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Different versions of Siddha Kunjika Stotram

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Dear Devi Bhaktas,

 

I came across two different versions - one purportedly from Rudrayamala Tantra

and another from Damara Tantra. There are a lot of similarities between them,

yet there are significant differences too. Are both considered 'accepted' in

tradition? Or is it that one is older than the other, and hence possibly 'more

authentic'? Kindly share your suggestions.

 

Regards,

Hari

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Dear Devotees,

 

I am planning to make different types of chariots for Divine Mother - like Geya

chakra ratha.

I seek the help of my brother/sister devotees to kindly send me any

clarifications they may have including drawings/pictures of such Rathas

(chariots) used by Lalitha Maha Tripura Sundari with relative reference details.

I find that most of the golden chariots has no relevance to mantra/yantra/tantra

or even agamas and the carpenters make them as they like without any care for

divinity. For instane it is awell known fact that 96 tatwas form the basic

principle of a temple, main idol and the human body but this is not followed in

the construction of the golden chariots. I want to correct this situation for

the benefit of the temple and the devotees.

Regards,

S.SHANGARANARAYANAN

 

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Namasthe. Pl do not compare books and Pata Bhethams should be expected.

One if he is an initiate should follow the Guru's Mandali or his

instructions. Even in the DM this is visible in Nirnaya Sagar or

Gyanaprakshan (followed by SIR ) or Ghorakpur publications.

reagrds

ganapathy

 

On Wed, Dec 23, 2009 at 11:05 AM, Harihara Krishnan <harih2002wrote:

 

>

>

> Dear Devi Bhaktas,

>

> I came across two different versions - one purportedly from Rudrayamala

> Tantra and another from Damara Tantra. There are a lot of similarities

> between them, yet there are significant differences too. Are both considered

> 'accepted' in tradition? Or is it that one is older than the other, and

> hence possibly 'more authentic'? Kindly share your suggestions.

>

> Regards,

> Hari

>

>

>

 

 

 

--

 

Ganapathy and Vijyalaksmy

 

 

 

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