Guest guest Posted November 20, 2003 Report Share Posted November 20, 2003 SrI: SrImathE Nigamantha Mahadesikaya namah: SrImAn venkatanAthAryaH kavitArkika kesarI | vedAntAcArya-varyo me sannidhattAm sadA hRdi || May the glorious Venkatanatha, the greatest of teachers of Vedanta, and the lion among poets and debaters, reside forever in my heart. Dearest Srivaishnavas, Let us continue to enjoy other granthas of Swamy Desikan in summary form: PARAMAPADA SOPAANAM (article on this was written by Sri U Ve VS Karunakaran swamy for Sri Poundarikapuram Srimad Andavan151st Jayanthi malar ) Paramapada sopanam is one of Rahasya Granthas of Swamy Desikan. Rahasya granthas mean Secret texts, which are meant to be studied at the feet of a qualified preceptor by disciplined students with devotion. Swamy Desikan used maNipravALam medium here. Title: According to Srutha prakAsika, the word Parama Pada mean: i) Supreme Lord Sriman narayanan ii) His eternal abode that can be inhabited only by the emancipated soul. Sopanam in Sanskrit means stair case. So the title Paramapadha sopanam means Stair case to reach the Parama padham. Sources of Inspiration: Tradition has it that Sri Ramanuja once stated that a winding stair case could have been erected for all souls to climb to the eternal abode of the Lord if only he and his paramacharya Alavandhar had had the opportunity to live together for some time. There is another anecdote attributing Bhattar as having stated that only if he could live for some more time, he would have erected a winding stair case to the Parama padham. In Vajapeya sacrifice, it is prescribed that the sacrificer climbs the Yupasthamba with the help of a ladder and chants manthras with both hands up saying “I reached the heavenly abode”. Swamy Desikan might have blended the anecdotes with this act prescribed in Vajapeya sacrifice and built this concept of stair case to Parama Padham. One may incidentally note that the rahasya called archiraadhi of Pillai Lokacharya and Paramapadha sopanam of Swamy desika complement each other. Structure of the text: The text if made up of nine chapters. Chapters are called “parvas” meaning steps keeping in line with the name “stair case “ given for the work. The nine steps are: 1.vivkea (Discrimination) 2.Nirveda (disgust) 3.Virakti (dispassion) 4.Bheethi (Sensitization) 5.Prasadana (Pleasing or Propitiation) 6.Utkiramana (Departure) 7.Archiradhi (the route starting) 8.Reaching the divine region 9.Union with the Supreme The study of this grantha will reveal that it is almost a very useful epitome of Rahasyatraya saram the magnum opus of Swamy Desikan. Structure of the text: The text if made up of nine chapters. Chapters are called “parvas” meaning steps keeping in line with the name “stair case “ given for the work. The nine steps are: 1. vivkea (Discrimination) 2. Nirveda (disgust) 3. Virakti (dispassion) 4. Bheethi (Sensitization) 5. Prasadana (Pleasing or Propitiation) 6. Utkiramana (Departure) 7. Archiradhi (the route starting 8. Reaching the divine region 9. Union with the Supreme The nine steps can be grouped into three sets, say landings. The first four steps (viveka to bheethi) make the soul qualified to try emancipation. Hence, they are known as Adhikarana Petika. The fifth step forms one set called Upaaya petika. Steps sixth to ninth with the phala that is, the fruits enjoyed by the soul, in the process of emancipation and after it attains emancipation. These steps can rightly form a box or petika that can be captioned Purushaartha Petika. The summary of the text: A soul should gain analytical knowledge. This is the first step to be climbed. This analytical knowledge enables him to discriminate the three components of the universe i.e. the individual soul, the inanimate (achith) and the supreme (Sriman Narayanan). The Properties and nature of each of the three should be understood. Once the seeker understands his limitations, realizes that all other souls are as limited as he, appreciates the bondages created by his attachment to achith, and appreciates that only Sriman Narayanan can protect and free him from the bondages, he becomes qualified to climb the next step. The seeker feels for having wasted all his time in pursuit of materialistic prosperity and the consequent sins and the inevitable stay in hell. He is disgusted with the past foolishness. This leads the seeker to the third step which brings in detachment from all the mundane pleasures and prosperity. This takes him to the fourth step where he is highly sensitized. He is scared of his future – after this life is over. He has to do something to ensure that he is liberated from his oscillations between heaven, hell and earth , by pleasing the Lord. Bhakti and Prapatti Yoga are means of such propitiation. Bhakti yoga needs knowledge, capacity and qualification by birth, etc. It gives results only in a leisurely manner; prapati has no such limitation. Fruits can be achieved at the specified by the seeker. The seeker can choose between the two. Adopting any of the two means forms the fifth step. When such a seeker’s soul departs from the body, the departure can be either in uttarayaNam or dhakshiNAyaNam. His puNyas and papas are distributed to his friends and enemies respectively. The Lord provides him with memory of His Feet while the soul departs from the body. The eleven organs and the praana are all assimilated and converged in the subtle form at the soul. The soul with all these is amalgamated with the five basic elements in their micro form. The soul with this group takes rest with the Lord residing in the heart so that it gets relaxed. (I heard that there is tremendous pain when these five elements are extracted from the neck bone and is mixed, the Lord gently hugs the soul in order to lessen the suffering. How compassionate is our Father!) Then the Lord in the heart – the Haarda guides the soul to the “Exit” sign from the body thorugh the sushumna naadi by opening the Brahma Randhra (which is supposed to be in the center of the top of the head.) Now the seventh step. The departed soul is offered homages enroute Parama padham by the controlling deities of the Fire, The Day, the waxing cycle of the Moon, the Uttarayana, the six months during which the Sun travels in the direction of north the Year and the wind. They receive the soul and guide it through their region with all respect. Then the soul pierces the Sun’s orbit. It reaches the Moon, with its guidance the soul reaches the Amanavan who takes the soul through the abode of Varuna, Indra, Prajapati. Amanava accompanies the soul to Lord Sriman Narayana’s eternal abode. The ones who leave the mundane world this route will not be born again. This takes the soul to the eighth step. The river “viraja” flows between the mundane (prakritha) region and the eternal region (aprAkritha), the Parama Padham. The soul crosses the river bi its will and reaches the Parama Padham. Here the soul enjoys the scenery of celestial ladies throng to receive the soul and decorate the soul. The soul now is full of Divine odour and splendor. It sees the Lord seated on Adi seshan. The final step is the union with the Lord. The soul enjoys the Lord from His top to toe. The Lord crowns the soul with His Feet. Clinging to His Feet the soul climbs the Divine seat of the Lord. There takes place a conversation between the Lord and the emancipated soul. The soul narrates to the Lord all the blessings he had received from him and prays to the Lord to accept his service. The soul gets the divine grace of the divine couple and is full of Para Bhakti, ParajnAnam, and Parama Bhakti. He becomes as close as the shadow of the lord performs all types of services at all times as Adhiseshan, Garudan, Vishvaksenar et al. perform. This work thus is a history of the Travel of the soul. This work like any other work of Swamy Desikan is a well planned and beautifully presented one. Each of the parvas starts with a Tamil verse and concludes with a Tamil verse that serves as a synopsis of the Parva. The main objective of the work is to teach us the taste of Lord’s physical form and His abode. Swamy Desikan composed a Sopanam “The Bhagath DhyAna Sopanam” in Sanksirt on Lord Ranaganathan, for easy meditataion of Lord Rangan’s form. But Paramapadha sopanam, where enjoying the Lord in Parama padha is described, is a blend of Sanskrit and Tamil verses mostly with the phrases of AzhwArs. This goes well with the declaration of Swamy Desikan that the language of communication of emancipated souls in Vaikunta (where medium of communication is needed only for the mere pleasure of communication as the emancipated do not need any medium of communication, because of their fully blossomed state of Dharma bhUtha jnAnam) is only Tamil. J In this work he sings that in Parama Padham, we will sing only Pallandu. The Great Acharyas of Kanchi have been so fascinated by the description of Lord in Paraapti Parva in this text, that they have prepared a moving Thirumanjana Ghattiyam for Lord Varadan borrowing literally from this work, which is recited before Lord Varadan during abhishekam. No doubt Swamy Desikan himself declares this work as “Swabhava chithram”- very beautiful by nature, in the final sloka of Parama padha sopanam. One of the thaniyans of text says that in the pretext of Parama padha sopanam, Swamy Dseikan brought out all the Gems of Vedantha Saasthra. Any reader of the text will understand that this is not a flattery; BUT TRUTH. A study of this text will reveal that it is almost a very useful epitome of Rahasyatrayasaram the Magnum Opus of Swamy Desikan. Swamy Desikan ThiruvadigaLE SaraNam Regards Namo narayana dAsan kavi-tArkika-simhAya kalyANa-guNa-SAline | Srimate venkateSAya vedAntagurave namaH || Salutations to Sri Venkatesa, in whom all perfections reside, who is the teacher of Vedanta and the lion among poets and debaters _______________ Get 10mb of inbox space with MSN Hotmail Extra Storage http://join.msn.com/?pgmarket=en-sg Quote Link to comment Share on other sites More sharing options...
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