam, chitram, bahudajatam,

Jaayamanamchayat,

Survoh'mesha rudrasthasmai, rudraya namoh asthu,

Kadudraya Prachethase' Meedustamaya tavyase'

Vochamasanta magum hrideh,

Survohmesha rudrasthasmai Rudraya namoh Asthu."

 

This is followed by Panchakshari, Mrityujaya, Namakam, and chamakam

mantras.

 

AUM Namah Shivaya

 

 

 

, "kalyansimha"

<kalyansimha wrote:

>

> Dear Members,

> I have recently purchased Narmada shiva linga,if any one can guide

me

> how to worship linga and some simple mantras.

> with regards

> Kalyan

>

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vidmahe', Maha devaaya Dhimahi, Tanno' Rudra Pracho'daya"If one is having, a

little more time may start with Sankalpa, may perform Shodasa upachara puja and

finish with Mantra pushpam (Pushpaanjali) followed by Aatma pradrakshinam.For

detailed Puja, after Sankalpam, one may perform Abhishek with the following

mantras,"Namah Stharaayacha,Namah Shambhavecha,Mayo Bhavecha,Namah

Shankarayacha,Mayaskaraayacha,Namah Shivayacha,Shiva Tharaayacha."And"Sarvovai

Rudrasthasmai Rudraya Namoh asthu,Purushovai Rudrasanmanoho namoh namah,Viswam

bhootam, bhuvanam, chitram, bahudajatam,Jaayamanamchayat,Survoh'mesha

rudrasthasmai, rudraya namoh asthu,Kadudraya Prachethase' Meedustamaya

tavyase'Vochamasanta magum hrideh,Survohmesha rudrasthasmai Rudraya namoh

Asthu."This is followed by Panchakshari, Mrityujaya, Namakam, and chamakam

mantras.AUM Namah

Shivaya, "kalyansimha"

<kalyansimha wrote:>> Dear Members,> I have recently purchased Narmada

shiva linga,if any one can guide me > how to worship linga and some simple

mantras.> with regards> Kalyan> "By eliminating the sheep in himself, a

man gives the psychic wolves nothing to prey on." Vernon Howard, A Treasury of

Trueness, # 634 ***~~*** Your pain is the breaking of the shell that encloses

your understanding. Kahlil Gibran, The Prophet ***~~*** The cave you fear to

enter...holds the treasure you seek. Joseph Campbell

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10.0pt;font-family:Arial;color:navy">Hari Om! Hari Bolo!

10.0pt;font-family:Arial;color:navy">

10.0pt;font-family:Arial;color:navy">To all group members accept my respectful

pranams!

10.0pt;font-family:Arial;color:navy">

10.0pt;font-family:Arial;color:navy">I am re-posting a couple or responses for

similar sort of question i.e. Shri Bana Lingam worshipping methods at home.

10.0pt;font-family:Arial;color:navy">

10.0pt;font-family:Arial;color:navy">If you still need detailed way of doing

Abishekam with the conch shell etc. let me know…

10.0pt;font-family:Arial;color:navy">

10.0pt;font-family:Arial;color:navy">Subham Dinam Astu!

10.0pt;font-family:Arial;color:navy">Sarvam Sri Krishna Arpanamastu!

10.0pt;font-family:Arial;color:navy">

font-family:Tahoma;font-weight:bold">

 

[]

bold">On Behalf Of Pradeep Balakrishnan

Friday, January 27, 2006

11:09 AM

To:

 

Re:

Re: Shiva Linga and Worship

12.0pt">

12.0pt">Hari Om! Hari Bolo!

12.0pt">

12.0pt">Dear Shri Prasannaji please accept my respectful namaskarams!

12.0pt">

12.0pt">During my quest for Shri Narmada Shiva Lingam, I collect these

invaluable information regarding HIM.

12.0pt">

12.0pt">Bana-Lingas from River Narmada

12.0pt">

12.0pt">What Salagramas are to Vishnu, that the bana-lingas are to Shiva:

sacred and self-manifest representations. If the Salagrama are stones found

only in the Gandaki river, the bana-lingas are stones found only in the Narmada

river, although, according to some texts (as for instance Kalottara, sited in

Viramitrodaya), the bana-lingas are obtained not only from the river Narmada

but also in the rivers Ganga, Yamuna and other holy streams.

12.0pt">However, the bana-lingas are always associated with the Narmada river,

so much so that a synonym of bana-linga is

Narmada-linga. Narmada, which is regarded as one of the seven sacred streams of

the country (sapta-ganga) and which is usually taken as what which marks off

South India from the North, takes its origin in Amarakantak, 914 metres

above sea-level, in Madhya Pradesh, where the Vindhya ranges meet with the

Satpuda ranges. It flows Westward for 1,292 kilometres through Mandla and

Jubbalpore districts, and joins the Arabian Sea in Cambay near Bharoch in

Gujarat. The legends identify the river with Reve of epic

celebrity, which is described as flowing out of Siva’s own body, and

therefore considered one of the holiest rivers.

12.0pt">According to Matsya-purana (Chap. 165-169), drinking the water from

this river and worshipping Siva will secure freedom from all states of misery.

Voluntary death in this river by drowning sought by a devotee was extolled as

leading directly to the realm of Siva, he having been purified from all sins,

and being carried on the vehicle drawn by swans.

12.0pt">The currents of the Narmada river are

very strong and forceful, and the stones are carried from the rocky

river-sides, rendering them smooth and polished. Besides bana-lingas, which are

normally white in colour, there are also in this sacred river, stones called

‘raudra-lingas’ which bare marked resemblance to the bana-lingas,

but which are usually dark-coloured, although red, white and yellow varieties

are not rare. We read in Lakshana-samuchchaya.

12.0pt">There is a story narrated in Aparajita-pariprchchha (205, 1-26) about

the origin of the bana-lingas and their association with the Narmada

river. Siva wanted to destroy the ‘tri-pura’, which had been

obtained as a boon by the arrogant demon Banasura, and he let go a fiery dart

from his great bow ‘pinaka’. The dart broke the three

‘puras’ into tiny bits, which fell on three spots: 1, on the hills

in Sri-kshetra (of unknown identity), 2, on the peaks of Amarakantaka in the

Vindhya ranges, and 3, on the banks of the holy river Narmada.

The bits that fell in these places soon multiplied into crores,. each bit

becoming a linga. As they formed part of the possession of Banasura, they were

called Bana-Lingas.

12.0pt">Amarakantaka, the peak in Madhya Pradesh, is in close proximity to the

source of the river Narmada, which according

to the puranas, originated in the Vindhya mountains and flowed in the Kalinga

country. Padma-purana says that there are along this river as many as sixty

crore and sixty thousand holy ghats, all of which are associated with

bana-lingas and raudra-lingas.

12.0pt">

12.0pt">The demon Bana was the eldest of the hundred sons of Bali,

who in turn was the son of Virochana and grandson of Prahlad (son of

Hiranyakasipu and devotee of Narasimha). Bana, the king of demons (asuras)

ruled over Sonita-pura. He went to the Himalayan regions, and performed a

penance invoking Siva’s favour. When Siva appeared in answer to his

austerities, Bana begged the god to bestow himself a thousand arms carrying a

multitude of weapons to destroy all his enemies and opponents. He also desired

that Parvati should consider him as her son.

12.0pt">

12.0pt">In legend, he is described as Mahakala, one of Siva’s attendants

and a brother to Subrahmanya. When, however, the demon began tormenting the

three worlds, Krsna waged a war against him and severed all of his thousand

arms with his discus, with the help of Siva. This story of told in

Matsya-purana (chapter 5), Harivamsa (Vishnu-parva, Chapter 173) and

Bhagavata-purana (10th skandha, chapter 62).

12.0pt">

12.0pt">Bana, despite all the details of the story, was a great devotee of

Siva, and Siva gave him his own representative in the form of a natural linga

of worship (banrchartham krtam lingam); hence the name Bana-linga. It is also

explained that the expression ‘bana’ means in reality Siva. That

the word ‘bana’ also means an arrow, a reed-shaft, cow’s

udder and pike is to be considered. The moon-white stones naturally obtained in

the river Narmada, answering to these forms

may have been called bana-lingas on this account, quite independent of the

legend concerning the asura named Bana.

12.0pt">

12.0pt">The import of the legend is that the bana-lingas are self-manifest

forms of Siva, and that they are therefore holier than any other anionic forms

of Siva. This follows another legend which explains why Siva is not worshipped

in his iconic form (pratima) but only as linga. Siva’s assumption of the

linga form (a fiery column) to outwit the claims of superiority by Vishnu and

Brahma is the theme of other legends. Among the several varieties of linga,

Bana-linga is said to be the most sacred and its worship most effective.

12.0pt">

12.0pt">We are informed in Yajnavalkya-samhita that the bana-lingas are

actually bits of the river-side rock, which flowed into the stream Narmada. The

rock by the side of the river was itself the

linga, the form assumed by Siva to bless the asura Bana. Siva dwells in that

rock and the parts of the rock which we find in the river are, therefore,

aspects of Siva.

12.0pt">

12.0pt">2

The expression ‘linga’ in the Agama context signifies

‘symbol’ (chinha). Derived from the root ‘ligi gatyau’,

it refers to movement, and words having been movement as their etymological

meaning have also connotations of knowledge (‘sarve gatyarthah

jnanarthah’). Linga therefore means that by which the Divine is cognized

or approached (‘lingyate jnayate anena iti lingam’). The Agama

texts also bring out another valid explanation for the word ‘linga’

: linga in its primary sense is broken up into ‘ling’ (to dissolve,

to get merged, to destroy) and ‘ga’ (to emerge, to go out). Linga

is so called because all phenomena is dissolved in Siva at the time of cosmic

dissolution, and it emerges from Siva once again at the time of creation.

(Ajitagama, 3, 16-17).

12.0pt">

12.0pt">The lingas are classified into six varieties, depending on how they

came into existence: 1, daiva-lingas are those installed and worshipped by the

gods and other celestial beings, and thus named after them; they continue to

exist in the present day and on earth, but their origin is traditionally

ascribed to the gods; 2, asura-lingas are those installed by the class of the

wicked titans (known as asuras and daityas) but were pious and zealous devotees

of Siva (like Ravana); 3, arsha-lingas were installed and worshipped by sages

of yore (like Agastya); 4, purana-lingas are those which have been celebrated

as installed at the very distinct past by mythical personages; 5,

manusha-lingas are those that have been caused to be made by human patrons

(rulers, chieftans, wealthy folk etc) in historical times; and 6,

svayambhu-lingas are the forms which Siva assumed to manifest himself. The Bana-lingas

being to the last variety.

12.0pt">

12.0pt">There is also reckoning of their relative merits. The lingas of the

divya, purana and svayambhu varieties are considered best (uttama), the lingas

of the asura and arsha varieties are of middling quality (madhyama), and the

lingas of the manusha variety inferior (adhama).

12.0pt">Another classification is based on how it is made: 1, krtima,

artificial, made by hands, and 2, akrtrima, natural, bought about by a natural

course of events. The bana-lingas belong to the latter group. A further

classification has the structural status in focus: 1, chala (mobile) or

jangama, and 2, achala (stationary) or sthavara. The latter variety of lingas

is what we find in temples, duly installed, consecrated and elabourately

worshipped by professional priests. Silpa-ratna describes these lingas thus.

12.0pt">

12.0pt">These lingas are usually carved in stone, and installed according to

Agamic prescriptions, and the enduring presence of the Godhead is invoked in

it. They are not thereafter moved from that spot; they are permanent fixtures

there. On the other hand, the lingas worshipped in households are neither

installed at one place, nor consecrated once and for all time. They can be

shifted to any spot for purpose of worship. But during the worship they are

placed on a pedestal or platform, and not moved until the worship is over.

These mobile lingas may be natural or carved in precious stones, or made in

copper, silver or gold; the bana-lingas come under this category.

12.0pt">

12.0pt">Usually, these mobile lingas are not carved in stone; they may be stone

ones when they occur naturally and are obtained from rivers (as in the case of

bana-lingas and raudra-lingas). When however, small lingas (sailam) are

made in stone for household worship, they answer to the category known as

‘chalachala’ (both mobile and stationary) (Suprabheda, op. Cit.).

to the same category belong the lingas made in clay (mrnmaya) or in wood

(darava).

12.0pt">The stationary stone lingas worshipped in temples are required to have

features like tri-sutra markings and division of the linga shaft into the

four-sided Brahma-bhaga (hidden under the ground) the eight sided Vishnu-bhaga

(concealed by the yoni or pedestal), and the circular Rudra-bhaga (which is

seen and is worshipped, and hence called puja-bhaga).

12.0pt">

12.0pt">These are entirely absent in the mobile lingas worshipped in a

household. Nor are they required to answer to the Agamic prescription regarding

the measurements (tala-mana), the treatment of top-portions (siro-vartana), or

the typology (shape etc.). Mobile lingas may also be used temporary purposes

(kshanika) out of clay from the river-side (nadi-mrttika), sand (sikata),

uncooked rice (tandula), cooked rice (anna), cow-dung (gomaya), sandal-paste

(chandana), sacred grass (kurcha), jaggery (guda), butter (nava-nita), rice

flour (pishta), rudraksha beads, flowers or sprouts (pallava). These are

prepared immediately prior to the commencement of the worship-ritual, and

are disposed of when the worship is concluded.

12.0pt">

12.0pt">Among the lingas that are worshipped, there is a hierarchy in terms of

worship mentioned in Meru-tantra (6th prakasa). Among the soft-lingas, lingas

made in mud or clay are the best. Among the hard ones, stone-lingas are

meritorious. But rock-crystal-lingas are superior to the ordinary ones. Better

than the rock-crystal-lingas are the lingas carved in lotus-hued ruby

(padma-raga), and better than the latter are those made of saffron (kashmira);

and increasing in merit in succession are the lingas made out of topaz

(pushya-raga), sapphire (indra-nila), Himalayan gem (gomeda), coral (vidruma),

pearl (mauktika), silver (rajata), gold (hairanya), diamond (hiraka), mercury

(parada), and bana-linga.

12.0pt">

12.0pt">We find numerous texts extolling the unsurpassed merit of the

bana-linga in bestowing all benefits when worshipped daily with devotion. The

superior merit of bana-linga is thus acknowledged, although some texts would

rate the linga made out of mercury (rasa-linga, parada-linga) higher, as for

instance Suta-samhita.

12.0pt">

12.0pt">Generally, however, the rasa-linga is regarded as an extremely

difficult specimen to obtain, and its association with tantrik cults and

alchemic procedures give it an occult aura, not entirely acceptable to the

common householder. Alchemic and medical texts like Rasa-ratna-samchchaya and

Rasarnava, describe elaborate processes which can purify mercury and make

it amenable to be solidified. Only then a linga can be made out of it. This is

done only in pharmaceutical factories called rasa-salas, under expert guidance;

and the rasa-linga (solidified mercury) is invariably installed and worshipped

in a rasa-sala, before medicinal preparations are attempted. The rasa-linga is

said to have magical properties. Its religious use, however, is extremely

limited.

12.0pt">

12.0pt">In any case, the rasa-linga is prepared by human beings (manusha), and

cannot come under the category of self-manifest (svayam-bhu) lingas, which are

regarded as the holiest and most suitable for worship. Bana-linga, on the other

hand, is an excellent example of self-manifest lingas. Its worship is said to

secure worldly welfare as well as emancipation from worldly involvement. It is

therefore claimed that the bana-linga when worshipped is a thousand times more

effective than any other linga.

12.0pt">

12.0pt">Even merely thinking about a bana-linga early in the morning is likely

to bestow success in all enterprises. (Yoga-sara, chapter 5)

12.0pt">Even the rasa-linga requires to be duly installed and consecrated

without which techniques of empowerment (samskara) its effectiveness may not be

assured. This is true of all other varieties of lingas, excepting bana-linga.

Matrka-bheda-tantra (patala 7) makes a summary statement to this effect.

12.0pt">

12.0pt">Contrarialy, the bana-lingas do not need to be ceremonially installed

or duly consecrated. They do not require even to go through the normal ritual

of invocation of divine presence (avahana), for the divine presence is already

there, and will continue to be there quite independently of any rituals.

12.0pt">

12.0pt">Bana-lingas are in this regard similar to salagramas. These aniconic

objects of worship are not in the nature of artifacts, and hence do not suffer

from the disadvantages and limitations of deliberate human involvement. They do

not need to be made worship-worthy by rituals of transumatation; their

worthiness for worship is self-evident, natural and enduring. They cannot be

defiled on any account, and do not lose their merit under any circumstances. In

fact, there is a consideration of acceptability or otherwise in the case of

lingas made by human agency. Some are deemed worthy of worship, owing to the

presence of certain favorable features, and other not. And, further, there is a

problem of partaking of the water or food offered to a linga (naivedya) and of

using the flowers once placed on the linga (nirmalya). There are doubts

expressed in these matters, and the authentic texts are themselves divided in

their views on these matters. But it is clear that in the case of bana-linga

that all offerings made to them are acceptable by the devotees.

12.0pt">

12.0pt">With regard to the lingas of all varieties except bana-linga, bigger

the size the greater the acceptability as it is also the case with rudraksha

beads, which are sacred to Siva. But with regard to the bana-lingas obtained in

the river Narmada, as is the case with the

salagramas obtained in the river Gandaki, smaller the size the more meritorious

it is.

12.0pt">

12.0pt">According to Siddhanta-sekhara, the bana-lingas available in the Narmada

River are said to have been worshipped

already by the gods, especially by the guardian – deities (loka-pala),

and the stones are also said to contain the impress of such worship. There are

bana-lingas carrying different marks characteristic of these gods: conch shell

mark on top (samkhabha-mastaka) to denote that it was worshipped by Vishnu,

lotus-mark (padma) to indicate that it was worshipped by Brahma, mark of a

parasol (chhatra, Indra) mark of two heads (siro-yugma, Agni), three steps

(Pada,Yama) mark of mace (gada, Isana), mark of a water-vase (kalasa, Varuna),

mark of banner (dhvaja, Vayu) and so on. And having been worshipped by the

gods, the bana-lingas answer to the ‘daiva’ variety of linga, in

addition to being ‘svayam-bhu’. Hence their indubitable

superiority.

12.0pt">

12.0pt">Vira-mitrodaya, the celebrated gloss on Mitakshara (which is itself a

commentary by Vijnansevara on Yajnavalkya’s Dharma-Sastra), quotes

Kalottara on this subject of bana-lingas being distinguished by characteristic

marks of the gods who worshipped them. The text enumerates nine varieties of

bana-lingas, eight of them corresponding to the eight guardian-deities

(loka-palas), and one called Vaishnava. The verses are quoted below…

12.0pt">

12.0pt">The bana-lingas worshipped by Indra will, when worshipped, fulfill all

the desires of the devotee; and bestow upon him sovereignty. The Agneya variety

of bana-linga will be warm to touch, and carries the mark of the weapon sakti.

The Yamya-linga will have the form of a cudgel or of the tounge. The

Nairrti-linga will look like a sword, carries stain on its body and will bestow

the benefits of jnana and yoga; however, it should not be worshipped by a

householder, as it will bring about misery; it is demonical in character. The

Varuna-linga will be round in shape, and may be distinguished by the marks of

noose (pasa). Its worship will secure prosperity. The linga named after Vayu

will be black in colour, or ashy grey; it will have the appearance of

flag-post, or may carry on its head the mark of a banner. The Kaubera-linga

will be in the form of a mace (gada) or arrow (tuna); there may be a hair-line

like line in the center. The Raudra-linga will be lustrous like a block of ice,

but bares the marks of a bone or spear. The linga which was worshipped by

Vishnu is distinguished by the marks of conch-shell, discus, lotus, mace, the

jewels on the chest (sri-vatsa and kaustubha) or the foot-prints of Vishnu.

12.0pt">

12.0pt">4

There is another classification of bana-linga suggestion by Hemadri

(Lakshana-kanda).

1. The Svayambhu-linga is honey-coloured (tawny), and carries the black mark of

a coil; it is adorned by all Yogic adepts.

2. The Mrtunjaya-linga is multi-coloured, and has masks of matted hair and

spear; it is worshipped by gods and titans alike.

3. The Nilakantha-linga is elongated in shape, and is pure white in colour,

with a black dot in it.

4. The Trilochana-linga is white in complexion, and has three eye-like marks in

it; there are also white lines resembling hairs in the body; the worship of

this linga will eliminate all sins.

5. The Kalagni-rudra-linga is dark-complexioned, stout in shape, and brilliant

in aspect; it carries the marks of matted hair dressed into a top-knot; it is

adorned by all spirits.

6. The Tripuri-linga is honey coloured (tawny), with a white line resembling

the sacred chord worn by the twice-born; there is a mark resembling

crescent-moon on top, and at the bottom lotus-like mark, white in colour, can

be seen; there are also lines reminding one of weapons.

7. The Isana-linga is white in colour, but there will be tawny coloured mark on

top resembling matted hair; there will also be the mark of a garland of severed

heads, and the mark of a trident.

8. The Ardha-nasisvara-linga is distinguished by half of it being white; and

the other half red; there will also be marks of trident and hand-drum.

9. The Maha-kala-linga is bright and corpulent in shape, elongated, and

slightly red-hued; it is bright and attractive, and its worship will secure all

the values of life.

12.0pt">Besides the above varities, other texts (like Kalottara and Bhavishya)

mention three other types of Bana-linga. The ‘Daiva’ type is very

uneven on its surface, with scratches and holes, depressions and mounds; it is

longish in shape and it contains the marks of spear, crescent moon and stone-

masons hammer. The ‘Gola’ type resembles a small pumpkin or a

crow’s egg in shape. The ‘Arsha’ type is like a rose- apple

in shape, and carries the mark of a sacred chord. It is fatter at the base than

the rest of the body. Some lingas of this type are stout in the middle and not

so at the bottom or on the top; and these are the best among the lingas of this

type.

12.0pt">

12.0pt">5

According to Yajnavalkya-samhita, the bana-lingas obtained in the river Narmada

are the very forms of Siva assumed by the God at

the request of Banasura; they are therefore the holiest of objects. Worshipping

one bana-linga gets the benefits that can be procured by worshipping a crore of

other lingas. The bana-lingas in the Narmada

River may be the shape of

a ripe jambu-fruit, or of a swan’s egg. They may be honey-coloured,

white, blue or emerald-hued (passage quoted earlier).

12.0pt">Suta-samhita, which also extols the bana-lingas, mentions that the best

bana-lingas are like the lotus seeds or like the hen’s egg in shape.

12.0pt">We also read in other texts that the best of bana-lingas must be four

angulas in height, when fixed on a pedestal; half of that height would be

inferior. A bana-linga the height of which is less even than this must never be

worshipped.

12.0pt">While Suprabheda (33) roundly declares that all bana-lingas are equally

worship-worthy, and that the distinguishing marks and features are not to be

considered (‘bana-lingasta-naivoktam lakshanam’), there are texts

which commend some bana-lingas as worthy of worship (‘subha-bana-lingas).

According to Kedara-khanda, the rough surfaced bana-linga must not be

worshipped; for its worship may lead to death of son and spouse. The linga that

is flattened or blunted will augur ill for the house; if the linga when placed

on earth inclines to a side will cause the death of cattle, children and

consorts, as well as destroy wealth. If the linga is split on top, its worship

will cause disease and death.

12.0pt">Hemadri (Lakshana-kanda) says that the bana-linga with sharp edges, and

crooked tops, must not be worshipped also as exceedingly corpulent or thin

ones. They may be beneficial to those whose only goal in life is emancipation

from phenomenal involvement, but they will spell ruin for the normal

householders, interested in worldly prosperity and spiritual welfare.

12.0pt">

12.0pt">The householder would profit by worshipping a bana-linga, which is like

a bee in colour, shape and size. It may be worshipped, fixed to a pedestal or

not. It will secure worldly prosperity as well as ultimate liberation from all

phenomenal ills. But those ascetics whose only concern is emancipation may

worship bana-lingas, which are tawny in colour or dark, and of any size. The

householder must never worship the bana-linga, which are extremely small or unusually

fat.

12.0pt">Even as there are methods of examining the salagrama-stones for their

acceptability (pariksha), there are methods to find out if a bana-linga is

suitable for worship. One of the methods is to weigh the bana-linga against

grains of rice, three, five or seven times. If the weight of the rice is not

the same in all cases, then the bana-linga is acceptable as genuine. If the

weight increases, and not decreases, when it is weighed seven times on a

balance, then the supposed bana-linga is genuine; otherwise it is a mere stone.

Another method is to drop the bana-linga under examination into a flowing

stream; if it can be picked up again, it is a genuine bana-linga, and its

worship will secure happiness.

12.0pt">

12.0pt">6

While there are no distinct prescriptions or procedures for the worship of

salagramas, there appears to be a separate procedure for worshipping

bana-lingas, different from the standard worship ritual offered to Siva.

However, this procedure is heavily tantrik in orientation, and suggests Kaula influence.

Yoga-sara, which is in the nature of a dialogue between Siva and Parvati,

contains not only a dhyana for Siva in the form of a bana-linga but also a long

stava (hymnology) eulogizing the bana-linga. Here bana is the name of Siva

himself, and he is associated with his feminine counterpart, Sakti. He is said

to be inebriated (prammata) and equipped with the ‘dart of eros’

(kama-bana), which deludes the phenomena; and he is full of the erotic

sentiment (srngara-rasa). The worship of bana-lingas is calculated to burn up

our transmigrational involvement.

12.0pt">Then the procedure involves the mental worship of the bana-linga,

visualizing all articles of worship like sandal paste and flowers

(‘manasa gandha-pushpadyaih sampujya manum smaret’). This is

followed by rounds of breath-retention, which will cause delight to the

bana-linga (‘pranayamam tatah krtva bana-lingam tu toshayet’). Then

the devotee visualizes the identity of the bana-linga with his own chosen

deity, and recites the ‘vagbhava-mantra’ in a state of

contemplation (‘tad-ishtadevayor aikyam vibhavya vagbhavam japet’).

12.0pt">After the completion of this ritual of silent and concentrated

repetition of the mantra (japa) for the fixed duration, the devotee offers

following prayer to bana-linga (‘tato japam samapyatha stavenanena

toshayet’).

12.0pt">This marks the completion of the ritual. The prayer-hymn (stava)

contains nineteen verses, the first six of which appear to have been the

original portion and the nucleus; the rest of the section opens afresh with the

seed-syllable ‘aim’ which is the Vedic pranava (with which the

first section begins). The first four verses in this latter section is the

hymn-proper recounting the names of Siva, the remaining verses being in the

nature of ‘phala-stuti’ (eulogization of the benefits to be

obtained by reciting this hymn).

Subham Dinam Astu!

Sarvam Sri

KrishnaArpanamastu!

12.0pt">Hari Om! Hari Bolo!

12.0pt">

12.0pt">Dear Shri Kishoreji

12.0pt">

12.0pt">Here are the answers:

12.0pt">

font-family:"Courier New"">My question is at home in the personal puja room, i

can only face

West. And the shivling projection can point East or North.

12.0pt">

font-family:"Courier New"">>> NO. Facing West and doing pooja with the "yoni-bhagam"

facing north is not advisable unless it is a Bana Linga or Narmadeshwar Shiva

Linga where the prathista samskaran's are not considered to that an extent.

12.0pt">

font-family:"Courier New"">Also one of the shivling i purchased i think at

some ends is not carved correctly, looks like slightly broken. Is it

okay to worship this shivling.

font-family:"Courier New"">>> NO. Get a Narmadeshwara or Bana Lingam and

do the pooja. The length of the Shiva Lingam at home should be less or equal to

the the length of the thumb finger from its base.

12.0pt">

font-family:"Courier New"">Also i wanted to know if ladies except the 5 days do

Abhisekham. Can pregnant ladies also do Abhisekham to shivling.

font-family:"Courier New"">>> Ladies can do when the cycle of nature is

not affecting them. Pregnant ladies after 7 months cannot even go by the Shiva

Lingam. When you keep say a Bana-Lingam you have to observe strict discipline.

12.0pt">

font-family:"Courier New"">Hope this helps!

 

 

 

 

 

prasanna kumar <groupowner.prasanna >

 

Thursday, January 26, 2006 8:22:06 AM

Re: Shiva Linga and Worship

Dear

Brijesh

Thank for the message,The smooth, round pebbles

found in this river

are called "Bana Lingas" and also

Narmada Shiva Linga. Several

scriptures extol the virtues of worshipping the

Bana-Linga. What

Salagramas are to Vishnu, the bana-lingas are to

Shiva - sacred and

self-manifest representations. If the Salagrama

are stones found only

in the Gandaki river, the bana-lingas are stones found

only in the

Narmada river. The currents of the Narmada

river are very strong and

forceful, and the stones are carried from the

rocky river-sides,

rendering them smooth and polished.

According to Yajnavalkya-samhita, the bana-lingas

obtained in the

river Narmada are

the very forms of Siva assumed by the God at the

request of Banasura and are therefore the holiest

of objects.

Worshipping one bana-linga gets the benefits that

can be procured by

worshipping a crore of other lingas.

The demon Bana was the eldest son of Bali, who in turn was the

grandson of Prahlad. Bana was a great devotee of

Siva, and Siva gave

him his own representative in the form of a

natural linga of worship

(banrchartham krtam lingam); hence the name

Bana-linga. As the bana-

lingas are self-manifest forms of Siva, they are

holier than any

other anionic forms of Siva. According to

Yajnavalkya-samhita the

bana-lingas are actually bits of the river-side

rock, which flowed

into the stream Narmada.

The rock by the side of the river was itself

the linga, the form assumed by Siva to bless the

asura Bana. Siva

dwells in that rock and the parts of the rock

which we find in the

river are, therefore, aspects of Siva. The

bana-lingas in the Narmada

River may be the shape of

a ripe jambu-fruit, or of a swan's egg.

They may be honey-coloured, white, blue or

emerald-hued. Suta-

samhita, which also extols the bana-lingas,

mentions that the best

bana-lingas are like the lotus seeds or like the

hen's egg in shape.

According to scriptures, one can simply keep them

in pooja and

worship and there is no need to ceremonially

instal the bana-lingas.

They do not require the normal ritual of

invocation of divine

presence (avahana) etc, for the divine presence is

already there, and

will continue to be there quite independently of

any rituals. Its

worship is said to secure worldly welfare as well

as emancipation

from worldly involvement. It is therefore claimed

that the bana-linga

when worshipped is a thousand times more effective

than any other

linga.

you can get from Rudra centre they will

courier to your address.

http://www.rudraksha-ratna.com/dispCategory.php?

catId=52&PHPSESSID=9e106eab8854a141598998516fdd23cd

Regards

Prasanna Kumar

12.0pt">

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which the word "Chotayaat"(enhance the inner intellectual light in me)is

derived."Pra" is an adjective that improves/qualifies the noun following it

succh as

Pra-katanam/Pra-krthi/Pra-sangam/Pra-siddhi/Pra-vachanam/Pra-Dosham/etc-Somayaji

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Sh.Tammy Ardoin,

 

Please check the following link for getting the CD that will help you

pronunciation.

 

https://celextel.com/cdssanskrit-shiva-c-7_109.html

 

Product name: Shiva Gayatri Mantra

 

Hope this will meet Ur purpose.

 

AUM Namah Shivaya

 

 

 

 

 

 

On 4/2/06, Tammy Ardoin <tamiea7 wrote:

>

> Namaste,

>

> I am fairly new here and have been reading and following the posts. I was

> wondering if anyone can help me.

>

> I am from the US and not real familar with how to pronounce some of the

> mantrs/chants. How would I go about finding out how to pronouce the Rudra

> correctly?

>

> "Tat purushaaya vidmahe',

> Maha devaaya Dhimahi,

> Tanno' Rudra Pracho'daya"

>

> I have found some copies of the Sanskrit Alphabet, but some are written in

> Hindi and then there is vowels and constants under the symbols. But, I reall

> have no idea on how the letters are to be sounded out.

>

> Can anyone direct me in the correct direction?

>

> Thank you so much for all your wonderful imfomation posted here!!!

>

> Om Namah Shivaya

>

> Tammy

>

>

> KASTURI SUBBA RAO <kasturisrao wrote:

> Sh.kalyansimha,

>

> There are no separate mantras for worshiping Namada linga or Narmada

> Bhana linga. The first and foremost requirement is faith and belief.

> Shiva is always satisfies with "Abhishek"

>

> If one wishes to make a brief puja, may do so by chanting Rudra

> Gayatri as

>

> "Tat purushaaya vidmahe',

> Maha devaaya Dhimahi,

> Tanno' Rudra Pracho'daya"

>

> If one is having, a little more time may start with Sankalpa, may

> perform Shodasa upachara puja and finish with Mantra pushpam

> (Pushpaanjali) followed by Aatma pradrakshinam.

>

> For detailed Puja, after Sankalpam, one may perform Abhishek with the

> following mantras,

>

> "Namah Stharaayacha,

> Namah Shambhavecha,

> Mayo Bhavecha,

> Namah Shankarayacha,

> Mayaskaraayacha,

> Namah Shivayacha,

> Shiva Tharaayacha."

>

> And

>

> "Sarvovai Rudrasthasmai Rudraya Namoh asthu,

> Purushovai Rudrasanmanoho namoh namah,

> Viswam bhootam, bhuvanam, chitram, bahudajatam,

> Jaayamanamchayat,

> Survoh'mesha rudrasthasmai, rudraya namoh asthu,

> Kadudraya Prachethase' Meedustamaya tavyase'

> Vochamasanta magum hrideh,

> Survohmesha rudrasthasmai Rudraya namoh Asthu."

>

> This is followed by Panchakshari, Mrityujaya, Namakam, and chamakam

> mantras.

>

> AUM Namah Shivaya

>

>

>

> ,

> "kalyansimha"

> <kalyansimha wrote:

> >

> > Dear Members,

> > I have recently purchased Narmada shiva linga,if any one can guide

> me

> > how to worship linga and some simple mantras.

> > with regards

> > Kalyan

> >

>

>

>

>

>

>

"By eliminating the sheep in himself, a man gives the psychic

> wolves nothing to prey on."

> Vernon Howard, A Treasury of Trueness, # 634

> ***~~***

> Your pain is the breaking of the shell that encloses your understanding.

> Kahlil Gibran, The Prophet

> ***~~***

> The cave you fear to enter...holds the treasure you seek.

> Joseph Campbell

>

>

> ________________________________

> Talk is cheap. Use Messenger to make PC-to-Phone calls. Great rates

> starting at 1¢/min.

>

>

>

> "Tat purushaaya vidmahe',

> Maha devaaya Dhimahi,

> Tanno' Rudra Pracho'daya"

>

> I have found some copies of the Sanskrit Alphabet, but some are written in

> Hindi and then there is vowels and constants under the symbols. But, I reall

> have no idea on how the letters are to be sounded out.

>

> Can anyone direct me in the correct direction?

>

> Thank you so much for all your wonderful imfomation posted here!!!

>

> Om Namah Shivaya

>

> Tammy

>

>

> KASTURI SUBBA RAO <kasturisrao wrote:

> Sh.kalyansimha,

>

> There are no separate mantras for worshiping Namada linga or Narmada

> Bhana linga. The first and foremost requirement is faith and belief.

> Shiva is always satisfies with "Abhishek"

>

> If one wishes to make a brief puja, may do so by chanting Rudra

> Gayatri as

>

> "Tat purushaaya vidmahe',

> Maha devaaya Dhimahi,

> Tanno' Rudra Pracho'daya"

>

> If one is having, a little more time may start with Sankalpa, may

> perform Shodasa upachara puja and finish with Mantra pushpam

> (Pushpaanjali) followed by Aatma pradrakshinam.

>

> For detailed Puja, after Sankalpam, one may perform Abhishek with the

> following mantras,

>

> "Namah Stharaayacha,

> Namah Shambhavecha,

> Mayo Bhavecha,

> Namah Shankarayacha,

> Mayaskaraayacha,

> Namah Shivayacha,

> Shiva Tharaayacha."

>

> And

>

> "Sarvovai Rudrasthasmai Rudraya Namoh asthu,

> Purushovai Rudrasanmanoho namoh namah,

> Viswam bhootam, bhuvanam, chitram, bahudajatam,

> Jaayamanamchayat,

> Survoh'mesha rudrasthasmai, rudraya namoh asthu,

> Kadudraya Prachethase' Meedustamaya tavyase'

> Vochamasanta magum hrideh,

> Survohmesha rudrasthasmai Rudraya namoh Asthu."

>

> This is followed by Panchakshari, Mrityujaya, Namakam, and chamakam

> mantras.

>

> AUM Namah Shivaya

>

>

>

> ,

> "kalyansimha"

> <kalyansimha wrote:

> >

> > Dear Members,

> > I have recently purchased Narmada shiva linga,if any one can guide

> me

> > how to worship linga and some simple mantras.

> > with regards

> > Kalyan

> >

>

>

>

>

>

>

"By eliminating the sheep in himself, a man gives the psychic

> wolves nothing to prey on."

> Vernon Howard, A Treasury of Trueness, # 634

> ***~~***

> Your pain is the breaking of the shell that encloses your understanding.

> Kahlil Gibran, The Prophet

> ***~~***

> The cave you fear to enter...holds the treasure you seek.

> Joseph Campbell

>

>

> ________________________________

> Talk is cheap. Use Messenger to make PC-to-Phone calls. Great rates

> starting at 1¢/min.

>

>

>

> ________________________________

>

>

> Visit your group "" on the web.

>

>

>

>

>

>

>

>

>

>

> ________________________________

>

 

 

--

KS Rao,

Navi Mumbai

Cell: 93242 94531

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mantrs/chants. How would I go about finding out how to pronouce the Rudra>

correctly?>> "Tat purushaaya vidmahe',> Maha devaaya Dhimahi,> Tanno' Rudra

Pracho'daya">> I have found some copies of the Sanskrit Alphabet, but some are

written in> Hindi and then there is vowels and constants under the symbols.

But, I reall> have no idea on how the letters are to be sounded out.>> Can

anyone direct me in the correct direction?>> Thank you so much for all your

wonderful imfomation posted here!!!>> Om Namah Shivaya>> Tammy>>> KASTURI SUBBA

RAO <kasturisrao > wrote:> Sh.kalyansimha,>> There are no separate

mantras for worshiping Namada linga or Narmada> Bhana linga. The first and

foremost requirement is faith and belief.> Shiva is always satisfies with

"Abhishek">> If one wishes to make a brief puja, may do so by chanting Rudra>

Gayatri as>> "Tat purushaaya vidmahe',> Maha devaaya Dhimahi,> Tanno' Rudra

Pracho'daya">> If one is having, a little more time may start with Sankalpa,

may> perform Shodasa upachara puja and finish with Mantra pushpam>

(Pushpaanjali) followed by Aatma pradrakshinam.>> For detailed Puja, after

Sankalpam, one may perform Abhishek with the> following mantras,>> "Namah

Stharaayacha,> Namah Shambhavecha,> Mayo Bhavecha,> Namah Shankarayacha,>

Mayaskaraayacha,> Namah Shivayacha,> Shiva Tharaayacha.">> And>> "Sarvovai

Rudrasthasmai Rudraya Namoh asthu,> Purushovai Rudrasanmanoho namoh namah,>

Viswam bhootam, bhuvanam, chitram, bahudajatam,> Jaayamanamchayat,>

Survoh'mesha

rudrasthasmai, rudraya namoh asthu,> Kadudraya Prachethase' Meedustamaya

tavyase'> Vochamasanta magum hrideh,> Survohmesha rudrasthasmai Rudraya namoh

Asthu.">> This is followed by Panchakshari, Mrityujaya, Namakam, and chamakam>

mantras.>> AUM Namah Shivaya>>>> --- In

,> "kalyansimha"> <kalyansimha

wrote:> >> > Dear Members,> > I have recently purchased Narmada shiva linga,if

any one can guide> me> > how to worship linga and some simple mantras.> > with

regards> > Kalyan> >>>>>>>>>>>>>> "By eliminating the sheep in himself, a man

gives the psychic> wolves nothing to prey on."> Vernon Howard, A Treasury of

Trueness, # 634>

***~~***> Your pain is the breaking of the shell that encloses your

understanding.> Kahlil Gibran, The Prophet> ***~~***> The cave you fear to

enter...holds the treasure you seek.> Joseph Campbell>>>

________________________________> Talk is cheap. Use Messenger to make

PC-to-Phone calls. Great rates> starting at 1¢/min.>>>> "Tat purushaaya

vidmahe',> Maha devaaya Dhimahi,> Tanno' Rudra Pracho'daya">> I have found

some copies of the Sanskrit Alphabet, but some are written in> Hindi and then

there is vowels and constants under the symbols. But, I reall> have no idea on

how the letters are to be sounded out.>> Can anyone direct me in the correct

direction?>> Thank you so much for all your wonderful imfomation posted

here!!!>> Om Namah Shivaya>>

Tammy>>> KASTURI SUBBA RAO <kasturisrao > wrote:> Sh.kalyansimha,>>

There are no separate mantras for worshiping Namada linga or Narmada> Bhana

linga. The first and foremost requirement is faith and belief.> Shiva is always

satisfies with "Abhishek">> If one wishes to make a brief puja, may do so by

chanting Rudra> Gayatri as>> "Tat purushaaya vidmahe',> Maha devaaya

Dhimahi,> Tanno' Rudra Pracho'daya">> If one is having, a little more time

may start with Sankalpa, may> perform Shodasa upachara puja and finish with

Mantra pushpam> (Pushpaanjali) followed by Aatma pradrakshinam.>> For detailed

Puja, after Sankalpam, one may perform Abhishek with the> following mantras,>>

"Namah Stharaayacha,> Namah Shambhavecha,> Mayo Bhavecha,> Namah

Shankarayacha,> Mayaskaraayacha,> Namah Shivayacha,> Shiva Tharaayacha.">> And>>

"Sarvovai Rudrasthasmai Rudraya Namoh asthu,> Purushovai Rudrasanmanoho namoh

namah,> Viswam bhootam, bhuvanam, chitram, bahudajatam,> Jaayamanamchayat,>

Survoh'mesha rudrasthasmai, rudraya namoh asthu,> Kadudraya Prachethase'

Meedustamaya tavyase'> Vochamasanta magum hrideh,> Survohmesha rudrasthasmai

Rudraya namoh Asthu.">> This is followed by Panchakshari, Mrityujaya, Namakam,

and chamakam> mantras.>> AUM Namah Shivaya>>>> --- In

,> "kalyansimha"> <kalyansimha

wrote:> >> > Dear Members,> > I have recently purchased Narmada shiva linga,if

any one can guide> me> > how to worship linga and some simple mantras.> > with

regards> > Kalyan> >>>>>>>>>>>>>> "By eliminating the sheep in himself, a man

gives the psychic> wolves nothing to prey on."> Vernon Howard, A Treasury of

Trueness, # 634> ***~~***> Your pain is the breaking of the shell that encloses

your understanding.> Kahlil Gibran, The Prophet> ***~~***> The cave you fear to

enter...holds the treasure you seek.> Joseph Campbell>>>

________________________________> Talk is cheap. Use Messenger to make

PC-to-Phone calls. Great rates> starting at 1¢/min.>>>>

________________________________> >> Visit your group

"" on the web.>> To from this group, send an

email to:>

>> Your use of

is subject to the > To from this group,

send an email to:> >> Your

use of is subject to the > Your use of

is subject to the >

________________________________>--KS Rao,Navi MumbaiCell: 93242 94531

"By eliminating the sheep in himself, a man gives the psychic wolves nothing to

prey on." Vernon Howard, A Treasury of Trueness, # 634 ***~~*** Your pain is

the breaking of the shell that encloses your understanding. Kahlil Gibran, The

Prophet ***~~*** The cave you fear to enter...holds the treasure you seek.

Joseph Campbell

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Namaste,

 

I have recently bought a Paraad(Mercury) ShivLing. Does anyone know,

if it is best of all ShivLingas and whats the poojan vidhi.

 

God bless!!

 

, Rajagopalan Somayaji

<ssrvj wrote:

>

> Narmadha Siva Lingam is usually known as "Bhaana Lingam"-the

mythology says that Bhaana Asura worshipped one crore(10 million)

Shiva Lingas and he did "visarjanam" in narmadha river.Bhaana Lingam

will have different kinds of red tinges-may be different kinds of

metalic compounds in granite.Narmadha Lingas are considered to

be "the best" for Siva pooja.We have one in our house for the past

200 years-Somayaji

>

> kalyansimha <kalyansimha wrote: Dear Members,

> I have recently purchased Narmada shiva linga,if any one can guide

me

> how to worship linga and some simple mantras.

> with regards

> Kalyan

>

>

> Lord shiva

>

>

>

>

>

> Visit your group "" on the web.

>

>

>

>

> Terms of

Service.

>

>

>

>

>

>

>

>

>

> How low will we go? Check out Messenger's low PC-to-Phone

call rates.

>

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