Guest guest Posted January 1, 2008 Report Share Posted January 1, 2008 NOTE: Readers having difficulty in reading the text may need to change their encoding to UTF-8. -------------- srI: SrI upakAra sangraham – 36 --- adikAram – 1 poorva upakAra paramparai (The Foremost Series of Favours) --- SECTION – 5 (6) [Continued] (27 Favours of the Lord leading to the means for MOKSHAM) ----- We have been seeing the favours done by the Lord through AzhvArs and covered six of the twelve AzhvArs. We are studying this sub-para of SwAmi Desikan's work: (6) " AzhvArkaLaiyum AchAryarkaLatyum koNdu, vEda-tattvArtta-prakAshanam paNNinatuvum; " There is an important aspect of SrI nammAzhvar's TiruvAimozhi. This work is considered as sAma vEdam. Besides, it establishes our siddhAnta of arthapancakam -- five essentials -- The Lord, jIvan, the means to be adopted by the jIva to attain the Lord, the stumbling blocks of poorvika karmas and the way to overcome them to attain everlasting Bliss. All the four works of the AzhvAr are considered as the commentaries on the three rahasyas, i.e., Ishvaran, cit and acit and their relations, as contained in the PAncarAtra scriptures. Next comes in the line of AzhvAras is SrI Kulasekara AzhvAr, who appeared in the Royal family ruling from vanjikkaLam in kollinagar of the present Kerala state. He was born to the Ruler, Drudavratan in the Royal lineage of cantrakala. His birth star is punarvasu in the Tamil month of mAsi. He was an incarnation of the koustubha gem worn by the Lord. This koustubha represents the jIva samudAyam. Kulasekara had a deep admiration of SrI rAmA's auspicious qualities. Besides, he had intense devotion for the arcAmoorti-s of the Lord. He lived for 120 years. He has left us a work named, PerumAL Tirumozhi containing 105 verses. In this, the AzhvAr eulogized the Lord in eight divine kshEtra-s. The popular " MukundamAlA " , is a work of over 40 Sanskrit verses attributed to SrI Kulasekara AzhvAr, in praise of SrI Krishna. The taniyan for the MukundamAlA speaks volumes about not only the AzhvAr's love for SrI ranganAtha, but also that of the citizens in his Capital: " ghushyatE yasya ngarE rangayAtrA dine dine / tamaham shirsA vandE rAjAnam kulashEkaram // " (I salute, bowing down my head, King KulashEkara in whose Capital city the journey to SrIrangam is announced every day.) There is a saying, " So the King is, so are the citizens, " which is cent-per-cent true in the case of this Royal AzhvAr. In his PerumAL Tirumozhi, SrI KulasEkara has recorded his deep devotion for the Lord. He expresses his intense desire to be present at the places of worship as any inanimate object to enjoy the Lord's presence. This Azhvar' devotion for the Bhagavatas is also highlighted in a number of verses. He says the service to the BhAghavatas is the ultimate goal for him, apart from having the everlasting darshan of the Lord. He begins this work by expressing his longing for a visit to SrIrangam to be in the company of His devotees. His desire for the dust of their feet is unmatchable. Our sampradAya stresses that our ultimate goal extends beyond our loving service to the Lord, SrIman nArayaNa. It is the Bhagvata seva -- service to the last of the devotee in the lineage of the Lord's devotees -- that should be the life of a SrIvaishnavite. This reflects the essence of the PAncarAtra scriptures and also the essence of the VedAnta, i.e., Upanishads. One of the Taniyans for SrI PerumAL Tirumozhi narrates an incident from this AzhvAr's life. It records his ardent devotion to the Lord's devotees: " Aramkedap parananbar koLLArenRu, avarkLukkE vArangkodu kudappAmbil kaiyittavan mARRalarai vIrangkedutta cengOl kollikAvalan villavarkOn cEran kulashEkaran mudivEntar sikAmaNiyE. " Once, King KulashEkara, in order to disprove an allegation against a BhAgavta-gust in his palace, put his hand in a pot containing a live poisonous snake in his fully packed Royal Assembly and the snake did not harm him, proving his highest regard for the Lord's devotees. In his MukundamAlA, SrI KulasEkara AzhvAr says all our limbs should be directed towards the Lord only. Our legs are meant for going to His temple. The hands are for doing archana and worshipping Him. Our tongue is for uttering His names. This work is a part our daily recitation. Perhaps this is to help us to develop similar devotion for the Lord as the AzhvAr. After SrI KulasEkara comes SrI periyAzhvAr, whose original name is SrI Vishnucitta. SrI PeriyAzhvAr appeared as the incarnation of Garuda, in a SrIvaishnava brahmin family in SrIvilliputtoor under the constellation of shwAti in the Tamil month of Ani, as a son to Padumai and MukundAcAryar. He established the VisistAdvaita siddhAnta in the presence of a big gathering of pandits in the Royal Assembly of the PAndia King, SrIvallabhadEvan at Madurai. PeriyAzhvAr was taken in a Royal procession on the Royal elephant when the Lord and His Consort appeared mounted on Garuda. PeriyAzhvAr witnessed the un-describable beauty of the Divine appearance and wished the Lord, His consort, the Sudarsana cakra, PAncajanya conch and the relationship between jIva and the Lord, a long life for thousands of years to come. This opening verse of his Prapanda has become the starting point of the recitation of the Divya Prabanda in Temples as well as homes. This is being followed even now. The work starts with the verses on the birth of Sri Krishna and His childish pranks in Gokulam while being under the care of YashOdA and NandagOpa. The later part of his work deals with the conduct of a devotee of the Lord, that is, leading a life in the constant thought of the Lord. This work contains 473 verses. He has also paid respects to 20 divya kshEtra-s where the Lord has taken abode. SrI AndAL, the only Lady AzhvAr, appeared in PeriyAzhvAr's Tulasi garden on the day of the star, Poorvaphalgini, in the Tamil month of Adi. She is an incarnation of SrI Bhoodevi, another Consort of the Lord. She had most intensive devotion for the Lord and as a child she used to wear the Tulasi garlands prepared by her foster father, PeriyAzhvAr for the Lord SrI rangamannAr of SrIvilliputtoor. The Lord also insisted on SrI PeriyAzhvAr to adorn Him with the garland after it is worn by SrI AndAL first. This is being followed even now in all SrIvishnavite temples as a regular practice. SrI AndAL has left us two works of Tamil pAsurams. The TiruppAvai is an eminent work with 30 verses, being recited and sung every day in temples and homes. It is a depiction of the penance as observed by the cowherd-women of Gokulam during the incarnation of the Lord as Krishna. It also contains the essence of Vedic truths. Every time when it is studied, we come to know of a new message, indicating the depth of the literature. SrI AndAL is also credited with another work, named, nAciyAr Tirumozhi, of Tamil verses totaling 143. In this, she has poured her deep love for the Lord and anguish in separation from Him. She wedded the Lord, SrI ranganAta at SrIrangam, as she was adamant that she will not marry any male born as a human being, as she is meant for being the bride of the Lord alone. The ten verses beginning with " vAraNamAyiram " are recited in wedding ceremonies in the SrIvaishnavite community. Tondaradipodi AzhvAr, appeared in a Brahmin family in the village of TirumaNdangudi, under the star of JyEshta in the Tamil month of mArgazhi. He is the incarnation of the Lord's SrI vaijayanti garland. He has left us two works, TirumAlai (40 verses) and Tirupalli ezhucci (10 verses). He worshipped only SrI rangantha of SrIrangam. The first work is the essence of Vishnudharma, a scripture of SrI shounaka. It highlights the effectiveness of the Lord's names. The second work is in the form of waking up the Lord, SrIrangantha. This is also being recited everyday in all the SrIvaishnavite temples and homes at the beginning of the morning worship. TiruppANAzhvAr is an incarnation of SrIvatsa which is a natural mark on the chest of the Lord. He appeared in a rice field in the outs-curt of uRaiyoor. He was brought up by a rural singer. TirupANAzhvAr used to sing in praise of SrIrangantha of SrIrangam from across the river KAvEri, as he was considered an untouchable. But the Lord ordered His chief priest to carry the AzhvAr on his shoulders and bring him to His sanctum to give darshan to him. On seeing the Lord on the snake-bed of AdishEsha, the AzhvAr burst out 10 Tamil verses describing the Lord from His foot to head and merged with Him. These ten verses are regarded as a rahashya scripture and SwAmi Desikan has written a commentary on them in his work, named, MunivAhana Bhogam. The last AzhvAr to appear in this series of saints is SrI Tirumangai Mannan. He was born as a son of neelan, a chieftain of a Chola king, in the tamil month of KArtikai under the Kruttika star. He was the incarnation of ShArnga, the bow of the Lord. He desired to marry a girl named, Kumutavalli, but she expressed her willingness on a pre-condition that he should feed one thousand eight SrIvaishnava devotees daily. He did so and in the process he spent all his wealth. In order to fulfill the promise given to Kumutavalli, he had to indulge in robbing travelers in the night. One day, the Lord was traveling as a newly married bridegroom, along the route accompanied by His newly wedded Bride, adorning Himself with a lot of valuable ornaments and intently got Himself captured by the AzhvAr. While robbing Him, the AzhvAr had to pick up the ring from the finger of the Lord using his mouth and that was the moment the Lord showed His real form and gave him the unique mantra, known as Tirumantram. That became the turning point in the chieftain's life. He came to be known as Tirumangai AzhvAr. He has left us six works: Periya Tirumozhi (1084 verses), TirukkuRuntANdakam (20 verses), TiruneduntANdakam (30 verses), TiruvezhukooRRirukkai (1), ciRiya tirumadal (40 pAsurams) and Periya Tirumadal (78 pAsurams). These works are considered as the auxiliary scriptures for nammAzhvAr's four works which are considered as the four VEdAs. SrI Tirumangai AzhvAr covered as many as 86 divya kshetras. He lived for 105 years and did yeomen services to the Lord, which are green in the memory of SrIvaishnavites even now. SrI Tirumangai AzhvAr begins his work highlighting the uniqueness of the Lord' name, nArAyaNa. As this and the other works proceed, the AzhvAr grows from the level of an ordinary devotee to that of a Lady-love, named ParakAla nAyaki, with an intensive devotion for the Lord. The subtle principles of Vedic scriptures, the way a devotee has to lead his life and the development of bhakti from the low to the highest level of Parama bhakti can be realized through a thorough study of his literature. (To continue) dAsan Anbil S.SrInivAsan ------- ______________________________\ ____ Looking for last minute shopping deals? Find them fast with Search. http://tools.search./newsearch/category.php?category=shopping Quote Link to comment Share on other sites More sharing options...
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