Reclaiming Bharatiya chronology

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Hindu civilization studies, reclaiming Bharatiya chronology

Posted by: "kalyan97" kalyan97 kalyan97

Sat Oct 28, 2006 4:53 pm (PST)

Hindu civilization studies, reclaiming Bharatiya chronology

 

The links for the following studies are provided:

 

1. Kandiyur celt with Sarasvati hieroglyphs and Bharatam civilization

studies

 

2. Soma as ams'u, ore veinlets

 

3. Sarasvati (mleccha) hieroglyphs (Indus script)

 

4. Sarasvati-Croat cultural interactions during the transition from

Neolithic to Metals Age (ca. 6500 BCE to First millennium BCE)

 

5. Sarasvati dars'an movie 6.18 m

 

6. Sarasvati in ancient texts

 

Kandiyur celt with Sarasvati hieroglyphs and Bharatam civilization

studies

 

http://sarasvati95. googlepages. com/kandiyurcelt

1a.pdf<http://sarasvati95. googlepages. com/kandiyurcelt .pdf>

(108k)

 

http://sarasvati95. googlepages. com/kandiyurcelt 1b.pdf 861k)

 

http://sarasvati95. googlepages. com/kandiyurcelt 1c.pdf (557k)

 

http://sarasvati95. googlepages. com/kandiyurcelt 2.pdf (980k)

 

Abstract

 

Kandiyur celt with Sarasvati hieroglyphs connoting the repertoire of a

smithy using kan.d. 'furnace' points to the need for researches related to

a

Kaveri joining Narmada and a Kaveri joining Amaravati river near Karur

(Tiruchy). The researches also need to extend to the continuing s'ankha

(turbinella pyrum) industry for about 8,500 years (from ca. 6500 BCE).

The

bharatiya languages of the 4 th millennium were a linguistic area with

Austro-Asiatic, Tamil and Prakrit-Pali (Mleccha, meluhha) speakers

absorbing

language features from one another. Explorations are called for along the

palaeo-channels of River Kaveri, along the coastline from Dvaraka

(Gujarat)

to Puri (Orissa) and further along the Indian Ocean Rim to investigate the

interactions during pre-historic times in the Indian Ocean Community

leading

to the attested 400+ Munda words in ancient texts including the Veda.

Satellite images and sonograph studies have helped identify the

submerged

palaeo-channels of Narmada and Tapati rivers which were submerged by

the

incursion of the sea as announced in the Mausala Parvan of

Mahabharata by

S'ri Krishna. Archaeo-metallurgic al, Marine archaeological and language

studies along the 63,000 km. long Indian Ocean Rim will augur a good

beginning to remember the cultural interactions which resulted in the

largest Vishnu mandiram of the world at Angkor Wat (Nagara Vatika).

 

Soma as ams'u, ore veinlets

 

http://sarasvati95. googlepages. com/amsu. doc

 

Abstract

 

The burden of this monograph is to identify Soma by reviewing the

semantics

of ams'u and hence, the reality of Soma as a mineral – electrum –

processed

to attain pure metals of gold and silver.

 

Louis Renou noted: "Toute le RV est present in nuce autour des themes

du

soma" Etudes Vediques et Panineens, Tome IX, Paris 1961, p. 8.

Trans. All

the Rigveda is present in a nutshell around the topics of the soma. The

Soma

yajna is the soul of the Rigveda (a_tma_ yajnasya: RV. IX. 2,10; 6,8).

Linking with Indra, Soma is called in RV. IX.85,3 the 'soul (a_tma_) of

Indra', the bolt (vajra) of Indra' (RV. IX.77,1) and even 'generator of

Indra' (RV. IX.96.5). In the context of the poetics of the Rigveda which

abounds in allegories, puns and metaphors, it is hypothesised that only

Soma, and Soma alone was a product refined using Agni; all the other

references to divinities arepoetic degrees of freedom to invoke gods into

artefactsused in the processing of Soma. Perhaps, even Indra was

relatable

to the lexeme: indh (semant. firewood or charcoal):

 

It is extraordinary that soma is referred to in dual, or plural

(re-inforcing the allegorical nature of the descriptions) : "with those two

forms" (RV IX.yy.2,3,5) ; "the forms (plural, not dual) that are thine" (RV

IX.66.3); "the shining rays spread a filter on the back of the heaven, O

soma, with (thy) forms(plural, not dual)" (RV IX.66.5); the dual reference

is to the ore-form and the purified/processed form. All the su_ktas are

thus, governed by a framework of four principal metaphors, rendered in

scintillating, ecstatic, aadhyaatmika poetic resonance : word, prayer,

gods,

material well-being.

 

See also:

 

Sarasvati (mleccha) hieroglyphs (Indus script) – 7 URLs below:

 

http://sarasvati95. googlepages. com/hieroglyphs1 a.pdf

 

http://sarasvati95. googlepages. com/hieroglyphs1 b.pdf

 

http://sarasvati95. googlepages. com/hieroglyphs1 b.pdf

<http://sarasvati95. googlepages. com/hieroglyphs1 d.pdf>

 

http://sarasvati95. googlepages. com/hieroglyphs1 d.pdf

 

http://sarasvati95. googlepages. com/hieroglyphs1 e.pdf

<http://sarasvati95. googlepages. com/hieroglyphs1 d.pdf>

 

http://sarasvati95. googlepages. com/hieroglyphs2 a.pdf

 

http://sarasvati95. googlepages. com/hieroglyphs2 b.pdf

 

Sarasvati-Croat cultural interactions during the transition from Neolithic

to Metals Age (ca. 6500 BCE to 1st millennium BCE) – 4 URLs below:

 

http://sarasvati95. googlepages. com/croats1a. pdf

 

http://sarasvati95. googlepages. com/croats1b. pdf

 

http://sarasvati95. googlepages. com/croats1c. pdf

 

http://sarasvati95. googlepages. com/croats1d. pdf<http://sarasvati96.

googlepages. com/croats1. doc>

 

http://www.youtube. com/watch? v=INdvwm- vH0w (Sarasvati dars'an

movie 6.18 m.)

 

http://sarasvati96. googlepages. com/textexhibits .pdf (Sarasvati in

ancient

texts)