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Post 27

 

 

 

Dear Sri vaishnava perunthagaiyeer,

 

 

 

In the previous 26 posts, we saw 'lakshmaNa' donning 10 roles. The 10th role

as a great warrior is continuing. Just for recollection, we have completed

lakshmaNa's role as a warrior in

 

- thaatakaa vadham,

- maareecha ambush and subhaahu killing,

- viraadha vadham,

- soorpanakaa punishment,

- khara dhooshaNa vadham

- maareecha vadham

- vaali vadham

- with virupaaksha vadham – in the lanka war

 

 

 

Before continuing, we will see four slokams, which give evidence of the time

duration of war. On the full moon day the commanders of the raama's army

viz, raama, lakshmaNa, sugreeva and vibheeshaNa, with hanumaan and other

chiefs stayed at the hill top or resort of suvEla mountain – that day it was

a full moon day as stated by vaalmeeki. See slokam

 

 

 

thathO astham agamath sooryah sandhyayaa prathiranjitha: || 6-38-18

 

poorNa chandra pradheepaa cha kshapaa samabhivarthathE |

 

 

 

meaning: Then, the sun reddened with evening-twillight went down and the

night, shining with full moon arrived. [evening sun went off and full moon

arrived in sky – means - that day is pourNami]

 

 

 

thaam raathrim ushithaas thathra suvElE hari pungavaa: |

 

lankaayaam dhadhru*s*ur veeraa vanaany upavanaani cha || 6-39-1

 

 

 

meaning: The valiant army-chiefs of monkeys stayed on SuvEla mountain for

that night and saw the garden and groves in Lankaa.

 

 

 

*Point:* so the next day being the first day – prathamai thithi – war did

not start on that day. While enjoying the scenes of lankaa from SuvEla

Mountain, they could see raavaNa coming to the balcony of his palace. Seeing

him sugreeva rushed to raavaNa, had a fight with him for a long time – this

long time is stated in two places as chira kaalam – means during the entire

day perhaps. When raavaNa was going down in strength, he started to resort

to 'maaya war' – trickstering – since generally these raakshasaas do that in

the night - we can presume the duel was slipping into the evening. Realizing

about the maayaa war, sugreeva left.

 

 

 

So that was the incident during the daytime. The evening came – and raama

told lakshmaNa about the sakunams – good and bad oomens – one of the

sentences indicate the time also. That slokam is

 

 

 

raktha chandhana sankaa*s*aa sandhyaa parama dhaaruNaa |

 

jvalach cha nipathathy Ethadh aadhithyaadh agni maNDalam || 6-41-15

 

 

 

meaning: raama says, 'The dusk, red as sandal, is full of horror and from

the sun, this blazing mass of fire falls."

 

 

 

*Point:* That description about dusk indicates the evening also arrived –

meaning that the whole day was spent taking rest in the mountaintop and

prathama thithi was spent. On dvithiya thithi, the war started by dividing

the army into parts and sending to each gate in all 4 directions of the

fortified city of lanka.

 

 

 

Next -When the war is progressing, in sargam 93 of yudhdha kaaNdam, raavaNa

is being advised by supaarsvan – his minister - as to --

 

 

 

abhyuththhaanam thvam adhya Eva krishNa paksha chathurdhaseem |

 

kruthvaa niryaahi amaavaasyaam vijayaayam balair vruththa: || 6-93 -68

 

 

 

meaning: oh king, rise today itself in the krishNa paksha chathurdhasee, and

start [fighting] to achieve victory on the amaavaasyaa day.

 

 

 

*point:* As said by this minister, raavaNa sends his 'core army' or

commandos - 'that moola balam' – to do the yudhdham – on the chathurdhasee

day – 14th day and on seeing that moola balam is destroyed, he himself

starts the fight on that day itself – the 14th day – on seeing raavaNan

getting tired raama sends him back. So raavaNa returns on amavaasya day and

gets killed. So the time stretch of the 'raama – raavaNa war' is a '14 day

affair'.

 

 

 

Now let us continue on our topic of lakshmaNa's contribution in the war. On

the night of that day, viz. 2nd day, see lakshmaNa doing the damage along

with raama on the raakshasaas – raavaNa's son indhrajith was leading the

contingent at that time – [during the day time war virupaaksha was killed by

lakshmaNa as seen already]

 

 

 

lakshmaNa*s* cha api raama*s* cha *s*aarair aa*s*ee visha upamai: || 6-44-9

 

dhru*s*ya adhru*s*yaani rakshaamsi pravaraaNi nijaghnathu: |

 

 

 

meaning: Raama and LakshmaNa killed the foremost of the demons, both, those

who were visible and those who were invisible, with their arrows resembling

venomous snakes.

 

 

 

*Story:* Seeing the raakshasaas being killed indhrajith also fought fiercely

killing many vaanaraas. Angadha, the son of vaali, fought valiantly with

indhrajith and killed his charioteer and damaged the chariot. So indhrajith

resorted to maaya war – since night darkness and being invisible indhrajith

struck heavily - all these covered in slokams 9 to 35 – next

 

 

 

raamam cha lakshmaNam chaiva ghOrair naagamayai: *s*arai: |

 

bibhEdha samarE krudhdhha: sarva gaathrEshu raaghavou || 6-44-36

 

 

 

meaning: Being enraged in battle, Indrajith bursted out serpent-like

terrible arrows into all the limbs of Raama and LakshmaNa, who were born in

Raghu dynasty.

 

 

 

maayayaa samvruthasthathra mOhayan raaghavou yudhi |

 

adhru*s*yo ni*s*aitaan baaNaan mumOcha a*s*aani varchasa: || 6-44-37

 

babandha *s*arabandhEna bhraatharou raamalakshmaNou |

 

 

 

meaning: Enveloped by illusion, indhrajith sought to confuse Raama and

LakshmaNa in the struggle there. And being invisible to all beings through

his magic arts, Indhrajith, the ranger of the night, bound those two

brothers Raama and LakshmaNa with a network of arrows [sarpa asthrams].

 

 

 

*Story:* When this was happening raama ordered 10 of his monkey chiefs to

locate indhrajith in the sky – when tried they were beaten by indhrajith

because of his invisibility - but see what he did -

 

 

 

raama lakshmaNayOr Eva sarva marma bhidah *s*araan |

 

bhru*s*am aave*s*ayaamaasa raavaNih samithinjaya: || 6-45-7

 

 

 

meaning: Indhrajith, the victorious in battle, transfixed Raama and

LakshmaNa with those arrows that lacerated their flesh in great measure.

 

 

 

As a result of this mesmerizing and being hit by lot of arrows and losing of

blood, raama and lakshmaNa became unconscious and fell flat on ground –

raama falling first -

 

 

 

papaatha prathamam raamO viddhO marmasu maargaNai: |

 

krOdhaadh indhrajithaa yEna puraa *s*akro vinirjitha: || 6-45-22

 

 

 

meaning: Raama fell first, his vital parts pierced by arrows of the wrathful

Indhrajith, who had formerly vanquished Indhra, the Lord of celestials.

 

 

 

baaNa paatha antharE raamam pathitham purusha rishabham || 6-45-25

 

sa thathra lakshmaNO dhrushTvaa niraa*s*O jeevithE abhavath |

 

 

 

meaning: Seeing Raama, the excellent man, fallen at a distance of an arrow's

range, LakshmaNa became hopeless about his own life.

 

[hopeless about his own life - meaning – unconscious]

 

 

 

*Point:* See here – even though lakshmaNa was also hit badly – seeing his

brother falling down made lakshmaNa feel for that sOkham more – about his

brother's condition – that made him become unconscious. That love for his

brother shines at every moment – oh great.

 

 

 

*Story:* Seeing that both brothers have fallen the monkeys were a little

desperate. But vibheeshaNa consoled all. Inspite of indhrajith's

invisibility due to his powers, vibheeshaNa could identify him standing

nearby. Seeing both raama and lakshmaNa fallen flat on ground, indhrajith

claimed victory and wanted to announce that to his father – see

 

 

 

dhooshaNasya cha hanthaarou kharasya cha mahaa balou || 6-46-12

 

saadhithou maamakair baaNair bhraatharou raama lakshmaNou |

 

 

 

meaning: The exceedingly strong brothers Raama and LakshmaNa, the killers of

Khara and Dhooshana have been killed by my arrows."

 

[of course this slokam is announcement at the battle filed itself, to give a

morale boost to his army, and not to raavaNan but later when he entered the

palace similar message was given]

 

 

 

*story:* RaavaNa was very happy to receive that message from his son.

RaavaNa sent message to the servants around seethaa, to airlift her in

pushpaka vimaanam to the battlefield and show her raama and lakshmaNa flat.

Thus seethaa also became very sad thinking they were dead.

 

 

 

When seethaa wept on seeing the brothers fallen, her knowledge on the

lakshaNa saasthram came out – for she said, "my body has this this marks and

shaped like this this – which are indications of a nithya sumangali – and a

super personality - and as such I cannot be a widow" etc – [dear readers, we

enjoyed all that - in another article – of course by MGV].

 

 

 

Then thrijata who gave hopes to seethaa earlier [by telling about her dream

in sundhara kaaNdam] gave hopes again saying 'this divine pushpaka vimaanam

itself will not carry a widow, if you are really so, [since raama has

fallen] and as such, oh seethaa, you need not worry'. Thus she got consoled

to some extent and returned to asOkha vanam.

 

 

 

When all vaanaaraas were standing anxiously surrounding raama and lakshmaNa,

after a while raama gained consciousness. Seeing lakshmaNa having fallen

raama started weeping -

 

 

 

kim nu mE seethayaa kaaryam kim kaaryam jeevithEna vaa |

 

*s*ayaanam yO adhya pa*s*yaami bhraatharam yudhi nirjitham || 6-49-5

 

*s*akyaa seethaa samaa naaree praaptum lOkE vichinvathaa |

 

na lakshmaNa samO bhraathaa sachiva: saamparaayika: || 6-49-6

 

 

 

meaning: raama weeps, "Of what use to me is the recovery of Seethaa or even

life itself, since my brother now lying, before my eyes, has been struck

down in the fight?" raama continues weeping, "It can be possible, if I were

to look for her, to find a consort equal to Seethaa in this world of mortals

but not a brother, a friend and a comrade in a hostile war, such as

LakshmaNa!"

 

 

 

*point:* that title of our friend coimbatore sadagopan swamy comes to mind –

'made for each other' – on raama and seethaa – but raama himself says 'I can

find another seethaa but not a lakshmaNa'. So the question arise 'who is

better than who?' Answer- no comparisons please. We have to accept that all

three were made for each other and no equals can be found elsewhere.

 

 

 

parithyakshyaamy aham praaNaan vaanaraaNaam thu pa*s*yathaam |

 

yadhi panchathvam aapannah sumithraa aanandha vardhana: || 6-49-7

 

 

 

meaning: If LakshmaNa returned to the five elements, he, the increaser of

Sumithra's joy, I will give up my life-breaths while the monkeys stand

looking on." –

 

 

 

[returning to 5 elements - meaning if he is dead really –

 

the usage of words here is a linguistic beauty]

 

 

 

thvam nithyam suvishaNNam maam aa*s*vaasayasi lakshmaNa |

 

gatha asur na adhya *s*aknOshi maam aartham abhibhaashithum || 6-49-13

 

 

 

meaning: O, LakshmaNa! You always used to console me, whenever I was in a

great sorrow. You, having lost your life now, are not able to allay my

sufferings with your words."

 

 

 

surushTEna api veerENa lakshmaNEnaa na samsmarE |

 

parusham vipriyam vaa api *s*raavitham na kadhaachana || 6-49-19

 

 

 

meaning: I do not remember to have heard any harsh or hateful words from

that valiant Lakshmana, even if he is deeply provoked."

 

 

 

Point: see the appreciating words of raama on his brother – thinking that

lakshmaNa is dead.

 

point to learn for us, from this 19th slokam is – here - from the words of

raama – 'whenever a person is dead even though he is a bad man really,

praise him at his death bed'.

 

 

 

Of course 'That bad man' really does not apply to lakshmaNa. And this is not

a flattery or false praise by raama. As we have seen already, whenever

lakshmaNa is hot and strong in his words, it is due to his extraordinary

love of his brother.

 

 

 

*Story:* Then vibheeshaNa returns back – seeing him, thinking that he is

indhrajith, the vaanara army runs away. After realizing it is so and so,

they return. [perhaps vibheeshaNa having identified indhrajith might have

gone to find out what indhrajith is doing next – for that is not described

by vaalmeeki – otherwise where is the need for his returning to the

proximity of raama lakshmaNa – for earlier he was there by the side of raama

and lakshmaNa]

 

 

 

Seeing the condition of raama and lakhsmaNa, Sugreeva suggested to retreat

to kishkindha, SushEna, the doctor, suggested to bring the sanjeevakaraNi

and visalyaa Oshadhi herbs – medicinal herbs by that names – to be done by

hanumaan. In the meantime garuda appeared and all serpents tying raama and

lakshmaNa vanished in seconds. Raama and lakshmaNa returned to normalcy.

[because the tying ropes were sarpa asthrams]. [Earlier we have seen

thyaagaraja krithi in garudadhvani – thathvameruga tharama - was refrred to

at this stage of garudan's appearance].

 

 

 

So let us continue in next post on what next is lakshmaNa's contribution -

 

 

 

Dhasan

 

 

--

Vasudevan MG

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