Guest guest Posted January 8, 2004 Report Share Posted January 8, 2004 " The Fakirs of Sufi faith also used to assemble in solitude to exchange and express their religious ideas and experiences through songs and dances known as `Sama'. The Bouls of the Hindu community and the Muslim Fakirs of Sufi faith met together separately in their respective joints (akhras or asthanas) away from the locality and would discuss details of their mystic faith and realizations, through songs. Songs were their mode of self expression and an inseparable part of their existence. It was around 1650 A.D which we may call the time of first evolution of Boul songs which flourished through the 18th century unto the end of the 19th century. Understanding the metaphysical through the physical or searching for the Reality behind the Appearance, constitutes the basic concept of the religious quest of the Bouls. This they call as the `Rup-Swarup Tatta'. The mystic journey of the soul centering round the physical body for liberation from the bondage of physical and worldly attractions leading to the realization of the ultimate truth and joy of the highest kind, is the root of the essential spirituality of the Bouls. Holistically and simplistically speaking, this is the essential idea of the Tantric mode of worshiping developed in India in the long past and subsequently passed on to the Buddhists, both of the Bajrajan and the Sahajjan sect, the Vaishnab Sahajias and the Bouls of the later time. The Bouls believe that the entire truth for the seeker of the ultimate realization can be traced in the body itself and not beyond. This exists in the form of a divine pleasure born out of the communion of the eternal Masculine and the eternal Feminine, Shiva and Shakti or in the other words, Pursha and the Prakriti. Union in love of the Pursha and Prakriti and pure joy created out of that is what the Bouls call the `Sahaja' state of Nature and all existence. By rigorous and successful yogic practices under the expert guidance of a Guru (Preceptor, the religious guide) one can reach this stage. So the physical body is of the utmost importance for the quest of truth for the Bouls. It is the `Bhanda (the receptacle) containing all and everything of the `Brahmanda (the Universe)' in the miniscule form. This body centric approach of worshipping has been echoed time and again in the Boul, Murshidi, Marfati songs down the ages and can be traced back to the 800-1200 AD in the compositions known as `Charyapad' which reflects the essential philosophy of Buddhism. In the following composition of Siddhacharya Lui Pa of that time this idea has been emphasized very briefly but very prominently: " Ka A Tarubara Panchabi Dala, Chanchal Chitta Paitha Kala, Dirh Kariya Mahasukha Pariman, Lui Bhanai Guru Puchhiya Jana " Here the body has been imagined as a tree of which the branches have been equated with the six senses of the body. For the veil of Maya and absence of the true knowledge the fragile mind becomes restless and attracts as consequence several sufferings for the soul and the body. So one has to control the allurements of the material pleasures which, when achieved under the able guidance of the Guru, can bring joy of the highest kind. " http://www.boloji.com/spirituality/056.htm Quote Link to comment Share on other sites More sharing options...
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