A TRUE KRISHNA BHAKTA-KANAKADASA

[Guest guest]

Saint-Poet Kanakadasa (c 1509-1609 A.D.) belongs to the tradition of

Haridasa literary movement which ushered in an era of devotional

literature in Karnataka. Scores and scores of Haridasa have composed

songs in praise of Krishna (incarnation of Vishnu). 'Haridasa'

stands for 'servant of Hari', is another epithet of god Krishna.

Right from 14th century to 19th, we find several Haridasas who wrote

devotional compositions which could be set to music with simple

instruments like Tanpura, and Tala (cymbals). They wrote kirtans,

bhajans, prayers, lullabies, festival songs, and house-hold-chore

songs. Written in simple and spoken Kannada, they had universal

appeal.

 

Purandaradasa and Kanakadasa are the foremost among Haridasas.

Besides conveying dvaita (dualism) tenets, they preached kindness

and equanimity in a world full of sorrows. They condemned

superstitions, hollow rituals and upheld virtues of a pious life.

 

No biographical details of Kanakadasa are available. Tradition makes

him a member of shepherd (Kuruba) community who as chief (nayaka) of

security forces under a local king. His family deity or the deity he

worshipped was Adikeshava of Kaginele, presently in Haveri district.

Kaginele, now a village, was a prosperous place and trading center

in middle ages.

 

If Purandaradasa gave up trader's job and balance (takadi) for

tanpura and cymbals, Kanakadasa threw away his sword when the " inner

call " came. Purandaradasa is supreme or 'king' among composers.

Kanakadasa is a poet among composers. He wrote about two hundred

songs (kirtans, padas and mundiges or philosophical songs) besides

five major works.

 

Kanakana Kindi (window of Kanaka) enjoys a special place at the Shri

Krishna temple of Udupi. There is a legend that Kanakadasa, who was

a non-Brahmin, wanted to have a 'darshan (encounter) of the idol.

He was not allowed into the shrine by orthodox Madhwas, as

Kanakadasa was not a Brahmin by birth. Kanakadasa then started

singing praise of Shri Krishna and was lost to outside world in a

corner outside the temple. Suddenly there was a breach in the wall,

where Kanaka stood, and Lord Krishna offered full darshan bending

towards poet. A small window was constructed at the breach later.

The idol has still a bend!

 

Today that window stands as a tribute to the unique saint of

Karnataka. Almost all devotees who visit Udupi Krishna temple try to

have a peep at the idol, through the petty window wishing to relive

the ecstasy, Kanaka had at the divine 'darshan'. It is also a

memorial to Kanakadasa and eclectic Hindu belief that devotion,

poetry and sainthood are above caste and creed and certainty above

orthodoxy.