Guest guest Posted May 28, 2002 Report Share Posted May 28, 2002 sree mathre namah dear all, as the group is preempting over a topic and as ms. iyer is of the opinion to start with a mahavidya and go on. i am of happied heart to see her interest in dasa mahavidyas and all about them. it is really good but of course, as the field we are discussing is tantra, scriptures, lay caution that we should proceed with utmost care, dedication and belief in these matters. all these matters look very conniving, controversial and spooky but their power had been experienced and established beyond odubt by our peers, gurus and even us, for a sincere one ofcourse. i propose to discuss about Goddess Kali the first of the Dasa Mahavidyas and i would like to share a few facts which i think i could share with people of interest and belief in Goddess Kali. Goddess Kali is that form of Shakti or Chaitanya or the activity that was there before the sristi or the world started. she is often addressed as Vyoma Rupa (one of her highly secret Mantras corroborates it) or Akasa Rupa. there is a hymn called Kali Karpura Stotra which gives a lot about Goddess Kali. this stotra is told by Mahakala and is taken from Rudra Yamala. this stotra gives her mantra and their bhedas or variations and most importantly the description of her tattva or gyaana about Her. Dakshina Kali is supposed to be the Main form of Kali and she holds a Khappara (sword) and a freshly chopped hear oozing blood in her upper and lower left hands and Abhaya and Vara mudras in her upper and lower right hands. these suggest that She is giving the sadhaka assurance or abhaya that sh e is going to break all the karmis and ritualistic ties relating to the 3 bodies of the Sadhaka and is giving the Boon or Vara that her sadhaka would certainly be bereft of bodily attachments denoting the head with oozing blood. Yoga says that the man's head get chopped when once he crosses the Rudra Grandhi or Agna Chakra and Bindu above after which means that his buddhi or intellect to congnize only would remain but not heart or mind for any emotions. She is the Great mother who is ever interested to breast feed her Children with Bhakti and Gyaana through her breasts which are full. she is all pervading and hence one could not tie her in robes and so she is Digambara. her earlets are made of corpse which signifies her sound could not reach mortals (people with 3 bodies-sthoola, sookshma and karana) and viceversa. she is adorned with the garland of pure cognition or buddhi or viveka of her sadhakas which is denoted by the garland of sculls. her waist and her guhya are cov ered by the hands of her sadhakas who are protecting her, The Vidya, from getting known to the unpracticed and uncapable. she is standing on Mahakala and is ever interested to unite sexually with him with force. kama sastra says that a sexual union dominated by female is told as Viparita Rati. this mahakala whose position is in the Sahasrara and his phallus the Swayambhulinga is in the Muladhara. what does this denote? that Maa Kaali is none but the Great force of Kundalini who is crouching in the below Sahasrara, the Adhara in a 31/2 coiled snake form. Maa Kaali is the Female gender of Kala that is time. as one could analyse that it is the Time which runs everything and it is the ultimate dimension ( Albert Einstein retold what our ancient rshis proclaimed long ago) well the above facts about Maa Kaali, one has to proceed with utmost care and belief, lest this knowledge would appear nothing but a way for aggrandisement of personal desires. i would restrain from analysing her mantra as it is to be done only in between a Guru and a sishya and not on a platform like this. i hope we have started a discussion and we will continue this. always at the feet of my guru, saktha bandhu Samvidaanandanatha Saktha. ______ Outgrown your current e-mail service? Get a 25MB Inbox, POP3 Access, No Ads and No Taglines with LYCOS MAIL PLUS. http://login.mail.lycos.com/brandPage.shtml?pageId=plus Quote Link to comment Share on other sites More sharing options...
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