Thiruppavai 14--ungaL purakkadai, 15.ellE ilam kiLiye

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nAyakanAi ninra nandagOpanudaiya

kOilkAppAnE koditthOnrum thOraNa

vAyilkAppAne maNikkadhavamthAL thiravAi

Ayar sirumiyarOmiukkaraiparai

mAyan maNivaNNam nennalE vAi nErndhAn

thooyOmAi vandhOm thuyilezappduvAn

vayAl munnammunnam mAttradhE ammAnee

nEyanilaikkadhavam neekkElorempAvai

 

You , the guard of the palace and the festooned gateway of Nandhagopa,our master, open the jewelled door.The enchanting and lustrous Lord Krishna has promised to grace us, the cowherd girls, who have come pure, to awaken Him.with our singing.Please open the main door without saying anything to the contrary.

 

Before getting the darsana of the Lord the dvarapalakas have to be entreated for granting permission to go in. It is called thadheeyapurskAra in vaishnavasampradhaya, which means that the bhagavathArAdhana will be fruitful only through bhAgavathArAdhana.

 

nayakana---vAyilkAppAne- It may mean that the guard at the palace and the one at the door are appeased or it may be that there is one guard who is referred to as both 'koil kAppAn and vAyil kAppAn.

 

The palace is called Koil because it is the abode of the Lord. The gate keeper is called by his occupation to please him like calling a minister by his position.The word nayakanai ninra may also be combined with koilkAppAn extolling him as the nayakan or prime factor in enabling the darsan of the Lord like the acharya who makes it easy for the disciple to approach the Lord.

 

koditthOnrum thOraNavayil-The flag flutters and the palace gate is decorated with festoons only when the king is there. The flag on the mansion of Nandhagopa indicated the presence of the Lord. It is interesting to note here what VlliputthoorAr ,who wrote Mahabharatha in Tamil, says about the flag moving on the top of the palace of Krishna when DuryOdhana was coming to ask his help in the war.

 

'eendu nee varinum engaL eziludai ezuvivaNNan pAndavarthangatkallAl padaitthuNai AgamAttAn;meendu nee pOga------kaigaLAl thaduppappOnru.'

 

It looked as though the flags waved its hands as if telling Duryodhana that Krishna will be helping only Pandavas and signing him to go back.

 

Kamban gives even a more beautiful picture about the flag that fluttered on the palace of Janaka as though calling Rama telling him that ho is wife is there.

maiyarumalarinneengi yAn sei mAthavatthin vandhu

seyyavaL irundhAL enru sezumaNikkodigaL ennum

kaigalai neetti andhakkadinaga rkamalacchengaN

ayyanai ollai vA enru azaippadhanpOnradhammA

 

It looked as though the flags extended their hands and invited the lotus eyed Rama to the city saying, "Sridevi leaving her abode of lotus has come here due to our penance and so you also come here."

 

kAppAnE-These guards protect Him who protects the whole world. Andal is the daughter of Periazvar who sang pallAndu to the Lord to protect Him from evil eyes and hence says that the guards are protecting the Lord.

 

Ayarsirumiyar-we are only cowherd girls and harmless and so you need not hesitate to let us in.

 

maNikkadhavam- the doors are imbedded with gems. Even the mansions of others in Ayarpadi are described as thoomaNimAdam and it is obvious that the palace of Nandhagopa should be even more rich in appearance.The attention is diverted to the external decor as long as one has not seen the deity inside the temple.But once we stand in front of the Lord we notice nothing except his form. Likewise till they go in, the appearance of the mansion, flag etc. are mentioned but once they stand in front of Him they could talk about nothing else but His glory.

 

Mayan-the word is used in three pasurams before this.

1. Mayanai mannu vadamadurai maindhanai-Pasuram no.5.-The wonder of his avathara is expressed here.

2.MAmAyan mAdhavan- in the pasuram 'thoomaNimAdatthu,' pasuram no.9-This is supposed to refer to the story of Muchukundha, who was sleeping inside a cave and Krishna led Kalayavana into the cave as though he is fleeing from him out of fear and Kalyavana attacked Muchukundha thinking that he was Krishna and was burnt by his look.I t was one of the mayaleela of the Lord.

3.MayanaippadelorempAvai-in the preceding pasuram 'elle ilamkiliye.. This has reference to the glory of Bhagavathas. The mayam of the Lord in enchanting even Narada, who became proud once that the worldly desires could not touch him and Krishna asked him to fetch a cup of water and when Narada went to the river, by the maya of the Lord he saw a beautiful damsel and married her and lived happily. When she and the sons he had from her died he sat on the bank and cried when Bhagavan approcached him and asked him that what ever happened to the cup of water he was supposed to fetch.Then only Narada realised that all was the maya of the Lord.

 

In this pasuram it is mentioned 'mAyan maNivaNnan nennal vAinErndhAn,' which refers to the episode of the hunchbacked whose hunch Krishna straightened and went to her house later as promised earlier 'nennalE vAi nErndhAn..' Also He promised Droupadhi that he will come to her resque when needed. Rama will promise easily and keep His promise at any cast but Krishna will not promise unless He is sure that He will fulfil it. He says to Droupadhi that the sky may fall down and the Himalayas may be reduced to pieces but His word will not be untrue.The same promise He gives in Gita ' kounthEya prathjaaneehi na mE bhakthah praNasyathi, that His devotee will never come to harm..

 

These are the explanations given by the great scholars and devotees.

 

ThooyOmAi vandhom- They have come with thrikaraNasuddhi, that is purity of body, mind and intellect.

 

ThuyilezappaduvAn-They want to sing inorde to awaken Him so that His glance will fall on them first as mentioned in a later pasuram.

 

vAyAl munnam----amma- As the tamil saying goes, 'sAmi varam kodutthAlum poojari varam kodudukkaNum,' the great personages may be quite accessible but the people around them may prove to be difficult.So the girls are requesting the door keeper to allow them in, telling him not to say anything on the contrary.

 

This pasuram contains all the three manthras of vaishnava tradition namely, he ashtakshara, Om namO nArAyanAya., the dvayamanthra, SreemannArAyanacharanou Saranamprapadhye;Sreemathe nArAyanAyanamah, the charamasloka, sarvadharmAn parithyajaya mAmEkam Saranam vraja ;aham thvaa sarvapApEbhyO mOkshayishyAmi mA Suchah.

 

NAyakanAi---koilkAppAnE-denotes the moolamanthra. Nayakan is the Lord who is the nayaka of the world.His koil is praNava,Om. Nandhagopan means the one who gives bliss ,Anandha and who is the protector, gOpa.As the bliss is given only through surrender the nama sabdha is included in this. The word ninra refers to Narayana and hence the moolamanthra is implied by this sentence.

 

koditthOnrum thOraNavayilkAppAnE- is the dvayamanthra. KoditthOnrum thoraNavasal meaning Vaikunta and the word kAppAn means the Lord.He gives mOksha to those who surrender to His feet.

 

Ayarsirumiyar -----nErndhaAn refers to the promise of the Lord in the Gita that He will redeem the ose who surrender to Him, which is the only qualification whether the prpanna is learned or low born.

 

Thuyileza-----amma- To wake up from the sleep of samsara the acharya is entreated to instruct the three manthras without reserve and the word ammA refers to the acharya.

 

neya nilaikkadhavam- the doors are two in each manthra , Om and namOnArAyanAya, in themoola manthra and the two parts of the dvaya and the two lines of the charamasloka.

They should be opened in the sense that the secret of the meaning should be opened by the acharya.