Guest guest Posted August 18, 2003 Report Share Posted August 18, 2003 Dear Satishji Namaskar My Friend and thank you for your message......yes many different people wear in different manners.....and sometimes have different rules to follow for wearing......the way we have found to be most successful and Happy for the person is to actually wear the Japa Mala when not doing Japa with it.........then also if a person wishes to do Japa to the Devata of the Bead on your wearing Mala it is most appropriate to stop whatever you are doing and hold that bead.......close your eyes and do Japa with the Mantra for that Rudraksa as much as you wish....we simply recommend that people keep the Holy Rudraksa on their bodies........ in any way they.......for as much time each day as they can... instead of constantly seperateing themselves from their Holy Rudraksa........Is said all the Gods and Goddess reside in the Holy Rudraksa and for me personally I would rather have them with me in any way possible instead of experienceing any kind of seperation Different people simply do things differently Lokaa Samasta Sukhino Bhavantu Thanks and Take Care My Friend DharmaDev Arya kumar satish <ksatishkumar_in <> Sunday, August 17, 2003 11:30 PM RBSC : Japa mala Hello Members, As we all known that japa mala should not worn on neck, the mala worn on neck should not be used for japa (reciting mantras). From one source i came to know that after reciting mantras (japa) japa mala has to be worn on neck for about 5 minutes to absorb the energies. Any Comments With Warm Regards, Satish Plus - For a better Internet experience http://uk.promotions./yplus/yoffer.html To send an email to: Quote Link to comment Share on other sites More sharing options...
Guest guest Posted April 13, 2006 Report Share Posted April 13, 2006 A japa mala or mala is an Indian rosary with 108 beads. It is often used for reciting or chanting a mantra or other forms of sadhana (spiritual exercise). Mala itself is a Sanskrit term meaning 'garland' or 'necklace'. Use of a Mala Mantras are often repeated hundreds or even thousands of times. The mala is used so that one can think about the meaning of the mantra as it is chanted rather than thinking about counting the repetitions. Each time the mantra is repeated, the fingers move to the next bead. If more than 108 repetitions are to be done, then grains of rice are counted out before the chanting begins and one grain is placed in a bowl for each 108 repetitions. Each time a full mala of repetitions has been completed, one grain of rice is removed from the bowl. The 109th bead on a mala is called the sumeru or guru bead. Counting should always begin with a bead next to the sumeru. In the Hindu tradition, if more than one mala of repetitions is to be done, one changes directions when reaching the sumeru rather than crossing it. The sumeru thus becomes the static point on the mala. Many believe that when one uses a mala many times in this way, it takes on the energy of the mantra that is being chanted. For this reason it is common to chant only one particular mantra with a particular mala. Malas are also used in many forms of Mahayana Buddhism, often with a lesser number of beads (usually a divisor of 108). In Pure Land Buddhism, for instance, 27 bead malas are common. In China such malas are named "Shu-Zu"; in Japan, "Juzu". These shorter malas are sometimes called 'prostration rosaries', because they are easier to hold when enumerating repeated prostrations. In Tibetan Buddhism, larger malas are often used of, say, 111 beads: when counting, they calculate one mala as 100 mantras, and the 11 extra are taken as extra to compensate for errors. Hindu tradition holds that the correct way to use a mala is with the right hand, with the thumb flicking one bead to the next, and with the mala draped over the middle finger. The index finger represents ego, the greatest impediment to Self-Realization, so it is considered bad to use it with a mala. Buddhism, being the liberal religion that it is, taught that it was perfectly acceptable to use the mala in the left hand with any fingers. In Tibetan Buddhism (tantra), depending on the practice, there may be preferred ways of holding the mala (left or right hand, rolling the beads over the index or any of the other fingers etc...) History of the Mala The name of the rosary , which has obvious similarities to the mala, is said to have come from japa mala. When Roman explorers came into India and encountered the mala, they heard jap mala instead of japa mala. Jap means "rose", and the mala was carried back to the Roman Empire as rosarium, and into English as rosary. Materials A wide variety of materials are used to make mala beads. In Hinduism, Vaishnavas generally use the Japamaala of Tulsi beads. The Shaivites use that of Rudraksha beads. Some Tibetan Buddhist traditions call for the use of bone (animal, most commonly yak) or sometimes human, the bones of past Lamas being the most valuable. Others use wood or seeds from the Bodhi tree or seeds of the Lotus plant. Semi-precious stones such as carnelian and amethyst may be used, as well. The most common and least expensive material is sandalwood. In Buddhist Tantra or Vajrayana , materials and colors of the beads can relate to a specific practice. With warm regards Prasanna Kumar Quote Link to comment Share on other sites More sharing options...
Guest guest Posted May 7, 2006 Report Share Posted May 7, 2006 Dear M Sai Ji Namaskar and thanks for message..........actually there is no rule written in stone about stringing beads however in SriMadDeviBhagavat it is state for Mantra Siddhi stringing then string mouth part to mouth part meaning to wear in pairs.......they knew to do this years ago when book was written so is good to follow their writting.........other than that you can experiment with any type of stringing you wish and there will be results that will differ hope this helps Wishing you and Family the Best Rudra Center America DharmaDev Arya In a message dated 5/7/2006 6:38:58 AM Pacific Standard Time, mudigantisai writes: > > > Namste Group, > > I would like to know whether there is any specific Method of Stringing > the beads in Japa Mala like Mouth Part to Mouth Part etc or just > string the Beads one behind another. > > Thanking you > > Yours truly. > > M.Sai > > > > > > > > > > To send an email to: > > > > Links > > > > > > > Quote Link to comment Share on other sites More sharing options...
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