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LalithA SahasranAma [901] nAdarUpini

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nAdarUpini : In the form of NAda

 

NAfa is above the Pranava. The great ones say, "Thy blissful form, O

Queen, is manifested as NAda in the place called AnAhata, experienced

by the mind turned inwards; the blessed ones express it by tears in

their eyes and by hairs standing erect"

 

Or whose form is in NAda. The Svacchanda Tr. says,"That which I

described to you by the name of Rohini, above that resides NAda....

one should meditate on the supreme Siva going upward sitting on the

lap of that" [ see name 296]

 

 

 

BhAskararAya's Commentary

Translated into English by R. Ananthakrishna Sastry.

 

Lalitha Sahasranama with commentaries now in SS homepage. See link

http://shaktisadhana.50megs.com/Newhomepage/sadhana/Commentaries.html

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She is the Mother of Sabda Brahma [The Word as God], Nada [unstruck

Sound] being the primordial stress before Sabda is created.

 

- Dr. C. Suryanarayana Murthy, Commentary on the Sri Lalita

Sahasranama, 1962

 

She embodies Nada, situated above the Pranava.

 

Alternatively, She whose form is within Nada.

 

- Dr. L. M. Joshi, Lalita Sahasranama: A Comprehensive Study of the

One Thousand Names of Lalita Maha-Tripurasundari (1998)

 

 

, "NMadasamy"

<ashwini_puralasamy wrote:

>

>

> nAdarUpini : In the form of NAda

>

> NAfa is above the Pranava. The great ones say, "Thy blissful form, O

> Queen, is manifested as NAda in the place called AnAhata, experienced

> by the mind turned inwards; the blessed ones express it by tears in

> their eyes and by hairs standing erect"

>

> Or whose form is in NAda. The Svacchanda Tr. says,"That which I

> described to you by the name of Rohini, above that resides NAda....

> one should meditate on the supreme Siva going upward sitting on the

> lap of that" [ see name 296]

>

>

>

> BhAskararAya's Commentary

> Translated into English by R. Ananthakrishna Sastry.

>

> Lalitha Sahasranama with commentaries now in SS homepage. See link

> http://shaktisadhana.50megs.com/Newhomepage/sadhana/Commentaries.html

>

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