Guest guest Posted February 25, 2009 Report Share Posted February 25, 2009 Hi RK Daa, It's said that " Pratistha Sukari Vistha " , This is the temptation of Pratistha (Fame and Recognition) that those guys does this sort of pakhand leela. Let's Read Again - " A Vargamsha through subtle channels routes back to its parent Rashi tattwa.This is like one single body , with nine planets/shades/desires and nine pranas moving in zig zag manner across 108 amshas, This is like the Dance of Shiva where your attention/concentration varies according to your posture/steps " Writer " Vijay Das Pradeep " seems to befool himself as well as others, he is not doing a Metaphysical presentation rather a cheep concoct. Let's Laugh !! ~Lalit Vedic Astrologyandhealing , " arkaydash " <arkaydash wrote: > > > Lalit, > > Metaphysical parallelism too often lands discussions in a garbled limbo, > particularly when it is not well thought-out. Few have manged to do > this satisfactorily as the authors of Light on Life. They have gone into > such mathematical symbolism only when they can hold it till a cogent > conclusion is attained in dealing with the topic at hand, not while > casting about for nebulous raionale-finding. Even then the two authors, > Defouw and Svobada, don't always go very far in making any mark in > originality. It's good to mount metaphysics, better to alight on terra > firma. Crisp use of the tools of analysis (and of course some > theorisation) makes our endeavour surer. > > RK > > > > > Vedic Astrologyandhealing , " litsol " > <mishra.lalit@> wrote: > > > > Navamsa /Nakshathra Pada concepts > > > > 9.Uniform principle underlying definition of Vargamshas. A Vargamsha > > through subtle channels routes back to its parent Rashi tattwa.This > > is like one single body , with nine planets/shades/desires and nine > > pranas moving in zig zag manner across 108 amshas. Thus they can only > > occuppy 9 among the 108 at a point in time. This is like the Dance of > > Shiva where your attention/concentration varies according to your > > posture/steps. However these individual finer shades can be rooted > > back to the gross tattwa called Rashi. Nakshathras assigned with > > planetary lordships are again the same principle. Gross is the > > manifestation, like the Karmendriya. An evolution from the Beeja, > > whether its a seed or beeja of a mantra, it takes shape in the form > > of words, shabda,varnas. Thus gross is the canvas or projective plane > > without which comparison or relative study (relative accumulation and > > exhaustion of karmas) and measurement of cause and effect, becomes > > impossible.This is the very reason HE himself creates Maya and > > constantly engages in the process of Time/Space and evolution/Cycle. > > > > 10.Circle is the symbol of WHOLE. Circle is the symbol of continuity. > > It is a Wheel of Time. Rythm is cyclical.Srishti/Sthithi/Samharam is > > cyclical. External Soorya Padha and Internal Prana Padha are > > cyclical. Thus with 9 padas or steps based on stellar benchmarking > > Mahamunis were able to understand the principle of creation and > > evolution.Time Principle.Mathematically this comes to 30 degrees - 9 > > padas/navamshas. Aaditya is thus making 12 such rounds over 9 padas > > by the time HE makes one round along the said circle. > > > > 11.Rashi the gross principle is the canvas or aadhara or basis.It is > > the result of evolution or expansion from that state of stillness (No > > differentiation -Prana/Mana).It is the manifestation of thought > > process/desire of the root beeja.Taking shape.Once the exapansion > > begins the prana becomes a mere follower of the mana.This goes on > > until the quest begins. > > > > Pradeep > > > Quote Link to comment Share on other sites More sharing options...
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