nalvedam and nalla maRai

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Nal vedam and nalla maRai the moment adiyen read the thread adiyens mind locked up in nalla maRai what is nalla maRai ?? how can we start from nalvedam and end up in nallamaRai. The

nal-Vedham write up has touched upon the aspect of SAma vEdham as nal-vEdham. A more study into this brings to light the following points kaNNan EmperumAn proclaims in the 10th chapter vEdAnam sAmavEdOsmi (10.22) it is not just a simple statement, The Almighty Himself makes and underlines the difference between vedam and nal vedam so all vedas are vedas and samaveda is nalveda swami emperumanar explains in githA bhAsyam.. Of the Vedas, namely, Of Rk, Yajus, Saman, Atharva, I am that Samaveda which is the paramount one Do we believe this just becoz kannapirAn's thathwOpadESam?? No we do believe becoz thathwa darSi vachanam also is the same. 14th pAsuram of Thriuchandha virutham indicate the same sAma vEADha gEthanAya chakrapANi allaiyEa... The reason is sAmavEdm's melody mingled with its direct analysis on brhama vishayam . Sri Azhagia maNavALa perumAL nAyanAr on continuing the mission to make us understand the importance of thiruvAymozhi explain this in details in sutram 52 of AchAryahridayam : chhandOgan entru saamaanyamAkAmal muthalilE piritthu yAzhpayil gAnaswarUpiyai pAlaiyAkiyentru viSEshikkayAlE vEda gItha SAmi nAn entru sAmam thOntra udgItha praNavatthai prathhamatthilE mARaaTi charamagathu muTivAka thoNdarkkamuthenna dEvAnnamAkki mahAghOsha nAl vEda olipOlE mahAdhyAyanamennappATukayAlE itthai chhaandOgya samam enbarkaL our key is vEda gIthA sAmi nAn entru.. the same as that of 10.22 srimad bhagavath githa. the

suthram explains, not only sAma vEda equivalence to thiruvAymozhi, it is more close to the udgItha portion of saamaveda, which contains chAdOgya Upanishad. AndAL begins where kannan stopped, with nAl maRai, 'vAi nallAr nalla maRai Othi..' 6-7 of NAchiyAr Thirumozhi. infact puthur swamis observation is very much correct that nalla maRai should be pointed directed to thiruvAymozhi, reason 1. it

could be rendered musically.....iyal iSai and nATakam reason 2. nAyanArs observation on chandogya/samaveda equivalence of thiruvaymozhi wounderful series on good/band padmanabhan swamin adiyEn rAmanuja dASan Sreekanth

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