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[SoHamsa] Chandas

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A note: Metres like Upendravajra with feet of 5 and 6 are very common in Sanskrit. Akhyanaki 5/6, Rathoddhata 6/5, Bhujanga-prayata 6/6; Drutavilambita 6/6 7/5, Hariruphita 6/6 6/5, Vam^asthavila 5/6 6/7, Indravamsa 5/7 and ikharim 6/6/56/6/4 are the shorter metres more frequently used in the major Sanskrit Kavyas. The basic structure is a variation of five, six or seven syllable foot with the caesura changing place and determining the nature of the cadence and lilt of the rhythm

 

 

 

Sanjay Rath

Monday, March 29, 2010 9:23 AM

vedic astrology ; sohamsa

[soHamsa] Re: Chandas

 

om gurave namah

Dear Chandan

Just keeping it simple. There is a whole class of chandas having the 6/6 feet where you will find the lines forming with 12 X 4 = 48 in each stanza. The variation used by Adi Shankara is 5/7, 6/6, then 6/6, 5/7 ...note the reversing like turning to right and then turning to left and sliding like a Naaga = Ketu movement. Genius mind of Shankara. The Dvadasakshari mantra (12) is actually 5/7 and not a 6/6 and strictly is not in this chandas. Stick to the simple formula for looking for 12 syllables that give the 12th house of moksha.

Best Wishes

Sanjay Rath

 

chandan s sabarwal

 

 

Monday, March 29, 2010 8:55 AM

vedic astrology

[vedic astrology] Re: Yousuf Passes to Goloka

dear sanjay ji,namaste,kindly elaborate on the bhujang prayat chhanda. our 10th guru , guru gobind singh ji too has written many verses in bhujang prayat chhanda , i think so in jaap sahib , but i dont remember correctly , i read jaap sahib several years ago.so maybe if u can show the formation of this chhand it will be useful to then read the path's and stotras written in it.like gayatri is 8 x 3 = 24 syllables , how is bhujang chhanda structured.many thanks and humble regards,chandan singh.vedic astrology , "Sanjay Rath" <sjrath wrote:>> om gurave namah> > Dear Lakshmi> > A dying man tried his level best to say something in the last few days, yet none understood him. He was being politically wrong but he knew that life is too short to live without compassion. Please ask Asif Ali for his chart details including punya chart, as I don't have them with me now.> > The following stotra by Adi shankara is considered the most auspicious to read after a departed soul.> > ===============Please read this once for YOUSUF====================> > Vishnu Bhujanga Prayata Stotram> [Prayer to Lord Vishnu]> By Adi Shankara Bhagawat Pada> Translated by P. R. Ramachander> > [bhujanga prayata is a meter for writing poems in Sanskrit. It means moving of a snake. Adi Shankara has written several prayers using this meter. There is a very interesting story about this stotra. Adi Shankara reached his mother's death bed before she died. He wanted to help her get salvation. So he composed a great stotra called Shiva Bhujanga Prayata Stotra in praise of Lord Shiva. As soon as it was completed, The servants of Lord Shiva came to take Shankara's mother to heaven. But she was terrified to see them, because they wore the dresses of the forest and dressed in tiger skin with belts of snakes. Understanding her problem, Shankara humbly requested the servants of Lord Shiva to go back and composed this prayer to Lord Vishnu in the Bhujanga prayata meter. Once he recited it, the servants of Lord Vishnu, who had polished God like looks came to accompany Shankara's mother to heaven. She was extremely pleased to go with them.]> > Chidamsam vibhum nirmalam nirvikalpam,> Nireeham nirakaramongara gamyam,> Gunatheetha mavyakthamekam thureeyam,> Param brahma yam Veda thasmai namosthu. 1> > Salutations to that God who is called that which is beyond Brahmam by Vedas,> Who is the Lord of the animated principle of life, who is clarity, who never dies,> Who does not have desire, who does not have form, who is known in Om,> Who is beyond three qualities, who is not clear, who is one and who is thureeya*.> > Vishuddham shivam santham adhyandha heenam,> Jagajjevanam jyothir ananda roopam,> Adhigdesakala vyavachadaneeyam,> Thrayeevakthi yam veda thasmai namosthu. 2> > My salutations to him who is told as trinity by Vedas,> Who is pure, who is peaceful, who is patient,> Who does not have beginning or end,> And whose limits cannot be fixed by stature or time.> > Samanodhithaneka suryendu koti,> Prabha poora thulya dyuthim durnireeksham,> Na seetham na cha ushnam suvarnavadatham,> Prasannam sadananda samvith swaroopam. 3> > He has the form having the dazzling light,> Of billions of moon and sun all rising together,> Which is difficult to be seen by the eye,> Having no heat nor cold and as pretty as gold,> And is always happy and pleased .> > Sunasaputam sundarabrulalatam,> Kireetochithakunchitha snigdha kesam,> Spurathpundareekabhi ramayathaksham,> Samuthphulla raktha prasoonavathamsam. 4> > He has very pretty nose and eyelids,> He has very wide and pretty forehead,> He has curled hair over which there is a crown,> He has eyes as pretty as the petals of lotus,> And wears the red hibiscus flower as ornament.> > Sphurathath kundala mrushta ganda sthalantham,> Japarogachoradharam charu hasam,> Aali vyakula modha mandhara malam,> Mahora sphurath kousthubhodhara haram. 5> > His shining ear drops dash against his pretty neck,> His red hibiscus coloured lips open for a pretty smile,> He attracts the bees because of the flower garland he wears,> And his chest shines because of garland and kousthuba gem.> > Surathnanga dwairanvitham bahu dandai,> Chathurbhischalath kanakanalankruthagrai,> Udharodharankrutham peetha vasthram,> Pada dwandwa nirdhootha padmabhiramam. 6> > He wears armlets made of pretty gems on his arms,> He decorates his four arms by wearing golden bangles,> He ties yellow silk cloth over his sto

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