HINDU RITUALS AND ROUTINES - Part 31

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HINDU RITUALS AND ROUTINES -

WHY DO WE FOLLOW THOSE? Shiva Linga

 

 

 

 

Shiva Linga is the holy symbol of Lord Shiva that is considered sacred by the devotees of Lord Shiva. The word, ‘Lingum’ in Sanskrit means, ‘symbol’. Shiva Lingum, therefore means symbol of Lord Shiva and is therefore considered most sacred by Shaivaites. Siva Linga has been worshipped in Hinduism since ages. Worship of Shiva Linga is regarded sacred and superior Shiva Mahapurana. This is because the form makes worship simple while maintaining the truth that God does not have any definite form. History of the Shiva Linga

Scholars believe that the linga was revered by some non-Aryan peoples of India since antiquity, and short, cylindrical pillars with rounded tops have been found in Harappan remains. The Vedic Aryans appeared to have disapproved of linga worship, but literary and artistic evidence shows that it was firmly established by the 1st–2nd century AD. The linga's form began to be conventualized during the Gupta period, so that in later periods its original phallic realism was to a considerable degree lost.

 

Lingodbhava

 

 

Lingodbhavamurthy is an iconic representation of Shiva, installed in the rear devakoshta (niche) of the garbagriha (sanctum) of all Shiva temples. The story of Lingodbhavar is that of the attempts of Vishnu and Bhrama to discover the origins (the beginning Aadi and the end Antha) of Shiva, as stated in three of the puranas - the Kurma Purana, the Vayu Purana and Shiva Purana.

Vishnu was engaged in his yoganidhra - the slumber of yoga - at the end of a kalpa, in the waters of the great deluge, when there appeared before him, Bhrama emerging from a great illumination. Bhrama introduced himself to Vishnu as the Creator of the Universe, to which Vishnu replied that he was the architect of the Universe. An argument ensued between both as to their superiority over one another, when there appeared before them - a huge lingam of fire - with tongues of flames blazing out of it.

 

Curious to trace the origins of this column of fire, Bhrama assumed the form of a swan and flew upwards, while Vishnu assumed the form of a boar, and burrowed down into the earth. Days of search in either direction proved futile, and hence the duo surrendered to this column of fire with prayers. Shiva then appeared out of this column of fiery lingam, with a thousand arms and legs, with the sun, moon and fire as his three eyes, bearing the pinaka bow, wearing the hide of an leephant, bearing the trishul, and addressed Vishnu and Bhrama in a thunderous voice, explaining that the two were born out of him, and that the three were then separated out into three different aspects of divinity. The non-anthropomorphic form Shivalingam is a representation of this infinite cosmic column of fire, whose origins were not tracable by Bhrama or Vishnu. The Shivalingam is the center of reverence and worship in all Saivite temples.

The manifestation of Shiva in this column of fire in front of Bhrama and Vishnu, is carved in stone, as the Lingodbhavamurthy manifestation of Shiva, and is always enshrined in the rear niche of the sanctum enshring a Shivalingam. Since most temples face east, Lingodbhavar faces West.

 

Structure of Shiva Linga

Most prevalent icon of Shiva and virtually found in all Shiva temples, Shiva Linga is a rounded, elliptical, an-iconic image that is usually set on a circular base or peetham. According to some scholars the Peetham represents Parashakti, the manifesting power of God. Shiva Lingas are usually made of stone that may either be carved or naturally existing - svayambhu, such as shaped by a swift-flowing river. Shiva Lingas may also be made of metal, precious gems, crystal, wood, earth or transitory materials such as ice. Some scholars say that transitory Shiva Linga may be made of 12 different materials such as sand, rice, cooked food, river clay, cow dung, butter, rudraksha seeds, ashes, sandalwood, darbha grass, a flower garland or molasses. Various Interpretation of Shiva LingaBesides regarding Shiva Linga as the symbol and form of Lord Shiva, religious scholars have given various interpretations of Shiva Linga. Here is

the brief description of some of the popular theories and interpretations related to Shiva Linga and its origin: Worship of the PhallusAccording to some scholars, worship of Shiva Linga in effect means worship of the reproduction function. For, they say that the other meaning of the Sanskrit word ‘Linga’ is gender in general and phallus (the male reproductive organ) in particular. They believe that the base of the Lingam corresponds to the Yoni which mean vagina or the female reproductive organ. Correspondence of Linga and Yoni in a Shiva Linga is therefore interpreted as the representation of the process of copulation. Scholars further opine that the Kalash (container of water) that is suspended over the Shiva Linga from which water drips over the Linga also correspond to the idea of intercourse. Connecting the origin of Shiva Linga to the early Indus Valley civilization, scholars opine that tribes of the Indus Valley

took to the togetherness of Lingam and Yoni in a Shiva Linga as the point of energy, creation and enlightenment. Interpretation in TantraAccording to Tantra, Lingam is a symbol of Shiva's phallus in spiritual form. They say, the lingam contains the soul-seed within which lies the essence of the entire cosmos. The lingam arises out of the base (Yoni) which represents Parvati according to some or Vishnu, Brahma in female and neuter form according to others. Interpretation in PuranasPuranas, especially the Vamana Purana, Shiva Purana, Linga Purana, Skanda Purana, Matsya Purana and Visva-Sara-Prakasha attribute the origin of Shiva Linga to the curse of sages leading to the separation of and installation of the phallus of Lord Shiva on earth. Some also refer to the endlessness of the lingam to be linked to the egos of Lord Vishnu and Lord Brahma. Interpretation of Shiva Linga as an Abstract Symbol of

GodSome scholars of the Hindu scriptures say that Linga is merely an abstract symbol of the God. They point towards several legends in Hinduism where a sundry rock or even a pile of sand has been used by as a Lingam or the symbol of Shiva. Citing a particular instance they say, Arjuna once fashioned a linga of clay when worshipping Shiva. Scholars of Puranas, thus argue that too much should not be made of the usual shape of the Lingam. Scholars say that the interpretation of Shiva Linga as an abstract form of God is also consonant with philosophies that hold that God may be conceptualized and worshipped in any convenient form. The form itself is irrelevant, as the divine power that it represents is all that matters. Scholars thus say that Sivalinga represent the formless Nirguna Brahman or the formless Supreme Being.

 

 

dil se,

Bharath.Krishna

Doha, Qatar

 

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