Islam and the Divine Feminine

[Guest guest]

Islam and the Divine Feminine

 

peNkaLai kâtalikkirên

So often has Islam been portrayed as an exclusively masculine,

patriarchal faith that many have never suspected the central

importance of the Feminine in Islam and would be astonished to

realize that it has been there from the beginning. Perhaps in part

due to the metaphysical interiority of the Feminine, this aspect of

Islam has lived a largely hidden existence — but it is no less vital

for that. In recent years there has been much discussion and

controversy over how to reshape Christianity to include the Feminine

on the divine level, but in Islam that has never been an issue, for

the feminine element in Islam has always been present, especially in

Sufism.

Although both masculine and feminine equally have their origin in the

Divine, I would like to take a special look at the feminine in Islam

to help redress the balance because the feminine side of Islam has

been mostly overlooked so far. Moreover, in the sources of Islam and

in the Sufi tradition growing from there, we find a distinct,

explicit preference for the feminine aspect of Allah, especially the

nature of ultimate Divine Reality as essentially feminine.

The Polarity of Divine Majesty and Beauty

The distinction between male and female is not just a biological

accident but a very profound element of the human state. It goes back

from the biological through the psychological and the spiritual to

the Divine Reality itself. On the highest level of the Divine

Reality, Allah is perfectly One. The root of the duality between the

masculine and feminine is found in the divine nature itself. Allah's

Essence transcends all duality, all relationality, so it is beyond

male or female. But even on the level of the Divine Nature, there are

the roots of the masculine and the feminine. On the highest level,

Allah is at once Absolute and Infinite. These two attributes are the

supreme archetypes of the masculine and the feminine. " Masculine "

and " feminine " are not simply equivalents of the human male and

female, since all men and women have elements of both masculinity and

femininity within them. That Allah is Absolute is the principle of

masculinity, and that Allah is Infinite is the principle of

femininity. Allah has revealed Himself in the Qur'ân in the names of

rigor and mercy, known as the names of Majesty (Jalâl) and Beauty

(Jamâl). The Generous, the Merciful, the Forgiving are names of mercy

or Beauty, while the Enumerator and the Just are names of rigor or

Majesty. On the level of the names are the principles of the

masculine and the feminine: the names of Majesty are the prototype of

masculinity, while the names of Beauty are the prototype of

femininity.

Vis-à-vis the world, Allah is Creator. This divine function is on the

masculine side, representing the aspects of action force, movement,

rigor; Allah as Lawgiver. But then there is the uncreating aspect of

Allah. Allah is not exhausted by His creation of the world. Allah is

more than the creator of the world: al-Khâliq, the Creator, is only

one of the divine names. The Divine Reality did not completely

participate in the act of creation. Allah is Infinite and the world

is finite. The non-creating aspect of Allah corresponds to the Divine

Femininity. It is this to which Sufi poetry so often refers in the

feminine. The images of the beautiful Beloved are referring to the

metacosmic aspect of the Divine, not the creating aspect.

That is why Ibn al-Árabî says Allah can be referred to as both huwa

(He) and hiya (She).

Feminine Terms of Divinity

Some of the key terms associated with the Divine are in the feminine

gender in Arabic. Three of them are essential to understand the

feminine dimension in Islam. One of Allah's names is al-Hakîm, the

Wise; Wisdom is hikmah. In Arabic to say, for example, " Wisdom is

precious, " you could repeat the feminine pronoun: al-hikmah hiya

thamînah, literally " Wisdom, she is precious. " This has resonance

with the forgotten Christian mystical tradition, in which Wisdom is

personified as a woman, the divine Sophia, associated with the Virgin

Mary. The second term is rahmah (mercy), related to the most

important name of God after Allâh: al-Rahmân, the All-Merciful,

related to the word for 'womb', rahim, the source of life. The source

of life is the Divine Mercy and the feminine aspect of it is very

evident. The third, the most remarkable of all, is the word for the

Divine Essence itself: al-Dhât, which is also feminine. In that the

Divine Essence is Beyond-Being, unmanifest and transcending all

qualities, it may be understood as Feminine. The renowned Sufi master

Najm al-Din Kubra wrote of the Dhât as the " Mother of the divine

attributes. " According to a commentary on Ibn al-`Arabî's Fusûs al-

hikam, a hadith of Prophet Muhammad " gave priority to the true

femininity that belongs to the Essence. " Ibn al-`Arabî himself wrote

that " I sometimes employ the feminine pronoun in addressing Allah,

keeping in view the Essence. "

On this metaphysical plane, femininity corresponds to interiority and

masculinity to manifestation. In the traditional Islamic city, beauty

is interiorized. All human beings contain both elements within

themselves, in their souls and bodies and psyches. The perfection of

the human state, al-insân al-kâmil, means the perfection of both

masculine and feminine qualities together, the prototype of both male

and female. In Sufism, men and women perform exactly the same rites

and worship, so the perfection of human spirituality is equally

accessible to men and women—unlike in Theravada Buddhism, in which a

woman must be reborn as a man to attain nirvana.

Female Imagery of the Divine Beloved in Sufi Poetry

Sufi literature has the greatest discussion of femininity in Islam.

Sufi stories have transformed ordinary love stories into the most

sublime levels of meaning. The love story of Layla and Majnun is the

best-known of all. It originated as a simple love story in Arabia,

but Sufi literature elaborated it into the most beautiful love story

ever put into Persian poetry. It symbolizes not only the love of man

and woman in Allah, but the love of man for Allah. In these poems the

heroine is elevated to symbolize the Divine Reality itself. The

Divine Reality is spoken of in terms of female beauty. The hero goes

in quest of the Divine, which is a masculine act. In contrast to

Christian mysticism, in which God is actively masculine and the

devotee is passively feminine, Sufi love stories depict the Beloved

as a woman who is a Presence waiting in stillness while the hero is

in quest for her.

The name Laylá comes from the word layl meaning 'night'. Night

represents the Unmanifest. In the Arabian desert, the night is a

reality without boundaries: forms are dissolved, no sand dunes or

camels or anything else visible, all is formless, nothing but

darkness. This is direct symbolism of the unmanifested aspect of the

Divine Nature, Allah as Unmanifest. Blackness absorbs all light, as

it is above manifestation, so it symbolizes the Beyond-Being. In the

poem, Layla was named for the blackness of her hair and the beauty of

the night. By extension, it in fact refers to the beauty of the

Divine Reality beyond this world, beyond the act of creation, and

therefore the supreme goal that the Sufi seeks to reach. The name of

Majnûn literally means 'crazy', but here it means someone not in an

ordinary state of mind, symbolizing a person in quest of Allah. In

this world in which most people forget Allah, the person who

remembers Him is considered crazy. As the male figure, Majnûn

symbolizes the aspect of yearning and striving, going out in quest of

Layla, while she is just sitting and combing her hair. The one who

undertakes the journey, longing and crying for Layla, is the soul of

the Sufi.

Allah as the Beloved in Sufi literature, the ma`shûq, is always

depicted with female iconography. Although Islam is aniconic and does

not make images of Allah, verbal depiction exists. Sufi literature is

replete with this imagery of our experience of Allah as the vision of

the Beloved and union with the Beloved. An elaborate vocabulary

developed in which every part of a woman's body, especially the face,

symbolizes the Divine Reality. For example, the eyebrows are likened

to a bow that shoots the arrow of the eye's glance, the arrow of the

love of Allah into our hearts and makes us go beyond ourselves. Like

the eyes of veiled women in traditional Islamic culture, where all

you can see are their beautiful dark eyes: their whole vocabulary of

love has to be expressed through a single glance. The ruby-red lips

with their red color symbolize wine. Wine is used in Sufi literature

to symbolize going beyond our ordinary consciousness into union with

the Divine. Although wine is forbidden in Islamic law, there will be

pure wine to drink in Paradise. Since Sufis experience Paradise here

in this world by having inner experience of the higher levels of

reality, the wine of Paradise is accessible symbolically through

Sufism. Here, the redness of this wine is conjoined with the color of

a woman's lips. At the same time, the kiss of the lips is an erotic

symbol of union and intimacy.

For example, Rumi said in the Masnavi:

Kings lick the earth of which our body is made;

it is that spirit breathed into this body

that thou art kissing with a thousand ecstasies—

just imagine what it will be when it is undefiled!

The Vision of God

There was a question long debated in Islam: can we see Allah? The

Prophet said in a hadith: " In Paradise the faithful will see Allah

with the clarity with which you see the moon on the fourteenth night

(the full moon). " Theologians debated what this could mean, but the

Sufis have held that you can see Allah even in this world, through

the " eye of the heart. " al-Hallaj said in a poem: " ra'aytu rabbi bi-

`ayni qalbî " (I saw my Lord with the eye of my heart). The Sufis said

that since you can have the experience of Paradise even in this

world, you can have the vision (ru'yah) of Allah. They have always

described this theophanic experience as the vision of a woman, the

female figure as the object of ru'yah.

The Tarjumân al-ashwâq, Ibn al-`Arabî's collection of love poems

composed after meeting the learned and beautiful Persian woman Nizam

in Mecca, is filled with images pointing to the Divine Feminine. The

last chapter in his book Fusûs al-hikam relates that man's supreme

witnessing of Allah is in the form of the woman during the act of

sexual union. The contemplation of Allah in woman is the highest form

of contemplation possible:

As the Divine Reality is inaccessible in respect of the Essence, and

there is contemplation only in a substance, the contemplation of God

in women is the most intense and the most perfect; and the union

which is the most intense (in the sensible order, which serves as

support for this contemplation) is the conjugal act.

Allah as Mother

In contrast to Christianity, Islam has never depicted God as Father.

Such a comparison is completely outside the boundaries of Islamic

discourse. However, Muslims have always found it easy and natural to

speak of the maternal qualities of Allah.

Prophet Muhammad was the first to use the example of mothers to

illustrate Allah's mercy. After a battle, the Prophet and his

Companions came upon a group of women and children. One woman had

lost her child and was going around looking for him, her breasts

flowing with milk. When she found her child, she joyfully put him to

her breast and nursed him. The Prophet asked his Companions, " Do you

think that this woman could throw her son in the fire? " They

answered " No. " He then said: " Allah is more merciful to His servants

than this woman to her son. " (From the hadith collection of al-

Bukhari).

Another al-Bukhari hadith describes how during the Muslim conquest of

Mecca a woman was running about in the hot sun, searching for her

child. She found him, and clutched him to her breast, saying, " My

son, my son! " The Prophet's Companions saw this, and wept. The

Prophet was delighted to see their mercy, and said, " Do you wonder at

this woman's mercy (rahmah) for her child? By Him in Whose hand is my

soul, on the Day of Judgment, Allah shall show more rahmah toward His

believing servant than this woman has shown to her son. "

Jalal al-Din Rumi, in an amazing passage of the Masnavi on the Return

to Allah, made reference to the story of the infant Moses and

addressed Allah directly as " Mother " :

On Resurrection Day, the sun and moon are released from service:

and the eye beholds the Source of their radiance,

then it discerns the permanent possession from the loan,

and this passing caravan from the abiding home.

If for a while a wet nurse is needed,

Mother, return us to your breast.

I don't want a nurse; my Mother is more fair.

I am like Moses whose nurse and Mother were the same.

(Masnavi, V:701)

The Ka`bah in Mecca, the very heart and pivot of the Islamic world,

naturally is associated with feminine imagery, veiled in the black

color of the Feminine Beyond-Being. Medieval writers and poets have

often compared the holiest shrine of Islam to a veiled bride or a

desired virgin, especially when on the pilgrimage. Their goal was to

touch and kiss her beauty mark, the black stone. Khaqani was the

Persian poet who most frequently employed this symbolism in his

pilgrim poems. But another look at the Ka`bah can come from the root

of its name in the Arabic language. Although the word ka`bah itself

means 'cube', it is very close to the word ku`b meaning 'woman's

breast'. This turns out to be an appropriate metaphor, as indeed the

Ka`bah nurtures with the milk of spiritual blessing all the faithful

who come to touch and kiss it. Consider also the eminently feminine

Yoni form of the Black Stone's setting.

The Prophet's Feminine Soul

Prophet Muhammad's soul had a deeply feminine nature within. When his

Companions asked him whom he loved most in the whole world, he

answered it was his wife, 'Â'ishah. They were surprised to hear him

announce love for a woman, as this was a new concept to them; they

had been thinking in terms of the manly camaraderie between

warriors. So they asked him which man he loved most. He answered Abû

Bakr, 'Â'ishah's father, a gentleman who was known for his

sensitivity. These answers confounded the Companions who until then

had been brought up on patriarchal values. The Prophet was

introducing reverence for the Feminine to them for the first time.

Surah 109 in the Qur'ân, al-Kawthar, gives an especially revealing

look into the Prophet's feminine soul. It was revealed because his

enemies had been taunting him that he had no sons, only daughters,

while they had been given sons to perpetuate their patriarchal ways.

Allah revealed this message of consolation to the Prophet: " We have

given thee al-Kawthar ... surely the one who hates thee will be cut

off (from progeny). " What is al-Kawthar? A sacred pool of life-giving

water in Paradise-a profoundly feminine symbol. It represents a

heavenly exaltation of the Feminine over patriarchal society. The

name of Kawthar is derived from the same root as kathîr 'abundance',

a quality of the supernal Infinite, the Divine Feminine.

Woman as Creator

One of the most outright declarations of the Divine Feminine in all

Sufi literature is in Rumi's Masnavi. In a passage praising the

feminine qualities of kindness and gentleness, a passage that is

increasingly well-known in these days of the resurgent Feminine, he

says:

Woman is the radiance of God, she is not your beloved.

She is the Creator—you could say that she is not created.

(Masnavi, I:2437)

The Primacy of the Feminine in Islam

Seen from the exterior, Islam may appear as a masculine-dominated

faith. That is because its external aspects, such as the sacred law

that governs the social order, are a manifestation of Allah's jalâl

attributes. The hidden side of Islam, little known to the outside

world, lives and breathes the values of interiority, the loving,

forgiving, merciful Divine Presence that draws hearts closer, the

infinite jamâl aspects of Allah's Beauty. The eternal primacy of

Allah's feminine nature is established in a hadith qudsi: " My mercy

precedes My wrath " (rahmatî sabaqat ghadabî).

Beyond all, the infinite eternal mystery of Allah's uncreated Essence

is the Divine Feminine that is the ultimate spiritual Reality,

calling to the souls who love Allah to come home and find perfect

peace.

 

with permission from the author

Source:

http://www.penkatali.org/

Contact Info: penkatali