shrImadharikathAmR^itasAra - by Sri SGP CHAR - HKAS_03-24

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VYAPTHI SANDHI

  vArijAptana kiraNamaNigaLa

sEri tattadvaRNagaLanu vi

kAragaisade nOLparige kaMgoLisuvaMdadali

mAramaNa lOkatrayadoLiha

mUruvidha jIvaroLagiddu vi

hAramADuvanavara yOgyate kaRmavanusarisi…………………..HKAS_03-24

 

vArijAptana = irresistible sunrays for the Lotus flower

kiraNa = powerful band of rays

maNigaLa = precious stones like, diamond, sapphire, coral etc..

sEri = by their force of flow

tattadvaRNagaLanu = the respective colors of those stones

nOLparige = to those who are seeing it

vikAragaisade =  without changing their original color

kaMgoLisuvaMdadali = brightly display them

mAramaNa = laxmIpati’s ParamAtma

lOkatrayadoLiha = in tri-lOka-s i.e. bhUlOka, adhOlOka & URdhvalOka

mUruvidha jIvaroLagiddu = pervading in tri-jIva-s sAtvika (dEva),

rAjasika (mAnava) & tAmasika (dAnava)

avara = those jIva-s

yOgyate = svarUpa yOgyata

kaRmavanusarisi = according to their kaRma

vihAramADuvanu = deals with them according to His wish

 

JagannAtha dAsa explains in this stanza about the fact that ParamAtma, has infinite virtuous qualities, does not have an iota of demerit, has no disparity or unkindliness towards anyone.

 

The lotus flower unfolds its petals as soon as the sunrays strike the same. Thus the Sun is called “kamala bAMdhava” or “vArijApta”. vAri = in water, ja = born, meaning - lotus. The sunrays are pure white and very powerful. The nature of the sunrays is to bloom the lotus flower. The sunrays also display the respective colors of the many jewels such as the diamond (white), coral (reddish pink), sapphire (bluish black) etc..without distorting their original colors or the nature of those jewels. Just as the the sunrays remains niRduShTa without distorting neither the colors of the jewel nor the nature of the jewel itself, in the same way ParamAtma i.e. laxmIpati pervades in trividha jIva-s without distorting their svarUpa yOgyata. laxmIdEvi being the abhimAni dEvata for the tri-guNas, pervades in the sAtvika-s as “shrI” in rAjasika-s a “bhU” and in tAmasika-s as “duRgA”. sR^iShTi embraces the difference in the mUla prakR^iti due to these guNa-s.

 

Thus JagannAtha dAsa, addresses ParamAtma as mAramaNa. ParamAtma (similar to Sun) has the power of crores of Suns in terms of light and heat. Just as the sunrays are perfectly pure and white, in the same way ParamAtma is ever happy and flawless in all respects. Among the tri-jIva-s, Diamond having the most brilliance and it referring to Sattvika-s.

 

Sapphire/emerald[hari+maNi= mixture of two]has brilliance but not same as diamond and also it is mixed in its lusture referring to the rAjasika-s and coral being dull and having no brilliance at all referring to tAmasika (understanding of color references revised after the last clarification from Meera Tadipatri on HKAS_03-18 vyApti saMdhi dt. 5-March’05 in Dvaita List)

 

When the sunrays enter these jewels, we see their respective colours without any distortion in the nature of the colors. Similarly, ParamAtma pervades in trividha jIva-s and as biMba rUpi, without distorting their svarUpa svabhAva (nature) and according to their svarUpa yOgyata and anAdi kaRma, performs various kriya-s. Thus the anAdi svarUpa is indestructible. If the svarUpa has to be changed then the svarUpa is as good as destroyed.

 

ParamAtma is satyasaMkalpa, and His wishes always come true. He is Truth Himself. His sR^iShTi of chEtana-s and this world is true. The objective of sR^iShTi is to project the nature of different svarUpa guNa-s.

 

 

shrI kR^iShNArpanamastu