Guest guest Posted December 5, 1999 Report Share Posted December 5, 1999 Srimadh Azhagiya singar thiruvadikaLE saraNam Sri RanganAyikA samEtha Sri RangarAjan thiruvadikaLE saraNam thiru adhyayana sEvai - part 22 - athiyayana sEvaiyE aranganin pErAnandham ! Dear bAgawathAs, nalliravil thuthikkum eerath thuLigaL nalluRavil uthikkum vennira paLingu azhagain thEvaiyE vizhAkkal palAyiram athiyayana sEvaiyE aranganin pErAnandham meaning: The stars that are winking during the clear night sky are sending its rays to Sriranganm to do the prayers during the thiruvizhA every day and night. This is similar to the wet rain drops that are falling at Sriranga kshEthram to witness the thiru vizhA as well. The common thing is that they both dampens the Sriranga boomi and makes it a pleasant place for the vAsis of Srirangam. Thus they also serve the adiyArs of Sri Arangan. The full moon that appears is a wonder and is similar to a pure white marble in the sky. It is coming out in its full beauty only to be a " play toy " for Sri Krishna in Srirangam to play with it. There are thousands of uthsavams that are required to be conducted in Srirangam to celebrate the " athi aRputha Azhagu " of Sri Arangan. The adhyayana sEvai is the ursavam that gives the most joy to Sri Arangan. Simple reasoning as to why this is the best uthsavam of all: Sometimes this episode is interpreted in a different way as well. The fact that perumAL did not show the deepam alone but as well the bearer Sri utthama nambi, it could be understood that it clearly implies the saranagathi or prapatti mArga through an AchAryA. The " deepam " cannot have come to the garba gruham all by itself. Sri Utthama nambi has to carry it. Similarly the jivAtama jyothi cannot attain mOksam all by its own efforts. An AchAryA has to carry it to perumAL and such carrying is nothing but the prapatti or saranAgathi or baranyAsam done by an AchAryA on behalf of us. This being the case thirumangai could not wait to show this mArgam to the entire world. Hence he pleaded to perumAL that he brings Sri nammAzwAr and do a pArAyanam of his pAsurams that show the saranAgathi mArgam to attain HIM. AzhwAr wanted to make the chanting of these pasurams as a mOksha uthsavam or saranagathi upAya viLakka uthsavam itself. In all, we have mentioned (*) a purpose for each uthsavam in Srirangam so far. All these uthsavams are done for bagawath preethi only. However the parama preethi for perumAL is derived by perumAL HIMself when HE gets back what belonged to HIM all along. ie jivAthmAs. Such " getting back " is done through prapatti or saranagathi through an AchAryA. Due to perumAL's own thiru uLLAm it was revealed to thriumangai. Then subsequently through thirumangai himself this uthsavam was shown to the jivAthmAs that prapatti upAyam is a uyvikkum sAdhanam for jivAthmA. Since through this upAyam perumAl gets back HIS possession that is always dear to HIM, (that is jivAthmAs), and since this is the only uthsavam that facilitate jivAthmAs to know about it, this is the best of all uthsavams. There is no doubt about it. Even today this is the most highly attended festival in Srirangam. Sri nAthamuni and Sri udayavr themselves created even more elaborate arrangements to demonstrate the anubava rahasyasm of AzhwAr and make jivAthmAs understand this important concept of Srivaishnavam namely saranagathi or prapatti. Every temple has its own uthsavams. Many are different from temple to temple. But when it comes to thiru adhyayana uthsavam it is the most important festival adopted by almost all Srivaishanava temple symbolising the importance of prapatti. Srimadh Azhagiya singar thiruvadikaLE saraNam Sri RanganAyikA samEtha Sri RangarAjan thiruvadikaLE saraNam thiruk kudanthai Rengarajan (*) adiyEn is writing the uthsavams in a sequence from chitthirai to panguni. Though there are very important uthsavams that come during the period after thiru adhyayana Sevai , no one gives so mush pleasure for Lord and thAyrAr than this thiru adhyayana sEvai. adiyEn will continue to write on the other uthsavams after writing about thiru adhyayana sEvai. ***************************************************************** ____ Quote Link to comment Share on other sites More sharing options...
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