Guest guest Posted January 5, 2002 Report Share Posted January 5, 2002 19. KUTTU VILAKKU A chola king who was constructing one of the ramparts of the temple at Sri Rangam found that the beautiful circular design was being spoilt by the house of a disciple of KURATTAAZHWAN called PILLAI PILLAI AZHWAN, and ordered it to be demolished.Sri PARASARA BHATTAR adviced him against it explaining that it it is not his rampart but the mangalasaasana (PALLAANDU) of the devotees which would ensure safety to the Lord; and also that demolishing the house of a SriVaishnava would be sure to bring down the wrath of God. But the king turned a deaf ear to this advice, and becoming furious caused trouble to Sri BHATTAR, as a result of which he had to leave for Tirukkoshtiyur. While he was suffering the grief of separation from Sri Rangam and the Lord, his disciple NANJEEYAR requested him to compose a song in praise of ANDAL to mitigate his feeling of sorrow.There appeared from his lips the 'taniyan' " NEELA TUNGA etc " , which is the essence of the present paasuram (KUTTU VILAKKU). NAPPINNAI is lying on the costly couch along with Krishna. The cot stands on four ivory bases, the ivory for which was obtained by Krishna by his valorous act of plucking the four tusks from the murderous mighty elephant Kuvalayapida. Being the wife of a great hero she cannot get sleep anywhere else except on such a cot.The references to the various kinds of pleasures in this stanza is a suggestion by Andal that all gopis should get them in Sri Krishna's company and only for that reason Nappinnai is keeping company with Him. " If you don't ensure this, you surely don't have mercy, " Andal rebukes Nappinnai. Quote Link to comment Share on other sites More sharing options...
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