Todala Tantra

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Dear Pradeepji,

 

This posting will answer your query regarding Dasamaha Vidya and the mantras. I have also gone an extra mile by giving some information on Todala Tantra.

 

 

 

In Tantra, worship of Devi-Shakti is referred to as a Vidya. Of the hundreds of tantrik practices, the worship of the ten major Devis is called the Dasa Mahavidya. These major forms of the goddess are described in the Todala Tantra. They are Kali, Tara, Maha Tripura Sundari (or Shodasi-Sri Vidya), Bhuvaneshvari, Chinnamasta, Bhairavi, Dhumavati, Bagalamukhi, Matangi, and Kamala. These ten aspects of Shakti are the epitome of the entire creation. Chapter 10 also outlines their consorts, although Dhumavati, the widow form, is not allocated a consort.

 

 

The Todala Tantra

This Hindu tantra is a brief but often quoted work of ten patalas or chapters. It is referred to, for example, in the Matrikabhedatantra. It also contains the daily pujas of Tara, Kali and Shiva, as well as information about yoga. Patala one deals with the ten Mahavidyas, a subject which is returned to in chapter 10 of this tantra. These major forms of the goddess are described in the Todala Tantra as Kali, Tara, Sundari, Bhuvaneshvari, Cchinnamasta, Bhairavi, Dhumavati, Bagala, Matangi, and Kamala. According to Alain Danielou's Hindu Polytheism, these ten aspects of Shakti are the epitome of the entire creation. Chapter 10 also outlines their consorts, although Dhumavati, the widow form, is not allocated a consort. At the close of the chapter comes the essential tantrik view that Shiva, as the witness is not

involved in creation, maintenance or withdrawal. Many tantras, particularly those associated with Bengal, speak of ten major aspects of the goddess, the Mahavidyas. Vidya means knowledge but in the tradition this word is synonymous with both a Devi and her mantra form. Mantra is divinity in its purest form as sound, yantra is divinity represented as diagram and the dhyana, or meditation form, is considered to be the grossest representation. But these forms are given as ways of concentrating the mind easily. The Mahavidyas are, in order, Kali, Tara, Sodashi (Tripurasundari), Bhuvaneshvari, Cchinnamasta, Bhairavi, Dhumavati, Bagalamukhi, Matangi and Kamala. Each, except Dhumavati, who is a widow, has her own form of Shiva.

1. Kali. Seated on a corpse, greatly terrifying, laughing loudly, with fearful fangs, four arms holding a cleaver, a skull, and giving the mudras bestowing boons and dispelling fear, wearing a garland of skulls, her tongue rolling wildly, completely naked (digambara - clad in the directions), thus one should meditate on Kali, dwelling in the centre of the cremation ground.

 

2. Tara - Akshobhya. Seated in the pratyalidha asana, seated on the heart of a corpse, supreme, laughing horribly, holding cleaver, blue lotus, dagger and bowl, uttering the mantra Hum, coloured blue, her hair braided with serpents, the Ugratara.

 

3. Sodashi. Shodasi is the Mahatripurasundari Devi. She is an amsa Of Rajarajeshwari Devi who is also referred by that name.

 

 

 

4. Bhuvaneshvari. Like the red rays of the rising sun, with the moon as her diadem, and with three eyes, a smiling face, bestowing boons, holding a goad, a noose and dispelling fears, thus I hymn Bhuvaneshi.

 

5. Cchinnamasta.

 

 

 

 

 

 

 

 

 

 

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Bhairavi. Her head garlanded with flowers, she resembling the red rays of 1,000 rising suns, smeared with red, holding milk, book, dispelling fears and giving boons with her four hands, large three eyes, beautiful face with a slow smile, wearing white gems, I worship Bhairava. 7.

 

 

Dhumavati. The colour of smoke, wearing smoky clothes, holding a winnowing basket, dishevelled clothes, deceitful, always trembling, with slant eyes, inspiring fear, terrifying. 8. Bagalamukhi.

 

 

 

Three eyes, wearing yellow clothes and gems, moon as her diadem, wearing champaka blossoms, with one hand holding the tongue of an enemy and with the left hand spiking him, thus should you meditate on the paralyser of the three worlds. 9. Matangi.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Dusky, beautiful browed, her three eyes like lotuses, seated on a jewelled lion-throne, surrounded by gods and others serving her, holding in her four lotus-like hands a noose and a sword, a shield and a goad, thus I remember Matangi, the giver of results, the Modini.

 

10. Kamala. With a smiling face, her beautiful lily-white hands hold two lotuses, and show the mudras of giving and dispelling fear. She is bathed in nectar by four white elephants and stands upon a beautiful lotus. "Shri Devi said: Lord of the world, lord of all knowledge, tell of the worship of the mahadevas in the three worlds. On the right hand side of each are various forms. Mahadeva, speak of each one separately. "Shri Shiva said: Listen, beautiful one to Kalika's Bhairava. On Dakshina's right, worship Mahakala, with whom Dakshina is always in love union. Worship Akshobya on the right of Tara. Devi, the kalakuta poison produced by the churning of the ocean caused great

agitation to all the gods and their consorts. "Because he destroyed the agitation caused by the deadly yellow poison, he is known as Akshobya. Thus Tarini, the Mahamaya, always delights in her consort. "On the right hand side of Mahatripurasundari, worship Shiva in his five-faced form with three eyes in each of the faces, O lady of the gods. She always delights in sexual union with her consort, O Mahadevi. For this reason, she is known as the famous Pancami. On the right side of Shrimad Bhuvaneshvari, who in the heavens, on earth, and in the underworlds is known as the Adya, worship Tryambaka. She makes love with Tryambaka in these places, it is said. He and his Shakti are mentioned and worshipped in all tantras. On Bhairavi's right side is Dakshinamurti. By supreme efforts, one should certainly worship that five faced one. "On Cchinnamasta's right side, worship Shiva-Kabandha. By worshipping him, one becomes lord of all siddhi. The Mahavidya

Dhumavati is a widow. Seated on the right of Bagala is the Maharudra, with one face, who dissolves the universe. On Matangi's right side is Shiva Matanga, similar to Dakshinamurti, the form of cosmic bliss. He who worships Sadashiva, the Vishnu form, on Kamala's right side becomes perfect, there is no doubt about this. "On Annapurna's right hand side, worship Brahma, the giver of great liberation, the god with ten faces, the Maheshvara. On the right side of Durga, worship Narada. The letter Na causes creation, the letter Da maintenance, while the letter Ra causes dissolution. So he is known as the famour Narada. Worship the Rishi who "gave birth" to the other vidyas on their right hand side." (Todala, chapter one) Shiva, in the second chapter, tells Shakti of yoga and describes the body as resembling a tree. There is no difference between the macrocosm or the microcosm. The supreme mantra is hamsa, equivalent to 21,600 breaths in a day. The letter Ha is

Shiva while the letter Sa is Shakti. According to ancient texts, breath is time. An individual inhales once every four seconds and exhales once every four seconds. One is a solar breath and one a lunar breath. In chapter three, the different forms and mantras of Kali are described, along with the sandhya (twilight) mantras of both Kali and Tara. These are the four tantrik twilights of dawn, midday, sunset and midnight, when the currents of pranayama change direction and the sadhaka can do his or her puja knowing he is close to the in-betweenness which is the essence of tantra. Kali's daily rites are detailed. The fourth chapter deals with Tara's puja, giving a beautiful meditational image of her as situated in the centre of a lovely island, seated on a lion throne under a jewelled pavilion. Chapter five turns to Shambhunatha (Shiva). In this yuga, sadhakas should not worship his form known as Nilakantha, an aspect of Shiva. At the churning of the milk

ocean, at the beginning of time, Shiva swallowed the poison which stained his throat a deep blue. It is unclear, however, why this tantra prohibits his worship. One should never worship Shakti unless Shiva is first worshipped, preferably with a clay linga. In chapter six, Shiva gives the vasana or inner meaning of Kali and Tara mantras Krim and Strim. The different letters of the mantras are placed on separate parts of the human body. The seventh chapter speaks of yoga and of the seven islands and of their locations in the body. Kamarupa is in the muladhara cakra. Other sacred centres are also situated in the body. The 51 letters of the alphabet are the sacred pithas within the body, each associated with one of the parts of the Devi which fell to earth when sliced by the discus of Vishnu. Chapter eight continues the previous topic. The body is permeated with millions of nadis and the elements have their place there too. In chapter nine, Shiva

speaks of the Sundari mantra. Even though Shiva has already spoken of it in the Nitya Tantra, Shakti asks him to reveal its true meaning. Shiva says that 21,600 is the head of the letters of the alphabet and the true rosary in the thousand petalled lotus. Details of the rosary follow. Using tantrik methods, sadhakas can be both liberated and enjoy. The last chapter equates Vishnu's ten incarnations with the ten Mahavidyas. Durga is the Kalki, the last of the avatars of Vishnu. He is yet to come, and when he does he will be born in Shambhala. He will ride a white horse and hold a sword which blazes like fire, bringing back to the planet harmony, according to the Agni and other Puranas. Kali's consort is Krishna. "Shri Devi said: Lord of gods, guru of the universe, tell me of the ten avatars. Now I want to hear of this, tell me of their true nature. Paramesvara, reveal to me which avatar goes with which Devi. "Shri Shiva said: Tara

Devi is the blue form, Bagala is the tortoise incarnation, Dhumavati is the boar, Cchinnamasta is Nrisimha, Bhuvaneshvari is Vamana, Matangi is the Rama form, Tripura is Jamadagni, Bhairavi is Balabhadra, Mahalakshmi is Buddha, and Durga is the Kalki form. BhagavatÌ Kali is the Krishna murti." (Todala, chapter 10)

There are several "levels" at which these Devis can be worshiped with the prescribed Mantra and Yantra. Like a simple worship of the yantra with the mantra recitation, as a remedial astrological measure, elaborate worship with all tantrak rituals for attaining various siddhis associated with these tantras and for spiritual salvation.

Successful sadhana of these Vidyas gives several boons to the practitioner. The Tantrik-Yogi who has control over his senses and positively inclined uses the boons to guide people and for the benefit of mankind. The ones whose head starts spinning with success use them for the gratification of the senses, gather a bunch of disciples around them and become fake gurus.

The last chapter of todala Tantra equates Vishnu's ten incarnations with the ten Mahavidyas as follows:

"Shri Devi said: Lord of Gods, Guru of the universe, tell me of the ten avatars. Now I want to hear of this, tell me of their true nature. Paramesvara, reveal to me which avatar goes with which Devi.

"Shri Shiva said: Tara Devi is the blue form, Bagala is the tortoise incarnation, Dhumavati is the boar, Chinnamasta is Nrisimha, Bhuvaneshvari is Vamana, Matangi is the Rama form, Tripura is Jamadagni, Bhairavi is Balabhadra, Mahalakshmi is Buddha, and Durga is the Kalki form. BhagavatÌ Kali is the Krishna murti." (Todalatantra, chapter 10)

The worship of these is also prescribed as an astrological remedy - for the 9 planets and the Lagna as follows:

Kali for Saturn, Tara for Jupiter, Maha Tripura Sundari (or Shodasi-Sri Vidya) for Mercury, Bhuvaneshvari for Moon, Chinnamasta for Rahu, Bhairavi for Lagna, Dhumavati for Ketu, Bagalamukhi for Mars, Matangi for Sun, and Kamala for Venus.

The tantrik worship of these most powerful Vidyas must be practiced only under the guidence of a siddha Guru.

 

Kali

 

Kali. Seated on a corpse, greatly terrifying, laughing loudly, with fearful fangs, four arms holding a cleaver, a skull, and giving the mudras bestowing boons and dispelling fear, wearing a garland of skulls, her tongue rolling wildly, completely naked (digambara - clad in the directions), thus one should meditate on Kali, dwelling in the centre of the cremation ground.

The Kali Mantra as given in the Mantra Mahodadhi is:

"Kreem Kreem Kreem Hum Hum Hreem Hreem Dakshine Kaalika

Kreem Kreem Kreem Hum Hum Hreem Hreem Swaha"

It bestows the eight supernatural powers.The Kali Tantra gives details of the puja of Kalika:- "Now I speak of the ritual injunction which is the all-nectar-giver of the Devi. Doing this, a person becomes like Bhairava. "Firstly, I speak of yantra, the knowing of which conquers death. At first draw a triangle. Outside, draw another. Then draw three more triangles. "Draw a circle and then a beautiful lotus. Then draw another circle and then a bhupura with four lines and four doors. This is how the cakra should be drawn. "Worship the guru line, the six limbs, and the dikpalas (The eight, or according to some, ten guardians of the directions, ed.). Then the mantrin should place his head at the feet of the guru. "O dearest one, after worshipping the pedestal, set down

the offering. Place the mantra in the six limbs. Then, within the heart lotus, the ultimate Kala blossoms. "Place her in the centre of the yantra by invoking her (via the breath). After meditating on the great goddess, dedicate the ritual offerings. Bow to Mahadevi and then worship the surrounding deities. "Worship Kali, Kapalini, Kulla, Kurukulla, Virodhini, Vipracitta in the six angles. Then Ugra, Ugraprabha, Dipta in the middle. Then Nila, Ghana and Balaka in the inner angle. Then Matra, Mudra and Mita within this triangle, and then the very dusky one holding the sword, adorned with human skulls, with her left hand showing the threatening mudra and having a pure smile. "Worship the eight mothers Brahmi, Narayani, Maheshvari, Chamunda, Kaumari, Aparajita, Varahi and Narasimhi. "In equal shares, give these devis animal sacrifice and worship them, smearing them with scent and offering incense and flame. After doing the puja,

worship using the root mantra. "Give food and so forth to the Devi again and again. The sadhaka should offer flame ten times. So also he should offer flower with mantra according to the rules of ritual. "After meditating on Devi, recite the mantra 1,008 times. The fruit of reciting, which is light, place in the hands of the Devi. "Then, placing the flower on the head, do prostration. With supreme devotion, then rub out (the yantra)."

 

Tara

 

Tara is described as seated in the pratyalidha asana, on the heart of a corpse, supreme, laughing horribly, holding cleaver, blue lotus, dagger and bowl, uttering the mantra Hum, coloured blue, her hair braided with serpents, the Ugratara. She is the bestows all supernatural powers.

 

Her mantra is given in Mantra Mahodadhi as: Om Hreem Streem Hum Phat

 

If Om is removed it becomes the Ekajata Mantra.

 

If Om & Phat both are removed it becomes Nila Saraswati Mantra.

 

Sri Chakra (Sri Yantra) Pooja

 

 

 

"Om Aim Hreem Shreem Sri Lalita Tripurasundari Padukam Poojayami Namah"

Chakra pooja or Yantra pooja is the worship of a deity in a diagrammatic form. This type of worship exists in a lot of the other parts of the world also.

The worship of Devi in Shreechakra is regarded as the highest form of the Devi worship. Originally Lord Shiva gave 64 Chakras and their Mantras to the world, to attain various spiritual and material benefits. For his consort Devi he gave the Shreechakra and the highly coveted and the most powerful Shodashakshari mantra, which is the equivalent of all the other 64 put together.

It is said that in the beginning God, who was one, wanted to become many and enjoy himself. As the first step to creation he created Devi - the total cosmic Female force. For the male part, out of his left he created Shiva, out of his middle he created Brahma and out of his right he created Vishnu. That is why many regard the Devi as more powerful than the Trinities and hence She is called Parashakti or Paradevi - Para meaning beyond . Brahma created the universe. Vishnu controls and runs the universe. Shiva along with Shakti is engaged in the eternal dissolution and recreation of the universe. The Bindu in the center of the Shreechakra is the symbolic representation of the cosmic spiritual union of Shiva and Shakti. Apart from that the Shreechakra also embodies countless number of deities and represents the whole of

creation. Hence by worshipping the Devi in Shreechakra one is actually worshipping the highest ultimate force in the Tantrik form.

The Shodashakshari mantra is one of the most guarded secretes of tantra. Usually the Guru gives it to a highly deserving and tested disciple. Very few get it. Even in the Mantra Shastra, where all other mantras are openly and clearly given, the Shodashakshari Mantra is not directly given. Several hints about the mantra are given and you are asked to get the mantra if you are capable and deserving. The opening versus of the mantra shastra chapter on Shreechakra says, "Your head can be given, your soul can be given but the Shodashakshari Mantra of the Devi can not be given". Various books and websites on Shreechakra have published what the publishers thought is the Shodashakshari Mantra. Let me make it clear that those who know it will never publish it and those who publish it do not know it. I cannot give it to my

wife or child. So don’t waste your full moon nights chanting those long mantrasHowever, Shreechakra can also be worshipped by other Devi mantras. There are several traditions of the worshipping the Shreechakra. We are giving here a very simple and still very effective pooja of Shreechakra. It is known as the Shreechakra Navavarana pooja as per the Khadgamala Vidhi. For all round spiritual and material benefits it is a highly effective pooja. Any one can perform it.

The Basics of Sri Yantra: Before starting the worship it is advisable to know about the way the Sri Yantra is constructed, what all it represents, about the 9 Avaranas, the deities, their gunas and significance, so that your worship is more meaningful. The following are the authentic details as given in various Tantra & Mantra scriptures.

Five downward pointing triangles representing Devi intersect with four upward pointing triangles representing Siva, forming 43 triangles including the central triangle..

From the five Shakti triangles comes creation and from the four Shiva triangles comes the dissolution. The union of five Shaktis and four Fires causes the chakra of creation to evolve.

At the centre of the bindu of the Shri Yantra is Kamakala, which has three bindus. One is red, one is white and one is mixed. The red bindu is Kurukulla the Female form, the white bindu is Varahi the Male form, and the mixed bindu is the union of Shiva & Shakti - the individual as the potential Shri Cakra. Varahi, the father-form, gives four dhatus to the child and Kurukulla, the mother-form, gives five dhatus to the child. Theses represent the nine dhatus of the human body.

Varahi's four fires are the 12 (4 x 3) sun Kalas, the 12 Zodiac constellations. Kurukulla's five triangles are the 15 (5 x 3) Kalas of the moon, 15 lunar Tithis.

These nine triangles also represent the nine stages of growth of the human child in the womb.

Surrounding the 43 triangles formed by the intersection of the nine triangles is the 16 petals circle. Surrounding the 16 petal circle is an 8 petal circle. After that the 3 lines and at the outermost part of the Sriyantra there are 3 lines called the Bhupura.

The 43 triangles constitute the six inner sections called Avaranas, the two circles of petals are two more avaranas and the Bhupura of 3 lines is the last Avarana.

These 9 Avaranas of the Sri Yantra have various presiding Devis. They are the Devi's Parivar (retinue) of total 108. In the Srichakra pooja they are systematically worshipped one by one with their names and mantras. The presiding Deity of Srichakra, Devi, is Known as Lalita Tripura Sundari.

 

Lalita means The One Who Plays. All creation, manifestation and dissolution is considered to be a play of Devi. Tri-Pura means the three worlds and Sundari means beauty. She is the transcendent beauty of the three worlds. Tripura also signifies:- She is the ruler of the the three gunas of Satva, Rajas and Tamas; and sun, moon and fire - the zodiac and the planets, and therefore Time itself; She is also "tripura" as Will (Iccha), Knowledge (Jnana) and Action (Kriya). She is also "tripura" as intellect, feelings & physical sensation; and She is triple as the three states of the soul - awakening, dreaming and -sleeping states. Her five triangles also represent the Pancha Tatwas and the Pancha Bhootas. (This is what the verse in Lalita Sahasranama means by -"Panchami pancha bhuteshi pancha sankhyopacharini ". It is

difficult to say what She is not.

Lalita holds five flowery arrows, noose, goad and bow. The noose represents attachment, the goad represents repulsion, the sugarcane bow represents the mind and the flowery arrows are the five sense objects.

 

Bhuvaneswari

 

Bhuvaneshwari - Means the Queen of the Universe, Maya, power of love, peace within, as void. She is like the red rays of the rising sun, with the moon as her diadem, and with three eyes, a smiling face, bestowing boons, holding a goad, a noose and dispelling fears. On the right side of Bhuvaneshvari, who in the heavens, on earth, and in the underworlds is known as the Adya, worship Tryambaka.

The mantra is: Om Hreem Bhuvaneswaraye Hreem Namah

 

 

 

Chinnamasta

 

Her left foot forward in battle, she holds her severed head and a knife. Naked, she drinks voluptuously the stream of the blood nectar flowing from her beheaded body. The jewel on her forehead is tied with a serpent. She has three eyes. Her breasts are adorned with lotuses. Inclined towards lust, she sits erect above the god of love, who shows signs of lustfulness. She looks like the red China rose. - Chinnamasta Tantra

Her mantra as per Mantra Mahodadhi is:

Om Shrim Hreem Hreem Aim Vajra Vairochaniye Shrim Hreem Hreem Phat Svaha

It yields all desired benefits quickly.

Bhairavi

 

Tripura Bhairavi is Supreme Energy, Supreme Goddess of speech, as Tapas, as woman warrior. Her head garlanded with flowers, she resembling the red rays of 1,000 rising suns, smeared with red, holding milk, book, dispelling fears and giving boons with her four hands, large three eyes, beautiful face with a slow smile, wearing white gems.

The mantra is: Om Bhairavi Saham

Dhoomavati

 

Matangi. Dhumavati. The colour of smoke, wearing smoky clothes, holding a winnowing basket, dishevelled clothes, deceitful, always trembling, with slant eyes, inspiring fear, terrifying.

The Dhumavati Mantra as per Mantra Mahaodadhi:

"Dhum Dhum Dhumavati Swaha"

Bagalamukhi

 

Bagalamukhi Yantra

Bagala or Bagalamukhi is the eighth Mahavidya in the famous series of the 10 Mahavidyas.She is identified with the second night of courage and is the power or Shakti of cruelty.

She is described as the Devi with three eyes, wearing yellow clothes and gems, moon as her diadem, wearing champaka blossoms, with one hand holding the tongue of an enemy and with the left hand spiking him, thus should you meditate on the paralyser of the three worlds.

Bagalamukhi means "The Crane-Headed One". This bird is thought of as the essence of deceit. She rules magic for the suppression of an enemy's gossip. These enemies also have an inner meaning, and the peg she puts through the tongue may be construed as a peg or paralysis of our own prattling talk. She rules deceit which is at the heart of most speech. She can in this sense be considered as a terrible or Bhairavi form of Matrika Devi, the mother of all speech. According to Todala Tantra, her male consort is Maharudra.

Seated on the right of Bagala is the Maharudra, with one face, who dissolves the universe.

The Bagalamukhi Mantra as per Mantra Mahodadhi:

"Om Hleem Sarva Dusthaanaam Vaacham Mukham Paadam stambhaya jihvyamkilaya buddhim vinaashaya Hleem Om Swaha"

Matangi

 

Matangi. Dusky, beautiful browed, her three eyes like lotuses, seated on a jewelled lion-throne, surrounded by gods and others serving her, holding in her four lotus-like hands a noose and a sword, a shield and a goad, thus I remember Matangi, the giver of results, the Modini.

The Matangi Mantra as per Mantra Mahaodadhi:

"Om Hreem Aim Shreem Namo Bhagavati Ucchisthachandali Sri Matangeswari Sarvagyanavashamkari Swaha"

Kamala

 

Kamala: With a smiling face, her beautiful lily-white hands hold two lotuses, and show the mudras of giving and dispelling fear. She is bathed in nectar by four white elephants and stands upon a beautiful lotus.

The Dhumavati Mantra as per Mantra Mahaodadhi:

"Hasauh Jagatprayutai Swaha"

 

I have given both Yantras and mantras in this small posting.Please peruse my old posting on Dasamahavidya.

 

Hope you are satisfied...

 

Yours Yogically,

 

Shreeram Balijepalli

 

 

 

 

Please join Rajarajeshwari_Kalpataru for discussions on Tantra and Srividya worship.

 

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Pradeep Balakrishnan <balakrishnanpradeep wrote:

 

Hari Om! Hari Bolo!

 

Please accept my respectful pranams!

 

Can you please provide me the following mantras in English?

 

Kali Mahavidya Mantra

Tara Mahavidya Mantra

Sodashi Mahavidya Mantra

Bhuvaneshvari Mahavidya Mantra

Chinnamasta Mahavidya Mantra

Bhairavi Mahavidya Mantra

Dhumawati Mahavidya Mantra

Bagalamukhi Mahavidya Mantra

Matangi Mahavidya Mantra

Kamala Mahavidya Mantra

 

I also need their gayatri's.

 

SubhamDinamAstu!

SarvamSriKrishnaArpnamastu!

 

 

 

Purity, Powers, Parabrahmam...

 

 

 

 

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