Guest guest Posted January 13, 2004 Report Share Posted January 13, 2004 Hare Krishna, Kindly glorify the pastimes of Srila Jayadeva Goswami on his disappearance day on 13th Jan. Kindly use font type 'Balarama' or 'Sca Goudy' to read the text below. Your servant in mission of Srila Prabhupada Nanda Gopal Dasa Srila Jayadeva Gosvami Three hundred years before the appearance of Sri Caitanya Mahaprabhu, Sri Jayadeva Goswami served as the court Pandita of Sri Laksmana Sena, King of Bengal. Jayadeva and Pedmavati (his wife and an expert dancer) used to worship Lord Sri Krishna with single-minded devotion. After some time, he left the opulent royal life to live peacefully in a grass hut in Champahatti, Navadvipa. Here Jayadeva wrote Gita Govinda. One day while working on Gita Govinda Jayadeva felt inspired to write, "Krishna bows to touch the lotus feet of Srimati Radharani." Jayadeva was hesitant to say something, which might diminish Lord Krishna's position as the Supreme Personality of Godhead. He went to refresh himself with a Ganges bath before honoring Radha-Madhava's maha-prasadam. In his absence, Krishna Himself, disguised as Jayadeva, wrote a line in the Gita Govinda: dehi pada pallavam udaram. The Lord also accepted prasadam from Padmavati. Upon returning, Jayadeva cried in spiritual joy and said, "Padmavati, we are most fortunate. Sri krishna Himself has written the line, dehi pada pallavam udaram and taken prasadam from your hand. Gita Govinda expresses the intense feelings of separation that Sri Radhika felt before the rasa dance. It also describes the most intimate pastimes of Radha-Symasundara. During Lord Caitaya's Gambhira lila in Jagannatha Puri, He would thoroughly relish hearing the Gita Govinda sung daily by Svarupa Damodara and Mukunda. The author Jayadeva Goswami describes Gita Govinda: "Whatever is delightful in varieties of music, whatever is graceful in fine strains of poetry, and whatever is exquisite in the sweet art of love-let the happy and wise learn form the songs of Jayadeva." After finishing Gita Govinda Jyadeva visited Vrndavana and then lived his last in Jagannatha Puri. He introduced daily reading of Gita Govinda in the temple for the pleasure of Lord Jagannatha. His samadhi is in the 64 Samadhis Area. CC Adi 13:42 TEXT vidyäpati, jayadeva, caëòédäsera géta äsvädena rämänanda-svarüpa-sahita TRANSLATION The Lord used to read the books of Vidyäpati, Jayadeva and Caëòédäsa, relishing their songs with His confidential associates like Çré Rämänanda Räya and Svarüpa Dämodara Gosvämé. PURPORT Vidyäpati was a famous composer of songs about the pastimes of Rädhä-Kåñëa. He was an inhabitant of Mithilä, born in a brähmaëa family. It is calculated that he composed his songs during the reign of King Çivasiàha and Queen Lachimädevé, in the beginning of the fourteenth century of the Çaka Era, almost one hundred years before the appearance of Lord Caitanya Mahäprabhu. The twelfth generation of Vidyäpati's descendants is still living. Vidyäpati's songs about the pastimes of Lord Kåñëa express intense feelings of separation from Kåñëa, and Çré Caitanya Mahäprabhu relished all those songs in His ecstasy of separation from Kåñëa. Jayadeva was born during the reign of Mahäräja Lakñmaëa Sena of Bengal, in the eleventh or twelfth century of the Çaka Era. His father was Bhojadeva, and his mother was Vämädevé. For many years he lived in Navadvépa, then the capital of Bengal. His birthplace was in the Birbhum district, in the village Kendubilva. In the opinion of some authorities, however, he was born in Orissa, and still others say that he was born in southern India. He passed the last days of his life in Jagannätha Puré. One of his famous books is Géta-govinda, which is full of transcendental mellow feelings of separation from Kåñëa. The gopés felt separation from Kåñëa before the räsa dance, as mentioned in Çrémad-Bhägavatam, and the Géta-govinda expresses such feelings. There are many commentaries on the Géta-govinda by many Vaiñëavas. Caëòédäsa was born in the village of Nännura, which is also in the Birbhum district of Bengal. He was born of a brähmaëa family, and it is said that he also took birth in the beginning of the fourteenth century, Çakäbda Era. It has been suggested that Caëòédäsa and Vidyäpati were great friends because the writings of both express the transcendental feelings of separation profusely. The feelings of ecstasy described by Caëòédäsa and Vidyäpati were actually exhibited by Çré Caitanya Mahäprabhu. He relished all those feelings in the role of Çrématé Rädhäräëé, and His appropriate associates for this purpose were Çré Rämänanda Räya and Çré Svarüpa Dämodara Gosvämé. These intimate associates of Lord Caitanya Mahäprabhu helped the Lord very much in the pastimes in which He felt like Rädhäräëé. Çré Bhaktisiddhänta Sarasvaté Öhäkura comments in this connection that such feelings of separation as Lord Caitanya Mahäprabhu enjoyed from the books of Vidyäpati, Caëòédäsa and Jayadeva are especially reserved for persons like Çré Rämänanda Räya and Svarüpa Dämodara, who were paramahaàsas, men of the topmost perfection, because of their advanced spiritual consciousness. Such topics are not to be discussed by ordinary persons imitating the activities of Lord Caitanya Mahäprabhu. For critical students of mundane poetry and literary men without God consciousness who are after bodily sense gratification, there is no need to read such a high standard of transcendental literature. Persons who are after sense gratification should not try to imitate rägänuga devotional service. The songs of Caëòédäsa, Vidyäpati and Jayadeva describe the transcendental activities of the Supreme Personality of Godhead. Mundane reviewers of these songs simply help people in general become debauchees, and this leads only to social scandals and atheism in the world. One should not misunderstand the pastimes of Rädhä and Kåñëa to be the activities of a mundane young boy and girl. The mundane sexual activities of young boys and girls are most abominable. Therefore, those who are in bodily consciousness and who desire sense gratification are forbidden to indulge in discussions of the transcendental pastimes of Çré Rädhä and Kåñëa. 64 Samadhis @ Vrndavana Quote Link to comment Share on other sites More sharing options...
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