(i) Sri Sathya Veeratirtaru (i)i Sri Vijayadasaru AradhanagaLu 28th OCT

[Guest guest]

 

 

 

i) Shree

Sathya Veerathirthara P.D.(KoRla Halli)

ii) Shree Vijayadasara Aradhana

 

28th

OCTOBER, WEDNESDAY , DASHAMYAAM

[ ShraadhDha

Tithi-Dashamyam ]

 

Tithi : Dashamyam (21.15)IST

Vaara : Saumya

vaasara

Nakshatra :

DhaniShTA(13.00)

Yoga : Vruddhi

KaraNa :

Taitilaa

 

a) Shree Sathya Veerathirthara P.D.(KoRla Halli)

35th In the line of

Sri Uttaradhi Mutt (1879-1886)

 

Guru for Sri

SathyaDheerathirtha to whom he gave Ashram- Noted for hisPrakaanda Poandithya

and Prachanda Tapah Shakthi-

|| Shri Satyaveera

Teertha Gurubhyonamah ||

Introduction to Shri

1008 Shri Satyaveera Teertharu :

Satparakramaduddabhehe

sanjatah kirti

chandrakah |

Santapam Hantu shriman

satyaverendu ranjasa

||

Diksha accepted: 1879

Preceptor: Sri Satya

parakarama theertha

Brindavan

PravEsha:1886

PiTadhipati: 7 years 1

month 2 days

Brindavan Pravesha

1886

Aradhana Kartheeka

shudDgha Dashami

Brindavan at:

KorliHalli

Dist Gadag

River: the Tungabadra

State: Karnataka.

Poorvasharam Name

Bhodarayacharya

 

|| Shri

Gurubhyonamaha ||

|| Shri Hari Om ||

Shri Satyaveera

Teertha's Purvaashrama name was Bhodaramacharya . He was belongs to Korlahalli

Family. Korlhalli Famliy roled 50 Years of Shri Uttaradi Matha . They Are,

1) Shri Satyaveera

Teertharu, 2) Shri Satyadheera

Teertharu, 3) Shri

Satyadhyana Teertharu .

 

Shri Satyaveera

Teertharu was ordained as monk and succeeded to the pontificate in 1879. After

initiated to Vedantha Samrajya , he took up the construction of Brindavana in

Chittapur to his beloved guru Shri Satyaparakramar Teertharu and performed

Mahasamaradhana.

 

Shri Satyaveera

Teertharu ordained Shri Jayacharya and named him as SHRI SATYADHEERA Teertharu

to the pontificate throne of Shri Uttaradi Matha,and Swamiji entered Brindavana

in Korlahalli on the bank of river Tungabhadra on 1886 Kartika Shudda Dwadashi.

 

Work by Shri

Satyaveera Teertharu :

1]Commentray on

Tatvaprakashika

2]Commentray on Tpata

Chakrabhushana

3] Matigar

Garvanirmapan

 

Tande

Venkateshavitalaamkitha has composed a KeeRthana on him Raga anadha Bhairavi

set to Adith thaala:

 

Gururaaya

Kaavudhemmanu Thwarithaa

O PramaadBhutha

Charithaa|

SariGaaNe

Nimaginnarasalu sathathaa

DharaNipathiMhithaa|| Pallavi

 

CharaNa Pamkaja yugMa

Smaripa Janara Nithyaa

Paripaalipa BhirudhuLLa

sathya Veerah| Anu Pallavi|

 

 

Omdhaaru vratha

Sunanadhana

Tharuve VaRNipudhake|

BrimDhaaraka Dhaishika

Nimmadigeruve

Tejoraajitharave|

Tande Venkatesha

Vitalaana en Hrin-

Mamdhiradhali

Nimdhiruvamthe vahadiso||

CharaNa|

 

(Page 121

Bhakjana KausthuBha Vol 1 Aug 1993)

 

Dhyaana Sloka:

 

SatparaakramaDugdaabdhe

Samjaatha Keerthi

Chandraka|

SamtaapaM Harathu Sri

RamaaN

Sathya Veeraendu

Ramjasa ||

 

Sathya

VeeraalavaaloththaH

VidhuShaam

ChimthidhapradhaH|

Sathya DheeraaKhya Kalpadhruh

BhuRyaa IshtaaRtha

sidhdhaye ||

 

 

2) Shree Vijayadasara P.D.-

(1682-1755)

-(Chippagiri) Near GunTakal.

 

After a lapse of 100

years after Sri Puranadara daasa, came Sri Vijayadasaru to rejuvenate the Dasa

Movement ; and his period is heralded as

Vijaya Dasa Yuga by one and all. Sri

Madhwachary's doctrines and their

subtitle are well brought out in his keerthanas, Ugabhogas and

Sulaadhis,

 

His Sulaadhis catch

the imagination of one and all , and

therefore he is popularly known as Suladhi Daasaru.

 

Sri Vijaya Dasa was a

great exponent in the science of Numbers.

The following Suladhi would stand

testimony to it. Here, he says what he could do to become a "

HARIDASA".

 

Mooromdhu yugadhalli Mooromdhu vaRNane

Mooromdhu Kadebimba Mooromdhaagi Bhajisu

Mooromdhu Purushaartha Mooromdhaadhi BEdu

Mooromdhu Moganayya VijayavitalarEyana

Mooromdhu paayadhalli praLayamaaLpa.

 

1. Mooromdhu

Yugadhalli:

In the four Yugas (

Krutha, Tretha, Dwaapara,Kali)

 

2 Mooromdhu

VarNadhalli :

The four colors(

White, red, Yellow and Blue)

 

3 Mooromdhu Kadebimba

:

The four Bimas:

a) Vishwa, Thaijasa, Pragyna, Turya)

b) In Vasudeva, SankarshNa, Pradhumna.

AnirudhDha.)

c) In Sthoola shareera, Sookshma shareera, Linga

shareera and Swaroopa shareera.

 

4.Morromdhaagi

Bhajisi Sat, Chit, Atma,Ananda worship

poorNaananda Hari as having these four

qualities

 

5.Mooromdhu

Purushaartha: Attain Dharma, Artha, kaama, MoKsha

 

6.Mooromdhaadhi Bede

Pray to bestow one of the positions in Moksha,Saroopya, Salokya,

Saameepya, Saayujja

 

7.Mooromdhu

Moganayya: Vijaya Vitala Sri Hari) the father of Brahma who always

recites the four vedas (Rig, Yajur, Sama and AtharvaNa) from his four faces.

 

8) Mooromdhu

paayadhalli:

a) By Saama, dhaana

, Bhedha, dhanda

b)By Karma Kshaya,

Uthkrantha, Marga, Bhoga, -Four ways.

 

9) Mooromdhu praLaya

maaLpa; Dhina PraLaya, Yuga

PraLaya, Manu PraLaya,Brahma PraLaya.

 

Sri Vijayadaasa very

dexterously uses the numbers 2 to 8 avoiding number one as it is in-auspicious

and establishes Sri Madhwachary's SidhDhamtha.

In the above SuLaadhi number 4 ( 3+1) is treated to explain the

philosophy of Sri Madhwa.

 

He says one has to

pray Vijaya vittala ( Sri Hari) the

father of Bramha. It is suggestive of Sri Madhwa;s Hari Sarvothamathwa. That

Sri Hari alone is supreme in the pantheon of Gods. He is Sat, Chit, Atma,

Ananda. Suggests that he is BimbaRoopi and independent as Vishwa, Thaijasa,

Pragyna, Turya,

 

We are His Prathi

Bimbas entirely dependent on Him. Ultimate Purushaartha is Moksha and therefore

it would be attained by Dharma, Artha,

Kaama after Karma Kshaya, Utkramtha, Madrga, Bhiga. If moksha is of four positions. Saroopya, Saalokya, Saameepya

and Saayujya.

 

Jeeva Bramha bhedha

continues to be there and Jeevas enjoy the

eternal bliss in their Swaroopa

Dehaas. When it is understood that he

alone sanctions Moksha, He finally brings out the four types of deluges viz,

Dhina PraLaya, Yuga praLaya, Manu praLaya Bramha PraLaya. These events take place in all the four

yugas.

 

Sri Vijayadaasa's

Aradhana falls to day and on this day LET OUR MIND BECOME TOTALLY

detached from attractions of the world and contemplate on what he had said to God.

 

(Courtesy: News Letter, Sri Madhwacharya Seva Sangha, KK

Nagar, Chennai-78, NOV 2001 issue,. )

 

"Shree

Vijayadaasa was an Aparoksha Jnaani. Every word he uttered had the approval of

the Vedas. The great principles that were laid down in the Upanishads and PuraNaas

flowed through his padams. When others took ten words to explain a thing, he

took just one word.

 

If the influence of

Sri Puranadara daasa could be compared to the gushing waters, Sri Vijayadasa's

play on words in his compositions to a water shed.

 

Since one could find

Sri Ananada Thirtha's Vyasa sahithya and Sri Sripadharaja's Dasa sahithya in

all his work, Sri Vijayadasa could be called as Bheeshmachaarya of Dasa Sahithya. By his knowledge and work he

had enriched the dasa literature and kept its flag flying high. As a king among daasas, he made Sri Madhwa

Sidhdhantha tenets easily comprehensible even to layman.

 

He was the cause for

the Bhakthi BhAgeerathi to flow continuously by being Brighu Maharshi,

Madhwapathi and Vijayadaasa. His collection of Sulaadhi, Keerthanas is a fat

voluminous Encyclopedia of knowledge and Jnana.

 

He is compared to a

nest from where the twin birds of Vyaasa sahithya and daasa sahithya flew off

into the outer world. He is Kamadhenu for those who believe him and a Kalpavruksha

for those who worship him.

 

Sri Hari in the form

of Sri Puranadara daasa appeared in

young Sri Vijayadas's dream and wrote the beejaakshara- "VIJAYA" on

his tongue and disappeared. Since then there was a thorough transformation,

whatever he uttered became songs either in the form of Ugabhogas, or Sulaadhis

on Sri Hari Sarvoththama , He prayed God to apply a coat made of His sacred

names all round his tongue.

 

In the eternal garden

of Haridasa Sahithya, he made to bloom the eternal lotuses such as Sri Hari

sarvoththamatwa, Tharathamya, Theertha Kshetra Mahima. Bhakthi swaroopa, the

knowledge of Jnaana, Vairaaghya, Sadhana, Cotemplation of God and The glory of

Mukthi.

 

 

 

There was no limit for

Sri Vijayadaasa 's kindness. Out of his limitless compassion and love, he

blessed Srinivasacharya, a well-known pundit and transformed him to Jagannatha

dasa who authored Sri Harikathamrutha

saara.later.

 

Sri Vijayadasa's

jnana, Bhakthi, Vairaghya, reached their acme in him and no doubt he stands as a brilliant jewel in the crown of

the kingdom of Dasa and Vyasa Sahithya. -

 

(Courtesy-

Sri Madhwacharya Seva Sangha, KK Nagar, Chennai-78- News. Letter Nov 1999.)

 

"If Vyasa Sahitya

is 'Moola vigraha', dasa sahitya is its 'Utsava Murthy'.

 

The wick of Vyasa

sahitya is kept on burning incessantly with the ghee called Dasa Sahitya- It is

not an over statement, therefore, to say that for our Siddhhanta they are our

father and mother respectively and we are all their children.,

 

Even while performing

our daily duties we have to think of Sri Hari which will please Hari most: and

that will be the real worship of the Lord. This secret of work is revealed by

no less a person than Sri Madhwacharya. Sri Puranadara Dasa says " GaaLi bamdaaga

thoori koLLiro."- where gaLi means not the wind but our Dwaitha siddhanta.

 

It means only when we

read our siddhantha, we get liberated. All Haridasaa are therefore, compared to

fish who live in the great ocean of Madwa siddhantha, Their words are as pious

and sacred as the waters of the Ganga. Sri Vijayadasa was one such Haridasa who

propagated Sri Madhwacharya's 'Sadhana

Mantra' - in all his compositions.

 

All of them in local

language contain the essence of the Vedas, Upanishads and Puraanas, but keeping

Madhwa shastra as the central theme. His teachings please Sri Hari . Hence we

would be the recipients of His Grace very soon, if we follow him".-

 

Editor, Sri

Madhwacharya Seva Sangha's News letter-Oct 98"

 

To write on Sri

Vijayadasa, these columns may not be sufficient- He laid firm foundation for

the Dasa sahitya in the second group of Haridasas after Sri Puranadara Dasar

period. They conveyed to the common people the principles, which were so far

accessible only to pundits and to those who knew Sanskrit. Sri Vijayadasa's

writings and songs are superb for their poetic value and the beautiful rhythmic

style of expressions as well as their thoughtful presentation of Madhwa

Philosophy.

 

Though Sripadarajar is

said to be the father of dasa Sahitya, it was Sri Purandaradasa who brought

luster and grandeur to it. It was further developed and popularized to a great

extent by Sri Vijayadasa and Gopaladasa and it reached the supreme position at

the time of Sri Jagannatha dasaru.

 

It was Sri Veda Vyasa

who wrote the name Vijaya on his tongue when taken to him by Sri Puranadara

dasaru at Kashi. If Adoni Amildar

Raghavendra Rao had not seen him, during his son's marriage,perhaps we would

not have heard of Sri Vijayadasaru .

Making him to prepare sandal paste and the arrogant attitude of the Amildar

that made him to go away from Adoni to

Kashi.

 

It is here he really

prayed the Lord.. Just a morsel amount

of food offered by Chagi Keshavacharya, he saved his son from death-

 

"Uppu Ikkidavanannu Muppina thanaka Nene"-

 

Thus he was able to

fulfil what is said in this proverb. A person, who had no means to live, all of

a sudden had lot of things, followers etc. He attributes that these were all on

account of His blessings:

 

" Sanje tanaka Iddu

saNNa Soutu thumba\

Ganji kaaNade baLalidheno\

Himde|

Vyanjana Naana

subhakshabhojyangaLa \

Bhumjisuvudu

Maththeno||"

 

He did not keep even a

single thing with him- At the time of his death he lived in a hut at Chippagiri

in the field of Chandappa-

 

" Saala maada beda- Saaladena beda-

NaaLegena beda-

 

these words of Sri

Puranadara dasa were strictly followed by Sri Vijayadasa.-

The following composition exhibits his great

reverence, gratitude .firm faith and total surrender, submission to Sri Puranadara Dasaru:

 

VÚßÁÚß ®Úâ´ÁÚM¥ÚÁÚ¥ÛÑÚÁæ ¬ÈÚß½

^ÚÁÚyOÚÈÚßÄÈÚ «ÚM¸¥æ | ®Ú |

VÚÈÚ%ÁÚÕ}Ú«Ú ÈÚáÛt G«Ú­«Úß

®æãÁæÈÚ ºÛÁÚÈÚâ´ ¬ÈÚß½¥æ | @®Ú |

JM¥Úß @¾Úß¥Ú ÈÚßM¥ÚÈÚß~ «Û

«æM¥Úß ¬ÈÚß½«Úß ÈÚM¦®æ

BM¦ÁæÞËÚ«Ú ®Û¥Ú }æàÞÂÒ

}ÚM¥æ ÈÚáÛsÚÄß ÑÚ}Úí®æ | 1 |

ÈÚáÛÁÚd«ÚOÚ«Ú ÑÚ¬­¥Û¬¦

ÑÛÁÚVÛ«ÚÈÚ ÈÚáÛsÚßÈÚ

«ÛÁÚ¥ÚÁæ C ÁÚà®Ú¦M¥ÚÆ

}æàÞ ¥ÚÁÚßËÚ«Ú ¬ÞsÚß}Û | 2 |

®Úâ´ÁÚM¥ÚÁÛľÚßYÚlo¥æà×ÚVæ

¬ÁÚß}Ú ¨Ú«ÚVÚ×Ú VÚØÑÚÄß

®ÚÁÚÈÚß®Úâ´ÁÚßÎÚ«Úß É®ÚëÚM¥Ú¦

OÚÁÚÈÚ ¬Þt ¾ÚáÛ_ÑæÞ | 3 |

®ÚÁÚÈÚß ¬VÚß%y ÈÚß«ÚÈÚÂ}Úß

ÔÚ¾Úßß ÑÚàÁæVæàØÒ¥Ú

@Â}Úß ÈÚß«Ú¥ÚÆ dÂ¥Úß ºÚÈÚVÚ×Ú

}ÚÁÚß{ÑÚÔÚ ÔæàÁÚ ÔæàÁÚl«Úß | 4 |

@dºÚÈÛ¦VÚ×ÚÁÚÑÚ«Û¥Ú ÒÂ

Éd¾ÚßÈÚâ´pÚÄ«Ú ¥ÛÀ¬®Ú

¬d ÑÚßeÛk«ÚÈÚ OæàtÑÚ·æÞOæM¥Úß

ºÚf®æ«æà OæÞ×é VÚßÁÚßÈÚÁÚ | 5 |

He was guru for Sri Gopaladasaru

and transferred him to be a dasa from the profession of an

astrologer(Dasappa)-

He even tells Lord

Srinivasa that the Bhaktas are always in

front and he is at the Last:

 

ºÚOÚß}Úd«Ú ÈÚßßM¥æ ¬Þ«ÚÈÚÁÚ

ÕM¥æ | ®Ú |

¾ÚßßOÚß~ OæçVæà×ÚÙ¥æàÞ VÚ¾ÚáÛ

VÚ¥Û¨ÚÁÚ«æ | @®Ú |

OÚmæoÁÚsÚß ¸W¥Úß «Ú¦ÑÚàÒ

®Ú¾Úßß}ÚÆÁÚÄß

OÚloÅæ¾ÚßÆ ÔÚÂVæàÞÄ ÔÛP

«ælo«æ A^æWÞ^æVæ ®æãÞW¶ÁÚßÈÛVÚ

ÔÚßlßo ÈÚßßM¥ÚÄÇ¥æ ÔÚÂVæàÞÄß

ÈÚßßM¥æÞ«Úß | 1 |

OÛ×æ ÔæVÛX×æ ¥ÚßM¥Úß» ºæÞÂ

}ÚÈÚßmæ ¬

ÑÛÓ×æ «Û«ÛÈÛ¥ÚÀYæàÞÎÚMVÚ×Úß

ÑÛÅÛW ¶ØÈÚt¥Úß ÑÚMºÚ´ÃÈÚߦ

¶ÁÚßÈÛVÚ

A×ÚßÈÚßßM¥ÚÄÇ¥æ @ÁÚÑÚß }Û

ÈÚßßM¥æÞ«Úß | 2 |

D}ÚÓÔÚÈÛÔÚ«Ú¦ ¸Þ¦ ÈæßÁæ¾Úß~ÁÚÄß

ÑÚ}ÚÓMVÚ~Væ ÔÚÂ¥ÛÑÚÁÚÄÇ¥æ ºÚOÚ¡

ÈÚ}ÚÓÄ Ò Éd¾ÚßÉpÚÄ ÈæMOÚmÛ^ÚÄ

ÈÚ}ÚÓ ÈÚßßM¥ÚÄÇ¥æ ¨æÞ«Úß }Û

ÈÚßßM¥æÞ«Úß | 3 |

 

He was instrumental in

changing Sri Srinivasathirtha as Sri

Jagannathadasaru-

 

A child which was

about to be abandoned by the mother , was saved and became his pet child and

disciple Sri Mohana Dasa-

 

"

Chiranjeeviyagalo ChiNNa neenu|

Haridasa

dasa Dasara Paada DhooLaagi||

 

Noted Sudha pundit,

Kallur Subbannaachar, after an incident, transformed himself to be a Haridasa

with the Ankita' Vyasa Vitala. His composition

 

"Smarisi badukiro Divya charaNakeragiro|

duritha tharidu oreva Vijaya GurugaLembara||

 

Called Vijaya Kavacha

- It is written in a lucid, chaste and flowing style.

 

It is so popular among

kannada people and especially among the women-folk that they daily sing in

their homes. Also recited by many many

Bhaktas in their homes as well as at Chippagiri going round the Dasara

Katte-

 

His intimacy with Lord

Srinivaasa was such he was able to stop the Rathotstva and god sent word for

him to come and he sang " Saagi baarayya Bhava Rogadha vaidyane Baaguve

ninage Chennagi Stuthisi Imdu||

 

Sri Vijayadasa was

Brigu Maha muni in the previous avatara-

 

In Threta yuga, he was

Suraleela and did Seva to Sri Ramachandra:

 

In Dwaapara Yuga he

was Nikampa, a yadava doing Service to Sri Krishna-

 

In Kaliyuga , first he

was born as a calf in the house of Sri Puranadaradasa and later as his last

son Madhwapathi. He fulfils his promise

to his father in completing 25000 krithis

and completes the rest . As promised again, in the next Janma as Sri

Vijayadasaru-

In the following

composition he attributes that having

born like this in various janmas and pereforming Bhagwanata’s service, he got

this great Manava janma ( GM}Úß ®Úâ´yÀ¥Ú ®ÛÚáÛ¿ß}æà

G«ÚVæ)

@M}ÚÁÚMVÚ¥Ú OÚ¥ÚÈÚâ´ }æÁæ¿ß~M¥Úß | ®Ú |

GM}Úß ®Úâ´yÀ¥Ú ®ÛÚáÛ¿ß}æà

G«ÚVæ | @ ®Ú |

HÑÚߦ«ÚÈÛ¿ß}æà ¸ÞVÚÈÚßߥæþÚß

ÈÚáÛt

ÈÛÑÚÈÛW¥Ú§ÁÚß ¥ÚßÁÚß×ÚÁÚÆÇ

ÈæàÞÑÚÈÛW}Úß¡ BM¦«Ú}Ú«ÚOÚ

}ÚÈÚßÒ«Ú

ÁÛ̾æà×ÚVæ ÔÚàØ OÛyßÑÚß~¡¦§ÄÇ | 1 |

VÚßÁÚßOÚÁÚßyÈæM¶M¢Ú PÞÆOæç

¥æàÁÚP}Úß

ÔÚÂOÚÁÚßyÈæM¶M¢Ú ËÚP¡¿ßM¥Ú

®ÚÁÚÈÚß ºÛVÚÈÚM}ÚÁÚ ÑÛÈÛÑÚ¥ÚÆ

®æãÞW

ÔÚÂÑÚ½ÁÚzæ¿ßM¥ÚÆ ¸ÞVÚÈÚ }æÁæ¥æ | 2 |

ÑÚß}Ú¡Æ¥Ú§ÈÚÁÚÄÇ ®ÚÅÛ¾Úß«ÚÈÛ¥ÚÁÚß

 

¶~¡ OÚOÚQsÚÈæM¶ eÛk«Ú¦Þ®Ú

d}Û¡W ÕtOæàMsÚß ®æãVÚÄß

G}Ú¡ «æàÞt¥ÚÁÚ}Ú¡ ËÚäMVÛÁÚ ÑÚ¥Ú«Ú

| 3 |

ÔæàÁÚVæ ¥ÛÊÁÚÈÚâ´ «ÛÄßQ J×ÚVæç¥Úß

¥ÛÊÁÚVÚ×Úß

®Úâ´ÁÚ¥Ú ¥ÛÊÁÛ¦Væ ®ÛÃzÛ¦ d¾ÚßÁÚà

ÉßÁÚßVÚßÈÚ ÈÚߥÚÀÈÚßMl®Ú

OæàÞnÁÚɾÚßM}æ

ÑÚÁÚÒd«ÛºÚ«Û @ÁÚÈÚß«æ Ñæà¶VÚß | 4 |

ÑÚÊÈÚßà~%VÚy ÈÚߥÚÀ

ÑÚ_`¥Û«ÚM¥æçOÚ

ÁÚÈæß¾ÚߨÚÁÚ¦M¥ÚÅÛÆMVÚÀ}ÚʦÞ

OÚÈÚßÄeÛ¦VÚØM¥Ú }Úß~ÒOæà×Úß}Ú ÔÚä

 

}ÚQÈÚßÄ¥æà×ÚW¥Ú% Éd¾ÚßÉpÚÄ«Ú

OÚMsæ | 5 |

 

Sri Vijayadasa also

composed numerous Ugabhoga, Sulaadhi, which are recited even now in all hindu

families. Having lived for 74 years

performed Vaikunta yatra in 1755.

 

Dhyaana Sloka:

 

AjnaanathimiraChchedam

buddhi sampat pradaayakaM|

Vijanana vimalam Shaantham

Vijayaakhya Gurum Bhaje ||

 

Some

compositions for ready reference:

[Courtesy:

Dvaita org]

 

@M}ÚÁÚMVÚ¥Ú OÚ¥ÚÈÚâ´ }æÁæ¿ß~M¥Úß | ®Ú |

GM}Úß ®Úâ´yÀ¥Ú ®ÛÚáÛ¿ß}æà

G«ÚVæ | @ ®Ú |

HÑÚߦ«ÚÈÛ¿ß}æà ¸ÞVÚÈÚßߥæþÚß

ÈÚáÛt

ÈÛÑÚÈÛW¥Ú§ÁÚß ¥ÚßÁÚß×ÚÁÚÆÇ

ÈæàÞÑÚÈÛW}Úß¡ BM¦«Ú}Ú«ÚOÚ

}ÚÈÚßÒ«Ú

ÁÛ̾æà×ÚVæ ÔÚàØ OÛyßÑÚß~¡¦§ÄÇ | 1 |

VÚßÁÚßOÚÁÚßyÈæM¶M¢Ú PÞÆOæç

¥æàÁÚP}Úß

ÔÚÂOÚÁÚßyÈæM¶M¢Ú ËÚP¡¿ßM¥Ú

®ÚÁÚÈÚß ºÛVÚÈÚM}ÚÁÚ ÑÛÈÛÑÚ¥ÚÆ

®æãÞW

ÔÚÂÑÚ½ÁÚzæ¿ßM¥ÚÆ ¸ÞVÚÈÚ }æÁæ¥æ | 2 |

ÑÚß}Ú¡Æ¥Ú§ÈÚÁÚÄÇ ®ÚÅÛ¾Úß«ÚÈÛ¥ÚÁÚß

 

¶~¡ OÚOÚQsÚÈæM¶ eÛk«Ú¦Þ®Ú

d}Û¡W ÕtOæàMsÚß ®æãVÚÄß

G}Ú¡ «æàÞt¥ÚÁÚ}Ú¡ ËÚäMVÛÁÚ ÑÚ¥Ú«Ú

| 3 |

ÔæàÁÚVæ ¥ÛÊÁÚÈÚâ´ «ÛÄßQ J×ÚVæç¥Úß

¥ÛÊÁÚVÚ×Úß

®Úâ´ÁÚ¥Ú ¥ÛÊÁÛ¦Væ ®ÛÃzÛ¦ d¾ÚßÁÚà

ÉßÁÚßVÚßÈÚ ÈÚߥÚÀÈÚßMl®Ú

OæàÞnÁÚɾÚßM}æ

ÑÚÁÚÒd«ÛºÚ«Û @ÁÚÈÚß«æ Ñæà¶VÚß | 4 |

ÑÚÊÈÚßà~%VÚy ÈÚߥÚÀ

ÑÚ_`¥Û«ÚM¥æçOÚ

ÁÚÈæß¾ÚߨÚÁÚ¦M¥ÚÅÛÆMVÚÀ}ÚʦÞ

OÚÈÚßÄeÛ¦VÚØM¥Ú }Úß~ÒOæà×Úß}Ú ÔÚä

 

}ÚQÈÚßÄ¥æà×ÚW¥Ú% Éd¾ÚßÉpÚÄ«Ú

OÚMsæ | 5 |

 

 

 

GÅæ ÈÚß«Ú ÈÚßßÁÛ OæàMsÛsÚß | ®Ú |

ÈÚßM¦¾Úß ÈÚáÛ~Væ GM¥æM¥Úß

ÈÚßÁÚßVÚ¥æ

ÈÚßßM¦«Ú VÚ~¾Úß«Úß «æàÞsÚß | 1 |

OÛÄ«Ú¥Úà}ÚÁÚ OÛÆVæ ¸¥Ú§Áæ

«Û×æVæ ¬ÅæàÇÞÁæ «æàÞsÚß | 2 |

ÁÛfÞÈÚÈÚßßSæ¾ÚßÁÚ ÑæàÞWVæ Èæß_`¥æ

 

Éd¾ÚßÉpÚÄ«Ú ·æÞsÚß

 

 

 

GM¦VÛÔÚߥæà ¬«Ú­ ¥ÚÁÚßËÚ«Ú

@M¦VÚÄÇ¥æ ¶M¨Ú ¬ÞVÚ¥Úß | ®Ú |

VÛ«ÚÅæàÞÄ«æÞ ¦Þ«ÚÈÚ}ÚÓÄ

ÈÚáÛ«Ú¦M¥ÚÆ ¬Þ«æ ®ÛÆÑæà | 1 |

¾ÚáÛÂVÚ ÈæàÁæ¿ßsÚÅæà *ÔÚÂÞ

ÑÛ¶M¥Úß ¬Þ¬ÞVÚÅæÞ ®æã | 2 |

VÚdÈÚ ®ÛÆÑæàÞ VÚÁÚßsÚVÚÈÚß«Ú«æ

ºÚßdVÚËÚ¾Úß«Ú * Éd¾ÚßÉpÚÄ | 3 |

 

 

OÛ¥Ú«Û ÈÚ}ÚÓÈÚ ÔÚÂ

OÛ¥Û«ÛÈæàÞ¥Ú¦M¥Ú ÈÚáÛ¨ÚÈÚ |

®Ú |

ÈæÞ¥ÚÈæÞ¥ÚÀ ÑÛ¨ÚßÉ«Úß}Ú

ÁÛ©OÛÁÚÈÚßy OÚäÎÚ| |

@®Ú |

G×ÚVÚÂOæ¿ßÁÚßÈÚ ÑÚ¡×Ú¦ «æÁæ¥Úß

ÈÚÑÚß¡VÚ×Ú«æ ¬ÆÒ

Oæà×ÚÄß }Ú«Ú­ OæçÆ ¯t¥Úß

ÈÚßßÁÚØVÛ«Ú ÈÚáÛsÚß}Ú |

1 |

ÈÚßÁÚ¥Ú «æÁÚØVæ OÚäÎÚ|

OÚÁÚßVÚ×Ú«Ú­ ¬ÆÇÒ

OÚÁæ¥Úß ®ÛÄßOÚÁæ¥Úß }ÚM¥Úß

·Û¾æà×Úß{ÑÚß}Ú¡ |

2 |

}Ú«Ú­ ÑæÁÚVÚß }æVæ¥Úß OÚäÎÚ|

OÚÁÚßVÚ×Ú«æ­ ·æ«æà­ÁÚÒ

~«Úß­ ~«Úß­ ®Úâ´ÄǾæß«Úß}Ú YÚ«Ú­

OÚÁÚ¥æà×æ}Úß¡}Ú |

3 |

DÁÚßVÚ×ÚM}æ OÚÁÚßVÚ×Úß «ÚsÚßÈæ

^ÚM¥ÚèÛÁæ¾æà×Úß

®æãsÚɾæà×ÚVæ ·æ×ÚVÚÄß A

ÈÚßäsÚ«Úß OæàMsÛsÚÄß |

4 |

JM¥Úß ~MVÚ×Ú OÚÁÚßVÚ×Úß BM¦ÞÁæÞËÚ

ÈæßÞ¿ßÑÚÄß

JM¥Úß ÈÚÁÚßÎÚ OÚÁÚßVÚ×ÚM}æ

A«ÚM¥Ú¦M¥ÚÆ ·æ×æ¥ÚÈÚâ´ |

5 |

OÚ«ÚOÚ ÁÚd}Ú ÑÚÁÚ®ÚØ

¥Ú«ÚOÚÁÚßVÚ×æàQÁÚ×ÚÆ

Éß«ÚßVÚß~®Ú° @ÁÚ×ÚÆ @«æÞOÚ

«Û¥Ú¦M¥ÚÆ | 6 |

@dVÚ×ÚM¢Ú OÚÁÚßVÚ×Úß VÚdVÚ×ÚM}æ

A¥ÚÈÚâ´

~ÃdVÚ¥æàsæ¾Úß Éd¾ÚßÉpÚÄ

ÈÚdÃOÚ¥æàÁæ¾ÚáÛ×ÚßÈÚ |

7 |

 

 

OæçÅÛÑÚÈÛÑÚ VèÂÞËÚ CËÚ | ®Ú |

}æçÄ¥ÛÁæ¾ÚßM}æ ÈÚß«ÚÑÚß Oæàsæà

ÔÚ¾ÚßÆÇ | @®Ú |

@ÔæàÞÁÛ~þÚßÆ «Û«Úß

@«Úß^ÚÁÛVÚÃ{¾ÚáÛW

ÈÚßÕ¾æà×ÚVæ ^ÚÂÒ¥æ«æà

ÈÚßÔÚ¥æÞÈÚ«æ

@ÕºÚàÎÚy«æ G«Ú­ÈÚVÚßyVÚ×æ{ÑÚ¥ÚÅæ

 

ÉÕ}Ú¨ÚÈÚß%¥ÚÆsÚß ÉÎÚß|ºÚOÚß~

Oæàsæà ËÚMºæàÞ | 1 |

ÈÚß«ÚÑÚß OÛÁÚyÈÚÄÇ

®Û®Ú®Úâ´yÀMVÚØVæ

@«ÚÅÛOÚÐ ¬«Ú­ ®æÃÞÁÚzæ @ÄÇ¥æ

¥Ú«Úßd VÚd ÔÛ¾æß ¥ÚMsÚ

®ÚÃyÈÚßÈÚ ÈÚáÛ×æ°

ÈÚß{ÑÚß C ÈÚß«ÚÑÚß ÑÚdg«ÚÁÚ

ÒÂ ^ÚÁÚy¥ÚÆÇ | 2 |

ºÛWÞÁÚ£Þ¥ÚÁÚ«æ ºÚ¾ÚßÈÚ

®ÚÂÔÚÂÑæà ÅæÞ

ÑÛW JÆ¥Úß ¬Þ ÑÚ}Ú}Ú ËÚÈÚ%¥æÞÈÚ

ºÛVÚÈÚ}Úd«Ú¯ÃÞ¾Úß Éd¾ÚßÉpÚÄ«ÚMZ´Ã

 

eÛVÚß ÈÚáÛsÚ¥æ ºÚf®Ú ºÛVÚÀÈÚ«Úß

OæàsÚß ËÚMºæàÞ |

3 |

 

 

VÚßÁÚß ®Úâ´ÁÚM¥ÚÁÚ¥ÛÑÚÁæ ¬ÈÚß½

^ÚÁÚyOÚÈÚßÄÈÚ «ÚM¸¥æ | ®Ú |

VÚÈÚ%ÁÚÕ}Ú«Ú ÈÚáÛt G«Ú­«Úß

®æãÁæÈÚ ºÛÁÚÈÚâ´ ¬ÈÚß½¥æ | @®Ú |

JM¥Úß @¾Úß¥Ú ÈÚßM¥ÚÈÚß~ «Û

«æM¥Úß ¬ÈÚß½«Úß ÈÚM¦®æ

BM¦ÁæÞËÚ«Ú ®Û¥Ú }æàÞÂÒ

}ÚM¥æ ÈÚáÛsÚÄß ÑÚ}Úí®æ | 1 |

ÈÚáÛÁÚd«ÚOÚ«Ú ÑÚ¬­¥Û¬¦

ÑÛÁÚVÛ«ÚÈÚ ÈÚáÛsÚßÈÚ

«ÛÁÚ¥ÚÁæ C ÁÚà®Ú¦M¥ÚÆ

}æàÞ ¥ÚÁÚßËÚ«Ú ¬ÞsÚß}Û | 2 |

®Úâ´ÁÚM¥ÚÁÛľÚßYÚlo¥æà×ÚVæ

¬ÁÚß}Ú ¨Ú«ÚVÚ×Ú VÚØÑÚÄß

®ÚÁÚÈÚß®Úâ´ÁÚßÎÚ«Úß É®ÚëÚM¥Ú¦

OÚÁÚÈÚ ¬Þt ¾ÚáÛ_ÑæÞ | 3 |

®ÚÁÚÈÚß ¬VÚß%y ÈÚß«ÚÈÚÂ}Úß

ÔÚ¾Úßß ÑÚàÁæVæàØÒ¥Ú

@Â}Úß ÈÚß«Ú¥ÚÆ dÂ¥Úß ºÚÈÚVÚ×Ú

}ÚÁÚß{ÑÚÔÚ ÔæàÁÚ ÔæàÁÚl«Úß | 4 |

@dºÚÈÛ¦VÚ×ÚÁÚÑÚ«Û¥Ú ÒÂ

Éd¾ÚßÈÚâ´pÚÄ«Ú ¥ÛÀ¬®Ú

¬d ÑÚßeÛk«ÚÈÚ OæàtÑÚ·æÞOæM¥Úß

ºÚf®æ«æà OæÞ×é VÚßÁÚßÈÚÁÚ | 5 |

Ú

^ÚÁÚyÈÚ }æàÞÁæç ^æÄßÈÚÁÚ @ÁÚÑÚ«æ

^ÚÁÚyÈÚ }æàÞÁæç | ®Ú |

ÑÚ½ÁÚzæ ÈÚáÛ}ÚÃ¥ÚÆ ÈÚßßOÚß~¾Úß

OæàsÚßÈÚ

^ÚÁÚyÈÚ }æàÞÁæç | @®Ú |

ÁÚÈæß½¾Úß ÈÚß«ÚOÚ ·æsÚVÚß }æàÞÂ¥Ú

^ÚÁÚyÈÚ }æàÁæç

·æàÈÚáÛ½¦VÚ×Ú ÈÚß«ÚOæ ¬ÄßOÚ¥Ú

^ÚÁÚyÈÚ }æàÞÁæç

_Éß½ ÁÛÈÚy«Ú ¶ÄߥÚàÁÚÈÚ Væç¥Ú ^ÚÁÚyÈÚ

}æàÞÁæç

YÚÈÚß½«æ ÈæàÑÚÁÚ ÈæߥÚߧ «Úsæ¥Ú

^ÚÁÚyÈÚ }æàÞÁæç |

1 |

VæàÞOÚßĺÚàÉß¾Úß ®ÛÈÚ«ÚÈÚáÛt¥Ú

^ÚÁÚyÈÚ }æàÞÁæç

ÅæàÞOÚÈÚ«æÄÇ @sÚWÒOæàMsÚ ^ÚÁÚyÈÚ

}æàÞÁæç

·æÞOæM¥Úß OÚ߶ßd¾Úß ÈÚß«ÚVæ

®æãÞ¥Ú ^ÚÁÚyÈÚ }æàÞÁæç

«ÚàPºÚÈÛ¸§¾Úß ¶~¡Ò¸sÚßÈÚ ^ÚÁÚyÈÚ

}æàÞÁæç | 2 |

¸sÚ¥ÚÅæ ÑÚÈÚ%dk~Þ¢Ú%ÂVæàÆ¥Ú

^ÚÁÚyÈÚ }æàÞÁæç

¶sÚÈÚÁÛ¥ÛÁÚ ¦ÈÚÀºÚàÎÚyÉlo ^ÚÁÚyÈÚ

}æàÞÁæç

OÚsÚßOÚ¥Úߧ ÒÂOÚäÎÚ| Éd¾ÚßÉpÚÄ

¬«Ú­ ^ÚÁÚyÈÚ }æàÞÁæç

DsÚ߯¾Úß ÑÚ¤×Ú¥ÚÆ ¬M¥Úß

®Úãeæ¾ÚßVæàM¶ ^ÚÁÚyÈÚ }æàÞÁæç |

3 |

 

 

 

d¾ÚßÁÛ¾ÚßÁÚ «æàÞtÁæàÞ ÑÚdg«ÚÁæÄÇ

d¾ÚßÁÛ¾ÚßÁÚ ®ÛtÁæàÞ | ®Ú |

d¾ÚßÁÛ¾ÚßÁÚ «æàÞt d¯Ò ÈÚß«Ú¦ ®Ût

d¾ÚßÈÛVÚßÈÚâ´¥Úß ¬ÈÚßVæ ºÚ¾Úß

«ÛËÚ ÑÚM}Ú}Ú | @®Ú |

¥ÚßÁÚß×Ú ÈÚß}ÚÈæM·æà OÚÂVæ

@MOÚßËÚÈÚ¬}Úß¡

ÑÚßÁÚ«Û¢Ú VÚÃM¢Ú ÈÛ«ÚM¥ÚÈÚß߬

ÉÁÚ_Ò BÁÚÅÛW

®ÚÁÚÈÚß ¶P¡¿ßM¥Ú ÉÑÛ¡ÁÚ ÈÚáÛt¥Ú

OÚÁÚ¥Ú OÚ«Ú­t¾ÚßM}æ |

1 |

ÈÛ©VÚ×Ú«æ­ÅÛÇ d¿ßÒ sÚMVÚàÁÚ

Ôæà¿ßÓ

ÈæÞ¥Û¢Ú% eÛk«Ú ÑÚ}ÚÀÈæ¬Ò C

¨ÚÁæ¾æà×ÚVæ

ÔÚ¾æßÞ ®ÚÁÚ¥æçÈÚÈæM¥Úß ÑÛ©Ò

ÈæßÁæ¥Ú D¥Ú§MsÚ«Û¥Ú VÚßÁÚß~ÄOÚ |

2 |

@OæàÐÞºÚ´À~Þ¢Ú%ÁÚ OÚÁÚ¦M¥Ú d¬Ò

ÈæàÞOÚÐOæ d¾Úß®Ú~ÃOæ¾Úß«Úß OæàtÒ

®ÚPÐÞÈÛÔÚ«Ú ÒÂ Éd¾Úß ÉpÚÄ«Ú­

CPÐÞÑÚßÈÚâ´¥ÚOæ D®Ú¥æÞËÚ OæàsÚßÈÚ FßÏ | 3

 

 

ÑÛ ºÚfÒÁæàÞ nÞOÛÁÛ¾ÚßÁÚMZ´Ã¾Úß

YæàÞÁÚ®Û}ÚOÛM¶ß©¾Úß ®ÛÁÚß

ÈÚáÛ×Ú°ÁÛ | ®Ú |

ÈæàÞ¥Ú~ÞÁÚ¤ÁÛ ÈÚß}ÚÈÚ ÑÛ©ÑÚßÈÚÁÛ

®Û¥Ú ÑæÞ«ÚÀÁÛ ¥ÚßÁæà¼Þ¨ÚOÚ×æÈÚÁÛ | 1 |

ºÛÎÚÀ}Ú}ÚÊÈÚ ÉÑÛ¡ÁÚ ÈÚáÛ×Ú°ÁÛ

¥æàÞÎÚ¥ÚàÁÚÁÛ A¦ËæÞÎÛÈæÞËÚÁÛ | 2 |

OÛÈÚß Væ¥Ú§ÁÛ ÔÚÂVæ

®æÃÞÈÚß®ÚãÁÚ|ÁÛ

«æÞÈÚß ¬}ÚÀÁÛ ¬ÎÛQÈÚß«Û®ÚÁÛ | 3 |

ÈæàÞOÚÐ¥Û}ÚÁÛ @OæàÐÞºÚ´À ~ÞÁÚ¤ÁÛ

ÑÛPÐ B®Ú°ÁÛ @®æÞOæÐ ÁÚÕ}ÚÁÛ | 4 |

Éd¾ÚßÉpÚrÅÛ «ÚMYÚ´Ã ºÚd«æ

ÈÚáÛ×Ú°ÁÛ

OÚßd«ÚÁÛ ºÚMdÁÛ ¦WÊd¾ÚßÁÛ¾ÚßÁÛ | 5 |

Ú

 

 

ÈÚÈÚáÛ«Ú ®ÚÈÚÈÚáÛ«Ú dVÚ¥Ú ®ÛÃy

ÑÚMOÚÁÚßÎÚy ºÚÈÚ ºÚ¾ÚáÛ

ÁÚyÀ¥ÚÔÚ«Û | ®Ú |

ËÚÃÈÚyÈæ Èæà¥ÚÅÛ¥Ú

«ÚÈÚɨںÚOÚß~¾Úß

}ÚÈÚOÚ¦M¥ÚÆ OæàsÚß OÚÉd«Ú¯Ã¾ÚáÛ | @®Ú |

ÔæÞÈÚßOÚ^Úà`þgl D®ÚÉÞ}Ú¨ÚÂ}Ú

ÈÚáÛÁÚß}Ú

OÛÈÚáÛ¦ÈÚVÚ%ÁÚÕ}Û ÈæãÀÞÈÚáÛ¦

ÑÚOÚÄ ÈÛÀÈÚä}Û ¬Þ»%}Û

ÁÛÈÚß^ÚM¥ÚÃ«Ú ¬d¥Úà}Ú ¾ÚáÛÈÚß

¾ÚáÛÈÚßOæ ¬«Û­ÁÚ©®Úâ´¥ÚOæ

OÛÉß®æG«ÚW¥Úß «æÞÉßÒ ®ÚÃ~¦«Ú C

ÈÚß«ÚÒVæ ÑÚßRÑæà¡ÞÈÚßÈÚ

}æàÞÁÚß}Ú ®ÛÈÚßÁÚ ÈÚß~¾Úß«Úß

¬ÞÈÚáÛzæ®Úâ´¥æàÞ |

1 |

ÈÚdÃËÚÂÞÁÚ VÚM»ÞÁÚ ÈÚßßOÚßl¨ÚÁÚ

¥Úd%«ÚÈÚ«ÚOÚßpÛÁÚ

¬d%ÁÚÈÚß{ ¥Ú¾ÚáÛ ®ÛÁÛÈÛÁÛ D¥ÛÁÚ

ÑÚdg«ÚÁÚYÚ ®ÚÂÔÛÁÚ

@dß%«ÚVæàÆ¥ÚM¥Úß ¥ÚÊdÈÛ¬Ò ¬M¥Úß

ÈÚßàd%VÚÈÚÂÈÚM}æ

VÚd%«æ ÈÚáÛt¦ Ôæeæg ÔæeægVæ ¬«Ú­

@¶g ®Û¥Ú¥ÚàØ ÈÚßàd%VÚ¥ÚÆ

ºÚÈÚÈÚf%}Ú «æ¬ÑæàÞ | 2 |

®ÛÃy @®Û«Ú ÈÛÀ«Ú D¥Û«Ú ÑÚÈÚáÛ«Ú

A«ÚM¥Ú ºÛÁÚ~ ÁÚÈÚßy

¬Þ«æ ËÚÈÛ%¦WÞÈÛ%zÛ¥ÚÀÂVæ

eÛk«Ú¨Ú«Ú®ÛÆ®Ú ÈÚÁæÞyÀ

«Û«Úß ¬ÁÚß}Ú¥ÚÆ H«æÞ«æÑÚVÚßÈæ

ÈÚáÛ«ÚÑÛ¦ OÚÈÚß%

¬«ÚVæ௰ҥæ«æà ®ÛÃy«Û¢Ú

ÒÂÉd¾ÚßÉpÚÄ«Ú

OÛ{ÒOæàsÚßÈÚâ´¥Úß ºÛ«Úß ®ÚÃOÛËÚ | 3 |

 

 

 

¥ÛÑÚ¥ÛÑÚ¥ÛÑÚÁÚ ¥ÛÑÚÀÈÚ OæàsÚß

¥æàÞÎÚÁÛÌVÚ×Ú«ÚØ¥Úß |

®Ú |

*ËÛ©ÞËÚ ÑÚßÁæÞËÚ ÑÚÈÚ%ËÚÊÁÚ

ºÛÑÚßÁÚVÚßyVÚy ºÚÈÚÀ^ÚÂ}Ú ÔÚÁæÞ | @®Ú |

_}Ú¡ ¬«Ú­ _M}æ¾æàØÁÚÆ ÑÚ¥Û _M}æ

B}ÚÁÚ ¸sÚÆ

@M}ÚÁÚMVÚ¥ÚÅÛÇ«ÚM¦ÁÚÆ

@ÔÚMOÚä~¾Úß«Úß ¸sÚÆ

ÑÚM}Ú}Ú ¬«Ú­

®Ú¥ÛOÛÃM}Ú¬ÁÚßÈÚM}æ

®ÚM¢ÚÈÚ ®ÛÆÑæàÞ

®ÚÁÚÈÚß®Úâ´ÁÚßÎÚ ÔÚÁæÞ | 1 |

 

@ÂÎÚsÚÊVÚ%¥Ú @sÚɾÚß RMtÑæà

A«ÚM¥Ú¥ÚÆÂÑæàÞ

¥ÚßÁÚß×ÚÁÚ ÑÚMVÚÈÚ ¥ÚàÁÚ

KtÑæà ¥ÚßÈÚß%~¾Úß«Úß ¸tÑæàÞ

ÑÚÁÚÑÚÑÚMºÚ´ÃÈÚߥÚ

ÑÚdg«ÚÁæà×ÚVæ«Ú­

¬ÁÚß}Ú ¬ÆÇÑÚßÈÚâ´¥Úß ¬ÞÁÛdOÚÐ

ÔÚÁæÞ | 2 |

~ÃdVÚ«æà½ÞÔÚ«Ú ~ÃVÚßzÛ~Þ}Ú

ºÚßdMVÚÈÚÁÚËÚ¾Úß«Ú

ºÚdOÚ®ÛÈÚ«Ú ºÚÈÚ«Úß}Ú^ÚÁÚy

FßdßVÚy«Úß}ÚºÚÁÚzÛ

Éd¾ÚßÉpÚÅÛ ÉËÚÊ ÑÚßÁæÞËÚÊÁÚ

OÚßd«ÚÉ¥ÛÁÚy OæàÞÉ¥Ú«Úß}Ú ÔÚÁæÞ | 3 |

 

 

 

®ÛÆÑæ ®Ú¥ÚßÈÚáÛľæß ¬Þ«æ VÚ~ | ®Ú |

·ÛÄOÚ«Úß }Û«ÛW VæàÞ¯Væ

ÆÞÅæ¿ßM¥ÚÆ «ÚM¥ÚVæàÞOÚßÄ

·ÛÅæ¾ÚßÁÚ ÈæàÞÕÑÚß}Ú @ÑÚßÁÚÁÚ

OÛÄÅæàÂÒ¥Ú ·ÛÄOÚ«Ú ¯Ã¾æß | @®Ú |

@«ÚÀÁÚ «æ«æÈæã«ÚÅæÇ ¬«Ú­¾Úß ®Û¥Ú

ÈÚ«æ­ «ÚM¸¥æ ¬Þ ¶ÅæÇ

}ÚsÚÈÚáÛsÚ¥ÚÅæ

_y| OÚÁæ¾ÚßÄß YÚ«Ú­ÈÚßÕÈÚß«Úß

D«Ú­}Ú¥Ú ÁÚ௫ÚÆ VÚßyÑÚM

®Ú«Ú­ ÁÚOÚQÑÚ«Ú«Úß­ ÒÞØ¥Ú

®Ú«Ú­VۦìÈÛÑÚÔÚ¯þæß | 1 |

@¾Úß¥Ú }ÚÁÚ×Ú«æM¥Úß *®Ú~ ÑÚ~

OÚÁÚÉ}Úß¡ ÑÚÄÔæ«Ú­¬M¥Úß

OÚÁÚßyÒM¨Úß

ÑÚÁÚÒeÛÑÚ«Ú ÁÚߥÚÃÂÞÈÚ%ÁÚ

ºÚÁÚ¦ @ÑÚßÁÚ«Úß ¸sÚ¥æ ·Û©Ñæ

ÔÚÂÈÚÁÚÁÚß ¥ÚMsæ~¡ ¶ÔÚßɨÚ

¥ÚßÁÚß×Ú«Úß ÌÁÚ }ÚÂ¥ÚÈÚ«Ú ¯Ã¾æß | 2 |

@dºÚÈÛ¦VÚÆVæ d«Ú¬ @M¶ßd®Û{

ºÚßdVÚÑÚ¬­ºÚÈæÞ{ ¬}ÚÀ OÚÅÛÀ{

OÚßd«ÚÈÚߥÚ%«Ú Éd¾ÚßÉpÚÄ«Ú

ºÚfÒ ®ÛsÚßÈÚ ºÚOÚ¡OÚàlÈÚ

¬d¦ ÑÚÄÔÚßÈæ«æM·æà ¸ÁÚߥÚß×ÚÙ

 

Éd¾ÚßÑÛÁÚ£ÉËÚÊMºÚÁÚ ¯Ã¾æß | 3 |

 

¶M¥Úß ¬ÅæàÇ OÚy| ÈÚßßM¥æ | ®Ú |

 

¶M¥Úß ¬ÅæàÇ ¬«Ú­ ®Û¥ÚOæQ

ÈÚM¦®æ

BM¦Áæ¾ÚßÁÚÑÚ VæàÞÉM¥Ú

ÈÚßßOÚßM¥Ú ¬Þ | @®Ú |

@ÁÚØ¥Ú OæM¥ÛÈÚÁæ¾Úß

©OÚQÂÑÚßÈÚ

^ÚÁÚzÛÁÚÉM¥ÚÈÚ ¬ÁÚß}Ú }æàÞÁÚß

¬Þ«Úß | 1 |

¬ÞÅÛÄOÚ

ºÚ´ÃÈÚßÁÚOÚßM}ÚÄÈÚßMt}Ú

ÈæßÞÅÛ¥Ú ÁÛOæÞM¥ÚßÈÚßßRÈÚ

}æàÞÂÑÚß}ÚÆ | 2 |

®Ú¥ÚßÈÚß«æÞ}ÚÃ«æ ¬«Ú­

ÑÚ¥Ú«ÚÈæ«Úß}Ú G«Ú­

ÔÚä¥Ú¾Úߥæà×ÚVæ ¬M}Úß «Û

ÈÚßߥڦ ºÚfÑÚßÈÚM}æ | 3 |

 

OÚ¾Úß ÈæàÁæ¾Úß OæÞØ OÚÁÚßy¦M

¶M¥ÚM}æ

OÚÁæ¥ÛVÚ ¬«Ú­ ^ÚÁÚyÈÚ

}æàÞÂÑÚß}Ú | 4 |

@dºÚÈÛ¦VÚØVæ ¬d®Ú¥ÚÈÚ¬}Ú¡M}æ

ºÚf®Ú ºÚOÚ¡ÂVæàÆÈÚ

Éd¾ÚßÉpÚÄÁæÞ¾Úß | 5 |

 

ºÚOÚß}Úd«Ú ÈÚßßM¥æ ¬Þ«ÚÈÚÁÚ

ÕM¥æ | ®Ú |

¾ÚßßOÚß~ OæçVæà×ÚÙ¥æàÞ VÚ¾ÚáÛ

VÚ¥Û¨ÚÁÚ«æ | @®Ú |

OÚmæoÁÚsÚß ¸W¥Úß «Ú¦ÑÚàÒ

®Ú¾Úßß}ÚÆÁÚÄß

OÚloÅæ¾ÚßÆ ÔÚÂVæàÞÄ ÔÛP

«ælo«æ A^æWÞ^æVæ ®æãÞW¶ÁÚßÈÛVÚ

ÔÚßlßo ÈÚßßM¥ÚÄÇ¥æ ÔÚÂVæàÞÄß

ÈÚßßM¥æÞ«Úß | 1 |

OÛ×æ ÔæVÛX×æ ¥ÚßM¥Úß» ºæÞÂ

}ÚÈÚßmæ ¬

ÑÛÓ×æ «Û«ÛÈÛ¥ÚÀYæàÞÎÚMVÚ×Úß

ÑÛÅÛW ¶ØÈÚt¥Úß ÑÚMºÚ´ÃÈÚߦ

¶ÁÚßÈÛVÚ

A×ÚßÈÚßßM¥ÚÄÇ¥æ @ÁÚÑÚß }Û

ÈÚßßM¥æÞ«Úß | 2 |

D}ÚÓÔÚÈÛÔÚ«Ú¦ ¸Þ¦ ÈæßÁæ¾Úß~ÁÚÄß

ÑÚ}ÚÓMVÚ~Væ ÔÚÂ¥ÛÑÚÁÚÄÇ¥æ ºÚOÚ¡

ÈÚ}ÚÓÄ Ò Éd¾ÚßÉpÚÄ ÈæMOÚmÛ^ÚÄ

ÈÚ}ÚÓ ÈÚßßM¥ÚÄÇ¥æ ¨æÞ«Úß }Û

ÈÚßßM¥æÞ«Úß | 3 |

 

 

 

ÑÚ¥Û G«Ú­ ÔÚä¥Ú¾ÚߥÚÆÇ

ÈÛÑÚÈÚáÛsæàÞ *ÔÚÂ |

@ |

«Û¥Ú ÈÚßà¡ ¬«Ú­ ®Û¥Ú ÈæàÞ¥Ú¦M¥Ú

ºÚfÑÚßÈæ | @®Ú |

eÛk«ÚÈæM¶ «ÚÈÚÁÚ}Ú­ ÈÚßMl®Ú¥Ú

ÈÚߨڴÀ¥ÚÆÇ

ÈæÞyß ÅæàÞÄ«Ú OÚß×ÚÙÂÒ ¨ÛÀ«Ú¦M¥Ú

ºÚfÑÚßÈæ | 1 |

ºÚP¡ÁÚÑÚÈæM¶ ÈÚßß}Úß¡ ÈÚáÛ{OÚÀ¥Ú

ÔÚÂÈÛy¦

ÈÚßßOÚ¡«ÛVÚ ·æÞOÚß GM¥Úß

ÈÚßß~¡«ÛÁÚ~ G}Úß¡Èæ |

2 |

¬«Ú­ «Û«Úß ¸sÚßÈÚ«ÚÄÇ G«Ú­ ¬Þ«Úß

¸sÚÄß ÑÚÄÇ

YÚ«Ú­ ÈÚßàÁÚß~ Éd¾Úß ÉpÚrÄ OæÞ×Úà

¬«Ú­ ºÚOÚ¡ÁÚ ÑÚàÄÇ |

3 |

 

 

 

VjgÁd avÀÛ GzÁgÀ fÃAiÀÄ-£Á ¤£Àß ¥ÁzÀ

PÉÌgÀV AiÀiÁa¸ÀÄvÀ¯É ªÀÄÄVªÉ£ÀÄ

PÉÊAiÀÄå-£ÉgÉ£ÀA©zÀªÀgÀ£ÀÄ!

JgÀªÀÅ ªÀiÁqÀ®Ä ¤£ÀUÉÆývÉãÀAiÀÄå-¦r ¨ÉÃUÀ£À

PÉÊAiÀÄå !

PÀgÀÄtÂUÀ¼ÀgÀ¸À£É PÁ«ÄvÀ ¥sÀ®zÀ£É

PÀjgÁd£À ©üÃPÀgÀ ºÀgÀ ªÉAPÀl ! ¥À®è« !

 

C¥ÁgÀ ªÀÄ»ªÀiÁ D¥ÀzÀãAzÉÆà D¥À£ÀßgÀ ¥Á°¥À

ªÁå¥ÁgÀ ¤£ÀUÀ®èzÉ ªÀÄvÉÆÛAzÀÄ PÁuÉ£ÉÆ dUÀ¢ !

¨sÀÆ¥Á£É ¨sÀƪÀÄ UÀÄtUÀt¹AzsÉÆà ¸Áé«ÄAiÀÄ

J£ÀVAzÀÄ!

¥Á¥ÀzÀ ¥ÀAPÀªÀÅ ¯ÉÃ¥ÀªÁUÀzÀAwà ¥Àj¥Á°¸ÀÄ

²æÃ¥Àw CAd£À !!1!!

 

PÀ°AiÀÄÄUÀzÉƼÀVB ¥ÀªÀðvÀzÀ°è ¸ÀjUÁuÉ£ÀÄ

JAzÀÄ!

£É¯É¹zÉ ¤Ã£Éà F ¸ÀܼÀzÀ°è ªÉÊPÀÄAoÀQAvÀ !

£É¯ÉAiÀÄÄ ªÉUÀμÀªÉAzÀÄ ¤Ã §°è CzÉà PÁgÀt E°è

d®d¨sÀªÁzÀågÀÄ M°zÉÆ°zÉÆ°AiÀÄÄvÀ vÀ¯ÉvÀÆUÀĪÀgÀAiÀÄå

¨sÀ½gÉ PÁAZÀ£À !!2!!

vÀgÀÄeÁw ªÀÄÈUÀ ¥ÀQêUÀttgÀ ªÉÆzÀ¯ÁzÀ gÀÆ¥À¢

¸ÀÄgÀgÀÄ Q£ÀßgÀgÀÄ vÀªÀÄä ¥ÀjªÁgÀ MqÀUÀÆr

ZÀgÀuÁgÁzsÀ£É ªÀiÁrzÀ «¸ÁÛgÀ F §UÉ ±ÀÈAUÁgÀ!

zÉÆgÉvÀ£À pëUÉ zsÀgÀt ªÀÄAqÀ®¢ ¸ÀjUÁuÉ£ÉÆ ºÉÃ!

wgÀÄ¥Àw ªÉAPÀl !! 3!!

 

ºÀ¢£Á®ÄÌ ¯ÉÆÃPÀzÀ ¨sÁUÀåUÀ¼É®è CªÀÄgÀgÀ

vÀÄwÛUÉ PÉÆlÖ

«zsÀªÉ¯Áè ¥ÀævÀåPÀëªÀÅ ¥ÀŹAiÉÄ®è £Á£ÀªÀgÀ

£ÉÆÃqÉÃ

CzsÀªÀiÁzsÀªÀÄ£ÀÄ ¤Ã£É§¥Éà®è J£Àß

AiÉÆÃUÀåvÀzÀ!

¥ÀzÀļÀ£ÉäºÀzÀÄ MqÀUÀÆr¸ÀÄvÀ¯É MzÀV ¥Á°¸ÉÆÃ

ªÀ¸ÀĪÀÄwzsÀgÀªÉÃð±À !!4!!

¸ÀĪÀtðªÀÄÄR¢ wÃgÀ¤ªÁ¸À £ÀªÀgÁwæAiÀÄ°è!

DªÀ §æºÉÆäÃvÀì÷ÛªÀ £ÉÆÃqÀ®Ä ²æñÀ

¸ÀA¥ÀzÀªÀ¤vÀÄÛ ¥ÀÇ

¯ÉªÁ£ÀÄ PÀ®ÄµÀzÀ ¨sÀAiÀÄ §gÀ°Ã¸À ²æà ²æäªÁ¸À

²æêÀgÀ ¨sÀÆzsÀgÀ «dAiÀÄ «oÀ® ¥ÀgÁªÀgÉñÀ

¨sÀÆzÉêÀgÀªÀgÀzÀ !!5!!

May Sri Vijayadasaru BLESS ALL

 

Sri KriShNArpaNamastu

 

 

GRRRao

Solihull (UK)

 

 

New Windows 7: Simplify what you do everyday. Find the right PC for you.