SaTAri Satakam – 41 (kAlakshEpam and eternal kainkaryam)

[Guest guest]

SrI:

SrImahtE SaThakOpAya nama:

SrImathE rAmAnujAya nama:

SrImathE nigamAnta mahA dESikAya nama:

 

Dear SrI vaishNavAs,

---

peRRinip pOkkuvEnO unnai

en tanippEruyirai.....tvm-10.10.8

---

 

SS-59

sindittum mARanai sEvittum kETTuNarndum *

vandit tezhudiyum vAsittum – sandittum *

dAsan tirumAlin tALiNaiyil pAdukaiyAi *

pUsittum pOkkugirAn pOdu.

 

Pondering over nammAzhvAr, prostrating him, hearing on his

vaibhavam, feeling him, writing on his glories, reading his

srIsUktis and doing ArAdanam to him in the form of the divya-

pAdukAs are the ways to spend our time happily.

This type of kAlakshEpam is similar to the types of sAmAnya-bhakti

mentioned in Srimad bhagavatam:

SravaNam kIrtanam vishnO: smaranam pAda sEvanam |

archanam vandanam dAsyam, sAkyam Atma-nivEdanam ||

 

 

 

SS-60

pOdamarnda mAmagaLmEl pOdonRil AaNaiyAi *

mAdavanaik kUvinAr mARanE – sAdittAr *

Iyanga angi aDaikkalattAl kainkaryam *

vaiyamuyya vaikuNTa vAzhvu.

 

With the sadyOpAyam of prapatti, which has 5 auxiliaries, AzhvAr

attained the eternal kainkarya prApti at the lotus feet of

paravAsudEva perumAL, who is the prApyan and siddOpAyam.

One of the last pAsurams of tiruvAimozhi (10.10.2), wherein

nammazhvAr says " tiruvANai ninnANai kaNDAi " , brings out AzhvAr's

uncontrollable Artthi.

 

 

Pearls from the poems:

 

These two pAsurams bring out the happiest moments that bhAgavathAs

have and going to have in iha-para lOkams.

 

[saTAri Satakam is one of the many classic works of srI. U.vE.

M.S.Hari.]

 

dAsan